Tag: novel

Sheriff Bride, by Teresa Ives Lilly

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Literary rating: ★★½
Kick-butt quotient: ☆

This short (107 pages) novel is the series opener for the Sheriff Bride series. (The latter has more recently been marketed as the Brides of Waterhole, Texas series, which includes additional books; but my interest is just in the original tetralogy.) Each of the four books (all written by different authors) focus on a different one of the four Hardin sisters, whose unique situation is delineated in the first book, set in the later 1870s. (No date is actually given, but there’s a passing reference to a wanted poster for the notorious outlaw Sam Bass, who was criminally active in 1876-78.) Raised in eastern Texas, the sisters were reared in the Christian faith by their devout mother, who’s been dead for years. But their father was a physically abusive drunk, who resented the fact that they were born female. However, he was a tough customer well versed with firearms, and in his sober moments taught them gun skills, hunting and tracking techniques (he lived off the furs from their hunting, though he drank and gambled away most of the proceeds) and wilderness survival. By the time our story opens, his reputation for prowess at shooting has spread to western Texas.

The book opens with the text of a short letter from one Mark Carlin, banker and leading citizen of Waterhole (population 35 in the town proper, all male), accepting John Hardin’s application for their advertised position of first-ever town sheriff. (That’s actually an authorial error, since in most U.S. states sheriffs are elected to serve entire counties; a peace officer hired to serve just one community would be a town marshal, as opposed to a Federal one.) Having celebrated his good fortune with a drinking binge, however, the inebriated Hardin died in a fall from his horse on the way home. But Carlin had sent him a generous amount of cash for traveling expenses. At the suggestion of eldest sister Sam (Samantha), not having any money or other employment prospects, Jo, Dan and Rob, a.k.a. Josephina, Daniella, and Roberta, agree to join her in traveling across Texas to present themselves as willing to share the position. As readers will be well aware, the wild West of that day wasn’t a hotbed of equal employment opportunity ideals, so the prospects for the success of the ladies’ quest in the face of ingrained male sexism are daunting.

While this is an excellent and very original premise for a novella series, though, the execution of it here has to be called somewhat lackluster. Lilly’s prose style tends to be repetitive, both in language (and in using character’s names over again where a pronoun would serve her better) and in ideas, with points often being restated or reemphasized in the same paragraph when it’s not needed; she also has a tendency to tell when there would be more effective ways of showing. Some attempt was made at editing, but the proofreading was poor (there are only a few typos as such, but I finally deduced that the three or four bracketed repetitions of a sentence in different words were vestiges of textual corrections that weren’t edited out in the final draft!).

There are continuity issues that better editing would have corrected; for instance, in one chapter characters continue talking while waiting after knocking at a door, only to arrive at the door and knock after finishing the conversation; and while the sisters arrived in Waterhole by stagecoach, in a late chapter their arrival was said to be by train. (The town has no train station.) These tended to take me out of the story. In one scene, a doctor extracts a bullet from a gunshot wound in a man’s hand; but the average revolver in that setting fired a .44 bullet, which at the short distance involved there would never have been stopped by the relatively flimsy carpal bones of a human hand. ((On reflection, though, given the position of the combatants, this is actually plausible, given that the bullet had to first pass through the target’s clenched fingers and then through the handle of the gun he was holding. But in my opinion, that still should have been explained.)

On the positive side, the story held my interest, and my wife’s (we’re reading the series together –and yes, we do plan to follow it.) The theme of women proving themselves in a demanding and male-dominated profession that requires some combat skill comes through despite the mediocre execution, and appeals to readers (like myself) who admire action-oriented heroines and appreciate an equalitarian feminist message. (In the latter respect, the ending is also particularly good.) Given that the small-press publisher here is Lovely Christian Romance, it won’t be a surprise that Lilly (and the other series writers) is an evangelical author and that Christian faith plays a role in the tale. (One character is a preacher; Christian ethics underlies the discussions about lethal force, and there’s a serious appreciation of the redemptive power of the gospel.) It also won’t be a surprise that one aspect of the story (which doesn’t swallow up the other aspects!) is a clean romance, but for me that was a plus. (Given that the main storyline takes up a bit over two weeks, it could be faulted as a case of insta-love, but I felt it was plausible under these circumstances and in this era.)

A final point that could be made is that while we’re told that Rob, the youngest sister, is only 14, we aren’t told the older ones’ exact ages, and I’d like to have been. (Their mother was married for 25 years, and died when Rob was fairly young; but we’re not told exactly how young, nor how long it was into the marriage before she bore Sam. Sam could be anywhere from her mid-30s to her very late 20s; I picture her as about 29, and the other two ladies in their mid-to-late 20s.)

Author: Teresa Ives Lilly
Publisher: Lovely Christian Romance Press, available from Amazon, both for Kindle and as a printed book.
A version of this review previously appeared on Goodreads.

Overturned Heart, by A.W. Hart

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Literary rating: ★★★★★
Kick-butt quotient: ☆☆☆☆

A. W. Hart, the nominal “author” of the Avenging Angels series of western adventures featuring a twin brother-sister pair of bounty hunters in the post-Civil War West, is actually a house pen name; the books are all really written by different authors. (The writer here, Paul Ebbs, though working in a quintessentially American genre, is an Englishman, but a long-standing Western fan.) Barb and I were introduced to the series because the author of one of the books, Charles Gramlich, is one of my Goodreads friends. Before starting on this one, together we’d read and liked three of the books. But, because it’s a long, episodic series (in which the books after the first one don’t have to be read in order), and I was impatient to see whether one romantic connection and another possible one set up in the first book would really come to fruition, I suggested that we make this concluding volume our next read, and she agreed. (To avoid a spoiler, I won’t say whether or not my hopes on that score were fulfilled.)

No exact dates are given here; but since the first book began in 1865 (the next book would have to have been set in 1866) and judging from the number of intervening adventures, I’d guess the main storyline here to be set no earlier than 1870, making co-protagonists George Washington (“Reno”) and Sara Bass in their early 20s at least. But the book opens with three short Prologue vignettes, the first dated “twelve months ago,” from the viewpoint of an unnamed female pushed off of a bridge to a 40-foot drop into a raging river, followed by two more dated, respectively, three and two “months ago.” None of these give us much information; but we are told that she survived, that her brother Robert Stirling-Hamer was a wealthy Arizona copper-mining magnate who has been murdered, and that his accused killer “Don” was in turn killed by bounty hunters (guess who?), but that Don’s brother in New York has now gotten an anonymous letter claiming that his brother was innocent.

Our main story opens with the Bass twins in a tight situation in West Texas, in danger from a psychotic fugitive who’s already murdered his own parents and set fire to a schoolhouse full of kids. But they’re soon to learn that there are now wanted posters out for them, claiming that their killing of Donald Callan eight months previously was an unauthorized murder. From there, the present narrative is periodically interspersed with flashbacks to “eight months ago,” doling out strategic memories of the earlier events (which will finally come together with the present), and at times some short scenes from an omniscient third-person narrator describing present goings-on in Robert’s town of Dry Mouth; but none of these fully explain what actually happened with Robert’s murder. and may at times deepen the mystery.

Ebbs writes very well, with a gift for apt and fresh (but not overdone) similes and vivid turns of phrase. He also brings the varied Southwestern landscape to well-realized life. The publisher and writers have always tried to make this series Christian-friendly; but where it’s clear that some of the authors had only vague knowledge of Christian beliefs, Ebbs actually does explicitly refer to Christ’s sacrificial death for sin in one place. A unique feature here (at least, compared to the other three installments we read) is that all of the chapter titles have biblical or hymnic cadences, and epigraphs that I’m guessing come from the Anglican Book of Common Prayer. Although the book is very violent (as usual for this series), bad language is scanty and not very rough, and there’s no graphic sexual content and little reference to sex at all. (A Catholic priest is a sympathetic character, Reno’s search for God’s guidance here is a realistically-treated and important theme, and the Bible he inherited from his dad plays a big role.) Reno and Sara’s character portrayals are in keeping with the earlier series books we’ve read (except that Sara’s ruthless streak, at one point, cranks up a notch that even startles Reno).

There are a few nits to pick here, mostly with a number of places where typos in the form of omitted words, negative statements inadvertently expressed as positives or vice versa, etc. change the meaning of sentences; but I could always tell what was meant. A statement early in the book seems to suggest that Sara has lost her faith, but Ebbs subsequently back-peddles from that. Reno’s Bible at one point is described as a “Lutheran Bible,” so while the author knew about the Christian gospel, he obviously wasn’t much versed in church history. (Many U.S. Lutherans in the 19th century were still German-speaking, so would probably still have used Luther’s 16th-century translation; but any that were English-speaking used the King James Version, like all other Anglophone Protestants.) But these are minor quibbles. Overall, I found this an outstanding entry in the series! However, Barb did not; she greatly/exclusively favors linear plots, so she was VERY put off by Ebbs’ non-linear storytelling here (and also disliked the ending, though I didn’t), to the extent of being soured on the rest of the series. So, we’ll be abandoning it, at least for a while.

Author: A.W. Hart
Publisher: Wolfpack Publishing, available through Amazon, both as a paperback and an e-book
Book 12 of 12 in the Avenging Angels series.

 

 

Robyn Hood: A Girl’s Tale, by K.M. Shea

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Literary rating: ★½
Kick-butt quotient: ☆☆

Despite being a short 158 pages, this definitely managed to out-stay its welcome. There’s books aimed at the young, and then there are books which leave you feeling like you have actively lost IQ points reading them. Guess what category this falls into? It’s not a terrible idea, taking Robin Hood and making her a woman. Could have been worse: she could have been a black, bisexual rapper too [I wish I was joking]. We have been somewhat here before, with The Adventures of Maid Marian, in which Marian takes over after Robin Hood goes off to join the Crusades. The problem here is, a gender switch is where the creativity stops.

The setting is the same: ye olde middle-ages England. Robyn is forced to flee after shooting with an arrow one of the Sheriff of Nottingham’s men. She hides out in nearby Sherwood Forest, stealing from the rich to give to the poor, and assembling a band of outlaws around her: Friar Tuck, Little John, various people called Will. There is an archery contest. In order words, pretty much all the stuff that happens in the original story, or one of the dozens of adaptations which are embedded deep in popular culture. Apart from RobYn, Shea does nothing interesting with the tropes. Life for the heroine is pretty, pretty easy, with the locals giving them everything necessary, and wannabe outlaws falling over themselves to become Merry Men.

Indeed, there’s only one point at which there is a genuine sense of danger, when the Sheriff’s men launch a surprise attack, where Robyn is thrown into a river and nearly drowns… until she is rescued by her horse. Yep. Said equine is certainly smarter than the antagonists here, who are mind-numbingly incompetent, when they aren’t being purely obnoxious. The ease with which Robyn is then able to rescue her captured henchmen renders their threat impotent. I get that this is not intended to be, in the slightest, a realistic depiction of the time. However, it’s not a convincing depiction of any time, and might as well take place as a skit at your local Renaissance Fair.

This volume ends with Robyn leaving the group, after being beaten in an archery contest by one of her men – under dubious circumstances. While it makes precious little sense, considering the slavish devotion they have shown to her up until that point, it’s the first time the author has done anything with the potential to be interesting. However, it comes far too late to salvage my interest in my going on to the second book. Which, given the short length, could easily have been combined into this volume. If you’re going in, to avoid disappointment I would suggest you expect something aimed at a slightly backward eleven-year-old. To be safe, maybe expect something which was written by one as well. 

Author: K.M. Shea
Publisher: Self-published, available through Amazon, both as a paperback and an e-book
Book 1 of 2 in the Robyn Hood series.

Stepping Outside, by Theodore B. Ayn

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Literary rating: ★★★★★
Kick-butt quotient: ☆

This e-story (at 73 pages, it’s at the longish end of the “short” story continuum) by my Goodreads friend, new independent author Theodore B. Ayn, is one of several recently-published works to his credit, and so far the only one of them that I’ve read. (I’m hoping eventually to read the rest.) While I didn’t officially receive it as a review copy, I treated it as one (the author kindly extended a general offer of a free e-copy long enough to allow me to take advantage of it when I’d otherwise have missed out). When I started it, I’d intended to read only a short bit, and to return to it later; but I wound up finishing it in a single sitting. As that indicates, it was (at least for me) a page-turner, and a propulsively quick read.

Ayn has an obvious admiration and respect for women who are both strong and muscular physically and who have a matching moral and emotional strength (an attitude that I share); and based on the cover art and descriptions, this is exhibited in all of his works, not just this one. (Arguably, the description of this one provides information that would be better picked up by the readers as the narrative goes along, though it isn’t a “spoiler” as such.) Basically, this particular story, set in a small Midwestern town that’s never identified in any more detail than that, pits brawny waitress Jeannie against even brawnier ex-biker gang member Clyde (no last names given for either) in a physical confrontation brought on by his sexism, arrogance, and hot temper. That description, however, is deceptively simple. This is a character-driven story which isn’t simple at an emotional level, and also isn’t predictable. (It should also be stated at the outset that it’s not an “enemies to lovers” romance; there’s no romantic element in the tale at all, let alone between the two adversaries.) Both main characters are complex, and developed in surprising depth.

The prose style here is straightforward and direct. Overall, Ayn prefers straight narration over dialogue, though he provides realistic dialogue where it’s needed to reveal character and move the plot. Technically, it could be claimed that, especially in developing his two lead characters’ back stories, he uses a fair amount of telling rather than showing. But within the constraints of the short format and of the centralizing of the fight itself as the outward core of the story (though inward developments are taking place at the same time), there’s no real alternative to that technique, and it’s actually well-suited to the kind of effect the author successfully creates. This is descriptive fiction, with no speculative element. I’ve characterized it as general fiction, rather than as crime fiction or action-adventure, because the characters are ordinary civilians, neither career criminals nor law enforcement professionals; no guns are involved, the setting is mundane, and the situation is one that could easily occur in everyday life. We’re in a very different atmosphere and milieu than that of, say, a typical Modesty Blaise adventure.

A word is in order about the art work here. While this isn’t a graphic novel as such, it’s greatly enhanced by, altogether, no less than 30 illustrations (some full-page) of particular scenes, in the same style as the cover art. These serve the same purpose that traditional book illustration always has, that of enabling the reader to more vividly visualize the characters and events of the story (and serve it very effectively!), but as the author confirmed to me in a personal message, they’re AI-generated. Personally, I would argue that such a use of AI to supplement the author’s creative vision is legitimate; it brings to life scenes he wants to depict in the way he wants them depicted, but with a draftsmanship he wouldn’t actually be able to create by hand. (Though the ability to use AI to create it also requires an expertise of its own.)

Unless a reader is scandalized by the sight of bare female arms or legs, there’s nothing salacious about the art here, and nothing suggestive or sexual about the story’s content. Bad language is limited to a couple of d-words. While this isn’t “Christian fiction,” it is fiction written by an author who’s a Christian; but it’s not “preachy” in any sense. (The lead characters are secular, and their spiritual state is only referenced in a single sentence.) It is, though, fiction that focuses on a rough, no-rules street fight between a man and a woman, with an antagonist whose moral code doesn’t include any scruples about hitting a woman, and a female protagonist who doesn’t see her gender as disqualifying her from slugging or kicking a man if it’s necessary. The author also has the kind of moral vision which can view a physical fight as an instrument, rather than an antithesis, of moral order. This story wouldn’t be recommended for readers who would be repelled or triggered by that type of imagery, content, or messaging. However, I’m not numbered in that group; and for me the story proved to be ultimately wholesome, emotionally enriching, and rewarding.

Author: Theodore B. Ayn
Publisher: Self-published, available through Amazon, currently only for Kindle.
A version of this review previously appeared on Goodreads.

Nite Fire: Flash Point by C.L. Schneider

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Literary rating: ★★★
Kick-butt quotient: ☆☆☆

Dallas Nite is a dragon. Well, some of the time. For dragons are actually shape-shifters, capable of changing form, and that’s how she is able to pass for a human here. On her home planet, she had been an assassin for Queen Naalish, until she balked at carrying out one hit. Condemned to death, she fled through one of the interplanetary portals, ending up on Earth. Effectively immortal, Dallas has been in exile here for ninety-seven years since, making sure no other unauthorized creatures come through the portals – part of an uneasy truce between her and the aristocracy. Part of her job also involves ensuring any trace of dragon activity is covered up, these being explained instead as “spontaneous human combustion.” But after a whole family is slaughtered in fiery fashion in their home, it becomes increasingly difficult for her to keep a lid on things, and her past comes back with a vengeance too.

As urban fantasy goes, this is solid, rather than spectacular. There’s some nice world-building, with the idea of the portals well-explained, and offering plenty of scope for a variety of adventures (the epilogue does a particularly good job of pointing the way forward). I also appreciated how Dallas is employed as an investigator of “suspicious fires” by the local police department in Sentinel City which, given the obvious dragonish nature of her talents, is a good fit. Additionally, she has the ability to sense and re-experience people’s traumas. While the talent comes with baggage of its own, this is particularly useful for the case in question. It does feel like you’re joining the story in progress, almost a century having passed since Dallas’s arrival on Earth. I would be very interested in hearing, for example, what she got up to during World War II. A were-dragon would seem to offer certain advantages as a secret agent.

While the more relevant gaps of her past are filled in eventually, it is a bit of a cheat, with knowledge being withheld from the audience, that Dallas and the other characters clearly possess. We probably needed additional background on the dragon hierarchy too. There were some characters whose roles and significance remained a little too obscure. For example, Reech is one who only shows up at the half-way point, and I am still not sure exactly how he fits into things. What ends up as the central conflict, between Dallas and former apprentice Brynne, delivers some impressive battles (I said effectively immortal above, for a reason…), and focusing more directly on that could have paid dividends. At almost four hundred pages in length, there were times where getting through this did feel a bit of slog. However, a turn of the page would then bring me into something cool, and it provided enough of those moments to cross over the finish line without too much trouble. 

Author: C.L. Schneider
Publisher: CreateSpace Indepenedent Publishing, available through Amazon, both as a paperback and an e-book
Book 1 of 5 in the Nite Fire series.

Gehenna: Naked Aggression, by Patrick Kindlon and Marco Ferrari

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Literary rating: ★★★★
Kick-butt quotient: ☆☆☆☆½

“What I need is stories where men get kicked in the chest. Stories where guns only run out of ammo for dramatic effect. I need pulp. I need exploitation. I need fun.”  I used to read a lot of comics, before moving to America. As in, most weekends involved a trip to Forbidden Planet, Gosh!, or Mega City Comics, coming home with a carrier bag of new issues. Then there were the trips to Paris… But I just kinda stopped – no particular reason – when I emigrated. There is still a large cardboard box, unopened from the move 25 years ago, in our boxroom. Some are probably worth a bit, e.g. the first issue of Hellblazer. But reading the first issue of Gehenna makes me want to restart. Well, if space, time, money and aging eyesight weren’t issues, anyway.

“This book is equally for the diehard comic reader and someone who hasn’t read sequential art since Garfield,” according to co-creator Kindlon. I’m certainly closer to the latter category, but certainly found it accessible, once I got into the comic-book rhythm again. It’s different from word-based literature, and even from cinema, where the pace is dictated entirely by the director. In a comic-book, you can linger over a panel to admire the artwork for as long as you want, or whizz through them so you’re basically picking up subliminal imagery. The text becomes a complement to the imagery, filling in the gaps. And the imagery is great. I now have a new backdrop on my PC desktop. Page 18 of the PDF, should you be interested. 

“Everything went to hell. And now that’s where I live.” But this also means exposition and action can co-exist: the latter doesn’t need to pause. Consequently, over the 24 pages here, there’s barely a pause for breath. You reach the end, to be honest, not necessarily sure what’s going on, but this is just part one of four. I presume things will become clear – or, at least, clearER – in due course. We have a dark-haired woman, kidnapping the son of a gangster because of reasons apparently connected to her husband’s death – leading to the quote above. There’s another woman, blonde, following in her wake – with bad intent if her line, “I’ll call you when the woman is dead”, is anything to go by. I will bet the house that they will end up facing off against each other, before very long. I certainly hope so. 

“It’s pulling from Beyond Hypothermia and Naked Weapon, and all of Hong Kong,” says Kindlon. So far, Naked Aggression has been more about the aggression than the naked – though cleavage certainly abounds, and an alternate cover (below) does deliver. It is difficult to judge the series overall, in the same way as giving your verdict of a film based on its opening twenty minutes. We’ve all seen movies which hit the ground running, only to run out of steam. But there’s no reason this shouldn’t be able to sustain the blistering pace: it’s not like a comic-book is going to run out of budget. If we weren’t looking to move house, this might well be the one to entice me back into the comic-shop. Failing that, I’ll just have to wait for the movie version, hopefully starring Eva Green and Charlize Theron. 

Author: Patrick Kindlon (text) and Marco Ferrari (art)
Publisher: Image Comics, available through their site, from July 2, or for Kindle through Amazon.
Book 1 of 4 in the series, also available in four alternate covers as below.

Desolation, by David Lucin

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Literary rating: ★★★½
Kick-butt quotient: ☆½

When the apocalypse comes, if popular fiction is any guide, it’s going to be undead and craving brains. But not far behind in terms of literary popularity, appears to be an EMP. This is a high altitude nuclear detonation, which would unleash an electromagnetic pulse – hence the name – capable of frying anything with a circuit board, continent-wide. It is generally not good for civilization. I think this is the first such book I’ve covered, and I was particularly intrigued, because it’s set here in Arizona. Which is a little weird, because the author appears to be based out of Vancouver, British Columbia. I presume some connection to the state.

It mostly takes place in the northern mountain town of Flagstaff, where Jenn Jansen is attending college when the power goes out, and the world grinds to a halt. Not that it’s exactly a great world to begin with, already teetering on the edge of famine and war, with multiple conflicts around the globe (in particular between the US/NATO and China), while most of the population live in poverty, even in the United States. Jenn’s parents are down in Phoenix, which… the author doesn’t seem to like much, calling it a “desert hellscape” among other things. [Looks out window] OK, he’s not wrong… But it doesn’t get any better after the city gets hit by multiple air-burst nukes. Help is not coming to Flagstaff any time soon.

Jenn has to figure out what to do, though at least initially, basic survival is not too rough. However, she gradually realizes not everyone is willing to pull together, and hard times make for difficult moral decisions. She’s rather better at these than her boyfriend, Sam, who comes from a more privileged background. His family are in Payson – between Flagstaff and Phoenix – and the pair head down there to bring them up to Flagstaff. That pushes Jenn further along her evolution. According to the author, “By Book 4, she’s not the impulsive, bossy, and sometimes annoying girl from Book 1; she is a soldier and a cool-headed leader,” and I can see the early signs of this appearing already, though I never found her especially annoying. 

Action-wise, it is fairly restrained, but there is a sense of escalation, with the book giving us good insight into Jenn’s thoughts. Of note, her reaction to having to use increasing degrees of violence is explored in more detail than I would have expected. It’s not easy or facile, but by the end, the blood on her hands is mounting. I sense that’s only going to increase, as it appears the next part has her becoming part of a reconnaissance expedition to Phoenix. That’s a story I am interested in reading, and not just for reasons of personal familiarity, also to see how Jenn develops. But perhaps my neighbourhood might make an appearance. Even if it’s going to be a bit radioactive.

Author: David Lucin
Publisher: Highway 3 Publishing, available through Amazon, both as a paperback and an e-book
Book 1 of 6 in the Desolation series.

Axira, Episode One, by Odette C. Bell

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Literary rating: ★★★
Kick-butt quotient: ☆☆½

The first volume is free on Amazon at time of writing, but all four are available for 99 cents, so you certainly can’t complain about value. It’s an interesting concept, too. Axira is a “spacer”, a member of an alien race feared to such an extent that they are almost legends. For centuries, she has been mentally chained up by a member of the Kore sects known only as “Master”, and compelled to do his bidding. Which usually involves copious amounts of violence, directed toward his enemies. Finally, Axira is able to break free and regain her independence, and vows to take revenge on Master.

The only force she can think of who can defeat him is the Galactic Coalition – the same force she was pitted against for 450 years. Adopting a completely new identity, Em, and a different species, she switches sides and joins the Coalition as a recruit in their academy. Her skills have the capacity to make her easily a top student there. But after spending so long as nothing more than a meat puppet, her social skills leave a lot to be desired. She’s soon an object of much curiosity, due to her stamina and tolerance for alcoholic beverages. But she is befriended by Elle Singh, another recruit, after helping her get through the first day.

Elle’s mother is the Admiral in overall charge of the whole program. Her brother, Jason, is also present at the Academy, but he’s a graduate on an undercover mission to find and neutralize a spy operating in the area. This leads to the book’s major action set-piece, when Axira and Jason take on a pair of robotic Kore assassins. But Axira’s identity could be exposed, as part of the course involves probing by a telepathic specialist, Kendra. Axira’s reluctance, for obvious reasons, to allow this is a bit of a red-flag. This is a bit of an odd scenario, having someone so old – both in literal and psychological years – showing up to study alongside teenagers. It’s like if Back to School was SF rather than comedy, or if Gandalf became a freshman at Hogwarts.

The narrative switches between the perspective of Axira and Jason, though the big question is: how did Axira escape from her master? It’s simply not addressed. I suspect that may be corrected down the line, but in this volume is a yawning gap, literally left as a “Five years later” heading. It does seem all her subterfuge might have been unnecessary, since it turns out the Coalition is willing to accept people with questionable pasts – though whether that extends to Axira remains to be seen. She’s basically an unindicted war criminal, though that doesn’t necessarily make her a bad person… At less than a buck to finish this story off, there’s a non-zero chance we’ll be revisiting the series at some point down the road.

Author: Odette C. Bell
Publisher: Self-publised, available through Amazon, both as a paperback and an e-book
Book 1 of 4 in the Axira: A Galactic Coalition Academy series.

Rogue Agent, by Skyler Ramirez

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Literary rating: ★★★½
Kick-butt quotient: ☆☆☆½

This is a solid, no-nonsense combination of spy and science-fiction. Though, to be honest, it is skewed towards the former genre, with the latter mostly window-dressing. It wouldn’t take much to change the setting from a solar system whose ownership is disputed by a couple of galactic empires, to a city whose ownership is disputed by a couple of countries. The planet is Hudson, claimed both by the Star Kingdom of Prometheus and the Koratan Confederacy. Heather Kilgore is among the best agents of the Promethean King’s Order, and is dispatched to Hudson after the suspicious death of a man who had betrayed the Kingdom, former commander Connor Monroe

Her job is to find out the truth behind the event, but things are complicated in a number of ways. She and Connor had been lovers previously – while part of a mission, it might have been more than that. Also, she’s partnered with her former mentor, Tabitha Lowry. There’s history there as well, the pair having parted on poor terms during a previous case. They’re going to have to put the past aside, in order to figure out who – if anyone – was behind Monroe’s passing. And it quickly becomes clear that certain parties, with the Koratans the lead suspects, have a strong interest in not letting the truth be discovered by Heather and Tabitha, and will do anything to prevent this.

This is 258 pages, but felt shorter, which is generally a good sign, with a healthy quota of action, both given and received. Heather is undeniably able to take care of herself, even against multiple opponents, but is certainly not bulletproof. Indeed, at one point she has sit things out for several days, after getting hurt. She just chills in a remote cabin with a local kid, learning to appreciate the joys of things like fishing; this could have felt like needless padding, but ends up providing the heroine with additional depth. [The cover pic seems an accurate depiction of her as described; Kilgore is not exactly an under-the-radar kind of operative!]

My main complain was pacing. It felt as if the first eighty percent of the book contained eighty percent of the plot. Then the last twenty percent? Well, that contained eighty percent of the plot as well. As well as going from investigation to resolution in what seemed like just a few pages, it’s there where we discover Heather and Tabitha’s history. To be honest, this didn’t add particularly much, and seemed at odds with the very hard-nosed attitude shown by Heather. Since it wasn’t a secret between them, I would have brought it out far earlier. Despite such missteps down the stretch, this was an entertaining read, with a memorable central character, and a story I could see unfolding cinematically in my mind’s eye. The next volume is on my list for future consideration.

Author: Skyler Ramirez
Publisher: Persephone Entertainment Inc., available through Amazon, both as a paperback and an e-book
Book 1 of 3 in the A Star Nation in Peril series.

Unleashing the Tiger, by Jerry Furnell

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Literary rating: ★½
Kick-butt quotient: ☆☆☆½

I don’t subscribe to the belief that authors need to be the same sex, race, religion or whatever as their characters. A good author can put you inside the head of their heroine, even if they’re a different species, an extra-terrestrial, or whatever. But there needs to be an authenticity of voice for it to work. This is where, for example, Quentin Tarantino fails for me: his characters almost always end up sounding like Quentin Tarantino. And I wrote that before noticing the blurb on Amazon actually says, “Jerry Furnell exudes a Quentin Tarantino vibe in his narrative.” That’s meant as an incentive; I’d have taken it as a warning.

For the problem here is similar, exacerbated by the adoption of a first-person narrative. The heroine is Camilla Lee, described as “an eighteen-year-old Kung Fu black belt”, of Chinese extraction, who lives in Australia. The author, however, is a British man in his sixties, and frankly, it shows. Camilla never comes off as anything except sounding like a fairly dubious fantasy of what a teenage girl is like. Not least because the instant Camilla turns eighteen, she immediately becomes a raging nympho. It’s borderline creepy. And indeed, one scene of sexual assault removes the word “borderline” from that sentence. I’m not sure if it’s intended to be repellent or arousing, and as a result ends up in a very odd place.

The story is okay, if familiar. Camilla’s parents are murdered in a home invasion, and she barely survives. She’s convinced this wasn’t a burglary gone wrong, and eventually discovers it’s connected to her father having betrayed his Triad employers back when he lived in Hong Kong. She heads back there – pausing only to give the passenger sitting next to her a hand-job, I kid you not – to confront Mr. Wu, the leader of the Seven Dragons gang and make him pay for his crimes. Oh, and she’s also getting bullied at school. She makes them pay too, in no uncertain fashion. Although only after Camilla has engaged in self-mutilation, and been prevented from committing suicide by the unexpected arrival of a friendly dog in the park.

To be fair, in the “From the author” section on Amazon, Furnell cheerfully admits, “The mix of sex and violence will appeal to some readers and appall others. Reviews suggest you will either love it or hate it.” He’s not wrong, and no prizes for guessing on what side of the fence I fall. Which is weird, because regular site visitors will know, I’m hardly averse to gratuitous sex and senseless violence. Here, the latter is fine, with some interesting fights as Camilla works her way through the Seven Dragons to meet her nemesis. But even here, she has to dress up as a prostitute to get into the building. And did I mention the lesbian sex? Though Furnell does lag Tarantino in one department. At least there’s no foot fetishism. 

Author: Jerry Furnell
Publisher: Self-published, available through Amazon, both as a paperback and an e-book
Book 1 of 3 in the Naked Assassin Series.