★★★
“The first Russian anime mockumentary, I presume.”
A strong concept here. Indeed, perhaps too strong for a feature which runs not much over an hour, credits to credits. It’s set in 1942 Russian, when Soviet forces are struggling to beat back the Nazi invasion. Behind the mundane warfare is a supernatural struggle, with both sides using occult methods to their advantage. The German Ahnenerbe group [which was a real thing] seek to revive the spirit of Baron von Wolff, a knight from the Middle Ages and his ghost army, while Section Six of Russian intelligence, put together a team of psychics as a counter-measure. The Soviet squad is wiped out, safe for 14-year-old Nadya (Chebaturkina), but the Russians have created a machine which allows her to enter the afterlife, and contact her late colleagues. With a battle looming which both sides know will be a “moment of truth” – a tipping point in history – the lines are drawn for a confrontation in both the real and paranormal fields of conflict.
Animated in Japan, but with a Russian cast and crew, the film also includes live-action interviews with “historians” and “veterans” designed to give the impression this is based on actual events, beginning with historically plausible stories and gradually moving into the occult. It’s an interesting idea, though some viewers may find these interludes take them out of the story, and you wonder if the time would have been better spent progressing things – some elements just end without resolution, such as the Nazi twins sent to assassinate Nadya. It feels almost like a pilot for a series, doing a good job of building characters or setting, and pointing the way forward; it’s better at asking questions than answering them, as part of a complete story. The final fight between Nadya and the Baron is disappointingly short, despite the heroine’s apparent skill with a sword, though I did appreciate her colleague Zena’s enthusiastic use of a flame-thrower.
It’s a rich universe, with potential that is undeniable, and its share of effective sequences, such as when Nadya is being pursued through the streets of Moscow by the Nazi twins, or skeletal “zombie knights,” riding into battle, in a way which reminded me of Amando de Ossorio’s Blind Dead movies. On the other hand, the apparently unfinished nature of the storyline is a shame, with an excess of loose ends and ideas that are set-up and never executed. After seven years, I think the chances are sadly slim of ever getting a sequel that will address this problem, and what you’re left with is a somewhat frustrating exercise in impressive imagination. The entire film has been made available by the distributor on YouTube, if you are interested in seeing more, after watching the trailer below.
Dir: Yoshiharu Ashino
Star (voice): Elena Chebaturkina, Michael Tikhonov, Ludmila Shuvalova, Damir Eldarov
This 1982 Taiwanese flick proves that, if you can’t afford to go big, you might as well go… Actually, you might as well go on regardless, because with enough enthusiasm, the surreal results can sometimes be thoroughly entertaining, albeit certainly not in a way any normal viewer would call “good”. I was still thoroughly amused, albeit more often 
Dull, it ain’t, and was clearly a work of love for Ling, who wrote, directed 
This probably seemed better than it is, simply because it had the benefit of being watched immediately after 
Ladies and gentlemen, we have finally found it: the Plan 9 From Outer Space of action heroine films, which manages to combine shoddy production values and pretentious nonsense to devastating effect, with the result being a completely incoherent mess. I knew I’d made a terrible, terrible mistake inside the first five minutes, which consisted of utterly overlong shots of a beach, into which a woman strolls, apparently coming directly from a clearance sale at Hot Topic, and performs an interpretive dance routine. She then wanders aimlessly round the woods, and menaces another woman, who is tied to a tree, while endlessly repeating, “Blood for blood. A life for a life. The wheel upon which we must all be broken.” It didn’t get any better, or any more comprehensible, thereafter.
A meteor crashes into Tokyo Bay, creating a cloud of “cosmo-amphetamine” that infects everyone in the area. When they die, that drug immediately takes over, bringing them back to life as flesh-eating zombies. Colonel Kirihara is leading the rescue mission, and sends his daughter, K-ko (Suzuki) into the contaminated zone to scope things out. She finds that one of his underling, Captain Fujioka, is using the chaos to carry out human experiments, deliberately infecting survivors with the cosmo-amphetamine, in order to turn them into an unstoppable force of undead soldiers. He’s not willing to let anyone get out alive, least of all K-ko. Fortunately, her father gave her a battle suit, which helps to even the odds against the living dead army she faces.
Having used my entire quota of hyphens for this review in that tag-line, what do we have here? I could remember virtually nothing about the original, even though it was only a couple of years ago we reviewed it. Seems to have ended up with the same vaguely mediocre rating though. The problem here, however, is mostly one of pacing. After a brief flurry of impressive activity at the beginning, there’s not much happening on the action front for about an hour, and what takes its place falls short of adequate entertainment.
Maybe I’m getting old and deaf. Or maybe it’s just not a good idea to have dialogue that appears to consist largely of characters yelling (or whispering) over the top of each other. Either way, probably a negative the muddy audio is the main thing I remember about this survival horror film. Childhood friends Sarah (Bosworth), Abby (Aselton) and Lou (Bell) re-unite for a weekend on an island near where they grew up. There’s some reluctance here, Abby and Lou not having been on speaking terms for some years, due to the latter having slept with the former’s boyfriend years previously. The island is supposedly deserted, so they’re surprised to encounter three men hunting there, one of whom is known to Lou. A drink leads to another, and before you know it, Abby has fended off advances, in lethal fashion. The two survivors don’t take kindly to this, and begin hunting the trio to take revenge for their friend.
In February 2002, Ingrid Betancourt was travelling through a rural area of Colombia, as part of her campaign in the presidential election for the Green Party. She was stopped at a road-block run by the Marxist rebel organization, FARC, and when they realized who they had, she and her assistant, Clara Rojas, were kidnapped. Betancourt would spent more than six years of jungle captivity with the guerillas, until she was rescued, in a startling piece of deception, by Colombian military forces. This documentary film tells her story, through archive footage and interviews with Betancourt, Rojas, other kidnappees and some of the FARC members.