★★★
“Beware level 5-espers when they point their fingers at you!”
Have you ever noticed, when you are consciously looking for things that fall into a certain category, you find more and more of them? You may have seen it in action yourself after you discovered the “girls with guns” genre. Compare it to the time before you knew about it, how few movies/series there seemed to be there, and how much you realized were actually available after this site drew your attention to the specific genre. I have started to experience the same thing since I started to look into anime, and in particular the specific target of entries belonging to the GWG genre, that go beyond your usual Miyazaki-Ghibli production.
But then, anime seems like a bottomless pit; I recently saw a video by a German anime fan and publisher, who said there are thousands of anime being produced each year. For the year 2017 he spoke of 3,400 (!). I don’t know if that’s true: but considering, for example, how many Hong Kong martial arts movies I found when I really was looking for this specific kind of entertainment, I wouldn’t be surprised if it was true. Of course, he also admitted most of these anime series are garbage, get ignored and vanish as fast as they appeared. The Japanese manga and anime market is every bit as focused on turning an idea into a highly profitable product (including action figures, OVAs, soundtracks, etc.) as your average Hollywood franchise.
They may perhaps be even more calculated. The business is a highly competitive one, with studios opening and closing every year: they only stay in the business for as long as they produce successful series, and a lot of underpaid animators work free-lance. As enjoyable as this stuff can be, the production background is merciless. It’s maybe better to ignore it, especially as most of these series on DVD are just too expensive (though I never bought bootlegs, but if the Anglo-American territory offers a cheaper alternative, why should you buy over-priced German-dubbed volume boxes?).
But onto the subject of this review. This is a spin-off of another anime series, A Certain Scientific Index, which preceded Railgun. I’m not reviewing the original show, or its other spin-off, A Certain Scientific Accelerator, but would like to stress that while Index is a good show, Railgun is much better. All these series are based on the manga and light novels of author Kazuma Kamachi. He, obviously, is continuously working on his own fictional universe. There are so many volumes of the respective series out there, people on YouTube are making videos on what series to read/watch, and in which order, to get into it without having to consume everything that is on the market. The three seasons of the show I review here have alone already reached 69 episodes.
Index deals with a male character, Kamijou Touma, who has to solve problems of girls and other people, that are either of a magical or a supernatural (read: scientific) nature. Railgun puts a supporting character from Index, middle-school girl Misaka Mikoto, and her female friends to the center of the viewer’s attention. While Railgun might have been created to cater to a female audience, it may have become more popular for a general audience, similarly to how Xena overtook Hercules in popularity. Part of the reason may be Misaka Mikoto’s cuteness, for the Japanese love everything that is “kawaii”.
Misaka is an esper of the highest degree, level 5. And while she is one of only seven level-5 espers in Academy City, this is not as unusual as it may sound at first. For the whole city is filled with students that Charles Xavier would probably have called “extraordinarily gifted”! They are all learning to develop and use their abilities at school, though for what purpose I still have not found out; is there a job market for those kind of abilities? Still, given their powers it’s a very sensible thing to do, since otherwise the students might easily misuse their powers.
It’s understandable if this sounds a bit like your typical X-Men animated show from the late 90s. But those shows were primarily concerned with showcasing the abilities of these supernatural beings and adapting the most well-known comic book story-lines. Railgun is a bit different. Heck, it may not even really belong to the same genre as the X-Men, and very often puts its focus elsewhere. It may be the reason this series originally was of minor interest for many. While the girls from time to time show what they are capable of, the main narrative is telling nice little stories about the girls’ everyday life. Getting to know each other, their own little (or bigger) problems and oddities, going out in their spare time and… yeah… Occasionally solving some crimes and blowing things up!
This kind of tale is called “a slice of life story” and is its own genre in Japanese manga and anime. While we have that in the West too, I never noticed and probably would categorize this mainly as “drama”. But then this genre can obviously encompass more, as it is in part a social drama about girl friendships, part sitcom and (here) part superhero story. What to make out of this is, I think, up to individual taste. I can absolutely understand that, for many in the West, this kind of story is unusual; those expecting an ongoing superhero saga will likely be disappointed by this kind of storytelling. I personally found it charming and fresh, even though there certain elements did astonish me. The closest thing to this kind of show in the West might be something like Smallville.
The girl group here consists of the following. Misaka, who is able to control, and more importantly unleash an enormous amount of electricity. Her room partner, Kuroko, who is a teleporter and has a very painful-to-watch crush on Misaka. Uiharu, whose power is somewhat vague, but it is indicated that she can control the temperature of things. And finally, her best friend Saten, who surprisingly has no superpowers at all. Which actually comes in very handy at the end of the story, because sometimes having such a talent can be your Achilles heel.
Other characters include, Konori, a normal teen working for “Judgement”, kind of a social service which Kuroko and Uiharu also join. These teens maintain order on the streets, ranging from helping find a lost bag up to preventing innocent people being harassed or beaten up by outcast rowdies. Then there’s the school director who regularly seems to break Kuroko’s neck (or at least it sounds like it!), when she and Misaka use their powers on school property. The strange Doctor Kiyama who turns out to be the local legend known as “The Undresser”. This means she regularly takes her clothes off without any embarrassment, for minor reasons like it being too hot. No, I’m not making this up, I swear. It’s part of the story.
In the beginning Uiharu and Saten get to know Misaka who, much to the astonishment of Saten, isn’t arrogant at all, as most high-level espers seem to become. Misaka is a cool, sympathetic girl, constantly angered by… the affections of Kuroko, whose feelings for her are definitely more than platonic. It’s kind of shocking sometimes for me, when behavior we would probably label as bordering on sexual assault, is depicted in an animated show, largely targeted towards teen girls. But then this is anime and we all know it operates with different parameters from Western entertainment! Also, the show never takes itself too seriously. Except when it actually does, but more on that later.
Misaka sees through all Kuroko’s attempted manipulations and when Kuroko goes too far, you can expect Misaka to throw her (virtually) out or use her electro-powers on her. The pair remind me in their strange “dog-cat-relationship” of DC’s Harley Quinn and Poison Ivy, with the difference that the Japanese versions are the good gals! It’s just natural that hotheaded tomboy Misaka is the leader of the group. Though she mainly keeps her powers in check, she may from time to time break the rules, such as by duping the public vending machine or when hunting an evil-doer. You know something not so good is coming your way, when she tosses a coin with enormous power in your direction.
While she has a temper on the outside, she is a sweetheart on the inside, caring very much for her friends and the people around her, and is definitely in the process of learning to trust others and to open her heart. Her most beautiful moments are when she is emotionally touched and doesn’t know how to articulate what she feels. It grounds this over-powered character and makes her more human. Indeed this “over-poweredness” was the reason why Kazuma Kamachi originally wanted to make Kuroko the main character, but the publishers saw it differently. Mikoto is not perfect despite all of she is being able to and that makes her so relatable.
These powers are what gave her in the previous Index show the name of “Railgun”- in her words, “because even objects of a minor size can generate an enormous power when thrown with enough energy in one’s direction”. She also comes across Touma, the main character of Index, who embarrasses her when he tries to rescue her from the company of some teenage boys. Unfortunately for him, she takes his well-meant help as a personal insult, which leads her to constantly challenge him to a fight. Unfortunately for her, his special power is that the talents of others don’t really function when he holds up his hand. Hilarious scenes ensue.
It’s a good show in the GWG anime genre, though in my book no match to highlights such as Black Lagoon, Canaan or Mirai Nikki. If you are in the mood for something a bit different, that shouldn’t be taken too seriously, this might be something for you. It’s sometimes light as a feather, followed by solid SF action and intriguing plots, while still retaining its own certain charm. It may not sound like too much, but having recently watched the dense and sometimes difficult to understand Bakemonogatari, I actually enjoyed this much more.
The series consists of a nice mixture of stand-alone episodes and a very slowly building story-arc. I like that very much, as it gives time to build each of the characters, their relationships to each other and emotional connective moments for us, the audience. This kind of structure also did remind me a bit of the old X Files show with its single episodes, in contrast to today’s series, which tend to have a constantly developing story arc. You miss a few episodes and you’ve got problems catching up, and trying to understand what’s happening again.
That’s not the case with Railgun. The series initially takes its time, with the girls and their everyday life the focus of attention. Then, to my surprise, it moved to a bigger story with unethical experiments performed on helpless esper kids, and dark forces lurking in the background. It’s almost shocking, since the place we have been shown here mostly seemed sunny, funny and enjoyable. The biggest problems the girls ever faced, was how to deal with personal little insecurities. But where there’s light, there must be shadow, too! Local urban legends of a “level-upper”, a device said to improve or increase one’s esper abilities, make the rounds and while investigating these seem a harmless leisure activity for the girls, the outcome is much bigger than anyone could have foreseen in the beginning.
After a big climax it looks to go back to square one, and we return to small “what did XYZ today” stories. But then a new girl appears and so-called “poltergeist activities” happen around her, leading to another, much bigger challenge which also includes a twist. Not everyone you think must be put behind bars is evil; not everyone you trust is trustworthy; and sometimes the one with the least powers can be the savior of the day.
What I especially liked was that each of the girls is their own character and acts differently. They are not just bland copies of each other with only differing abilities. While I don’t think many people will ever get to know this series if they are not deep into anime, I especially enjoyed the way it structured its story. We in the West may have had our Kim Possible, the Japanese post-Sailor Moon have this. I liked it well enough to invest time and money in the second season, A Certain Scientific Railgun – S, which will also be reviewed here.
Dir: Tatsuyuki Nagai
Star (voice): Rina Satō, Satomi Arai, Aki Toyosaki, Kanae Itō
Brown is definitely among Netflix’s golden girls. After breaking out with an ensemble role in Stranger Things, she has taken an action turn, starring in 
Although almost a decade earlier than Lin Hsiao Lan’s slew of fantasy kung-fu flicks, this shares a lot of the same elements – not least an approach to narrative coherence best described as “informal.” This starts at the beginning, where we don’t even get introduced to the participants, before the martial arts breaks out. As we learn a little later, it turns out this pits Chu-Kwok Su-Lan (Shang-Kuan) against three members of the Devil’s Gang, in defense of her two, largely useless sidekicks. This is just the first of numerous encounters between our hero – yes, it’s 
You may have noticed that I’ve been on a bit of a spree with these Taiwanese fantasy-fu flicks of late. However, I think I’m feeling a bit sated with them at this point, and the law of diminishing returns seems to be setting in. There are only so many unconvincing male impersonators, bad effects (both optical and practical) and almost illegible and/or illiterate subtitles a man can take, and I think I’ve reached my capacity in almost of these categories. Fortunately, my queue of such things seems to be nearing an end, with just a couple more to go. Still, after this delirious experience, I feel in need of a week or two’s break from the madness.
I am going to be entirely upfront, and state that any factual statements regarding the plot here will be entirely cribbed from other sources. Because, on my own, I have close to no clue as to the details of what was going. I got that some girl dressed as a guy, Little Flying Dragon (Lin, inevitably) was trying to protect Golden Boy (Chan) from a bunch of very strangely dressed weirdos with even more bizarre powers. They want Golden Boy for some nefarious purpose on behalf of an evil sorcerer type, who laughs maniacally. A lot. Everyone involved wears wigs which look like they were bought in bulk from Hair Metal R Us. There’s an acid pit, into which Golden Boy’s father is unceremoniously dropped. His mother is called “Evil Lady” in the subtitles, though she isn’t really. At one point, there’s a song whose lyrics according to the subs go, “Little Flying Dragon, Little Flying Dragon, change all the time, power breads everything.”
The best way to describe this, is perhaps to say that if I was nine years old, I would think it was the greatest movie I had ever seen. And I would likely be right, at the time. With the benefit of [redacted] more years, and several thousand additional movies under my belt… Not so much. Oh, it’s excessive, insanely imaginative and high energy, to be sure. However, it is also slapdash, incoherent and juvenile. Never mind appealing to nine-year-olds, it often feels like it was made by nine-year-olds. This explanation could be the most logical way to explain how the film manages to misspell its own name in the opening credits, calling itself Magic of Stell.
For the first hour, you may be forgiven for wondering if there has been some kind of mistake, because the poster bears almost no resemblance to what happens in the film. Oh, it’s the same actress, to be sure, and she is a schoolgirl. But it appears, rather than the war story promised, you have strayed into a teenage drama. In it, Ai (Seino) is a talented but troubled student, who seems to be suffering from some kind of post-traumatic stress disorder. The special treatment she receives at school brings her enmity as a result, both from her class-mates and the er homeroom teacher (Kaneko). Though she finds solace in art, including a mysterious major project on which she is working, housed in the school auditorium.
Liane Zane’s Elioud Legacy trilogy, all three books of which I’ve previously reviewed, is supernatural fiction, written by a Roman Catholic author, and premised on the fictional conceit that matings between angelic beings (both fallen and unfallen) and humans have been going on since before the Flood, producing mixed-race offspring who are physically human but have certain heightened physical or even latent supernatural abilities. That trilogy focused on three strong and courageous young women, who when it opened were completely unaware of their angelic genes, and all of whom were both serving in the intelligence services of their various countries, and collaborating with each other on the side in a covert alliance to provide some special protection for the victims of sexual assault and trafficking. The Covert Guardian is the first volume of a projected prequel trilogy, set a few years before the opening of the previously-published one, which will tell the “origin story” of their friendship and alliance. Here, our protagonist is Olivia Markham, the trio’s unofficial ringleader, and we learn how, as a 20-year-old college pre-med student, she unexpectedly came to join the CIA.
Unlike the first trilogy, this one really has no supernatural elements. Readers who’ve read the former will suspect, from certain subtle clues, that a couple of secondary characters here may also be Elioud, and will remember the St. Michael medal (a gift from her sensei) that Olivia wears, which feels strangely warm at times; and she has a sort of instinctive sixth sense for approaching danger that her then-boyfriend rather snidely dismisses as her “spidey sense.” But none of this is obviously paranormal nor impossible to explain naturalistically. I’ve classified the book as straight-out, descriptive action-adventure and espionage fiction, and it will definitely appeal to fans of those genres whether they have any liking for supernatural fiction or not.
The previously-published books mentioned, as a painful experience in Olivia’s past, the murder of her cousin Emily when the two girls were 16; they were close, and the tragedy was a formative factor in shaping Olivia’s deep desire to protect the innocent victims of brutality. In the modern U.S., the wheels of the justice system grind very slowly, so the killer’s trial was delayed until the summer before Olivia was to become a junior at Brown Univ. (She’s New England born and bred, living with her family in a suburban town outside Boston.) When our tale opens, soon after testifying, Olivia’s been talked by her boyfriend into joining him in a vacation on Ibiza, a real-life Mediterranean island off the coast of Spain which is a popular tourist destination, as a supposed opportunity to rest and heal from the re-lived traumatic experience. Even at this stage in her life, she’s strong, physically fit and athletic, smart, brave and quick-thinking; and since Emily’s murder, she’s been taking serious martial arts training. (And then there’s that “spidey sense” I mentioned….)
These qualities will stand her in good stead when, just four pages into the narrative, a squad of Islamist terrorists hit the beach, bent on slaughtering the revelers. Fortunately, a CIA counter-terrorist strike force is nearby; but by the time the action is over, Olivia’s displayed enough mettle to get their attention. (As they’ll soon learn, it also doesn’t hurt that she’s fluent in several languages, and qualified for the U.S. Olympic team in archery while still in high school.) Before the summer is over, she’s training at a CIA-run camp in North Carolina, and she feels that she’s found her true calling. And as luck would have it, an attractive female college student might just fit the mission profile for getting close to a wealthy young playboy type suspected of funding global terrorist activities. But chicanery, corruption, and betrayal of the U.S. aren’t necessarily things that only go on outside of the CIA, and our heroine’s path to joining the Company may not be an easy cake-walk.
Although the books of the Elioud Legacy trilogy are all thick, at just 155 pages, this one is more novella length, and a quick read. Like the former books, though, it moves around geographically, in this case to locations on three different continents; and the author’s knowledge of the physical geography of all of these settings is impressive. She’s a skilled wordsmith, seasoned in the novelist’s craft and able to immerse the reader in the story, and there are some surprises up her sleeve. For readers who want danger, tension, and well-depicted action scenes, this yarn definitely delivers. It’s not characterized by profound ethical dilemmas or deep spiritual, philosophical or political content, being more straightforward in those areas (in the context of the espionage genre, Zane is more in the tradition of Manning Coles or Alistair MacLean than, say, John LeCarre’), but I don’t view this as is any sense a fault, nor will most genre fans. What readers –genre fans or not– do want in fiction, more than action and danger, is the human element, a central character(s) we can like and feel invested in enough to care about the action and danger in the first place. That test is amply met here. Olivia is a winsome, dynamic protagonist whom we get to know and appreciate, and this is a character-driven tale of her growth and maturation in various ways in the crucible of a testing ordeal.
As I’ve said before in reviewing this author’s work, it’s fiction written by a Christian, rather than the kind of commercially “Christian fiction” the book trade markets as such. Olivia’s a basically kind and ethical-minded person, and cares about right and wrong as she understands them; but by her own statement, here she’s still “not really a believer.” Bad language is a hair more prominent here than in the first trilogy, though it’s actually more prominent in the first few pages here than it is in most of the book. College-age Olivia herself is capable, when she’s angry, of thinking or saying some pretty bad words, including obscenity (in a couple of languages). And though there’s no explicit sex, we know that an unmarried sexual encounter takes place at one point. The author makes us completely understand the psychology behind it; it’s a case of allowing the character to be who she realistically is, and possibly to grow through all of her decisions, both the good and the misguided ones, into the person she’s finally becoming. (That’s what good authors do.)
Finally, a worthwhile question might be, does a reader need to have read the Elioud Lagacy books before reading this one? My answer would be no; having read those books will allow you to better appreciate some adumbrations of the future you can see here, but it’s not essential, and no knowledge of them is presupposed here. You could begin with this book as an appetizer for the corpus as a whole.
Author: Liane Zane
Publisher: Zephon Romance; available 
This is a fairly classic “rise from nowhere” story, yet is well-executed and done in a world which is interesting for its differences. The heroine is – surprise! – Marilia, whom we first meet on the battlefield, about to face an opponent of superior numbers. We then flash back to her childhood, growing up in a Tyracian brothel. Her mother was one of the “painted ladies,” but after she dies, Marilia and her brother Annuweth are on increasingly thin ice. Their effort to run away is unsuccessful, yet does bring them a chance at a new life. While it’s here that Marilia discovers her tactical savvy through board games, it’s not without its downside, the siblings being split up after Marilia enters an arranged marriage in another territory.
I’ve been on a bit of a kick of