Tag: fantasy

Dragon Age: Dawn of the Seeker

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β˜…β˜…β˜…
“A polit-thriller in Fantasy-land”

I have to start off with an important confession: I am not a gamer. I’ve never really been one. I might have played… two computer games in my entire life: “Tomb Raider 2” and “No-one Lives Forever 2”. That very special thing computer gamers experience when in front of the consoles? I’ve never felt it, it never got me. But then, I was born in the mid-70s, and this could be the territory of another generation. So maybe I’m not even qualified to evaluate a movie which was based on a computer game. On the other hand, I’m not reviewing a game here, but a film – and I think I know a fair bit about them! Hopefully, I get the details right.

Dragon Age: Dawn of the Seeker is based on the fantasy computer game franchise by Canadian computer game label BioWare. The series started in 2009. In 2012 – to probably the surprise of everyone – it received a movie version. Released in the West and co-produced by American anime label Funimation, it tells a separate story that ties in with the second released game “Dragon Age 2” (2011).

The story takes place in a land called Ferelden, where knights secure the freedom and which is governed by a religious organisation known as “the Chantry”. This is similar to a medieval church with, for want of a better description, a female Pope called “the Divine” at the top. Among the knights are the Seekers; they seem to be the superiors of the knights and hold a special place, reporting directly to the Chantry. There are tensions between the knights and blood magicians who seem to follow (as far as I understand this universe!) their own agenda.

When one of the knights, Byron, leaves the castle with a girl that the Seekers had just rescued from mages, his young colleague Cassandra (Kuriyama) gets in his way, demanding an explanation. Byron is her mentor and a father figure to her, but shortly after he gets killed in an attack. Before dying, he is able to tell Cassandra there is intrigue brewing in the Chantry, and that this was the reason he wanted to secure the girl, who obviously has magical abilities (she looks very much like an elf to me).

Regalyan D’Marcall (Tanihara), a mage whom Cassandra finds on the scene, turns out to be an ally of Byron who wanted to help him expose the intrigue. But having previously lost her brother to mages (there was a decapitation incident), Cassandra is suspicious of him. Still, together, the unlikely duo search out who’s behind all of what’s going on, and in the nick of time, also prevent an assassination attempt (with a dragon!) on the Divine at a jubilee celebration.

First off, the story moves quite quickly and never gets boring, coming in at a viewer-friendly runtime of 90 minutes. Personally, I am really happy to see, once in a while, a fantasy movie that sticks to the length I had been used to in the 80s, before all these Lord of the Rings, Hobbit and Harry Potter movies with their 2Β½-hour running times. The visual style is something the viewer will have to make up their own mind about. You will either like it or you won’t. It’s not total CGI. It looks as if people were acting, then motion-captured into the computer and their image re-worked. It looks similar to the science fiction movie Vexille that the same director had made earlier. For my personal tastes, I didn’t really embrace this style. Also, I thought for much of the time the movie looked too dark with regard to its colour palette.  But then, fantasy seems to be going through a “dark phase” right now, so maybe it’s unfair to count this as a real negative.

The story was smarter than I thought it would be, having ordered the used DVD to a low price, and knowing virtually nothing about the “Dragon Age” universe. To be honest, I still don’t know much about it – but you don’t need to be Albert Einstein to figure out the basics. Interestingly, I believe the character of Cassandra Pentaghast was a side character in the second computer game but was such a well-received badass, the developers decided to make her the main character in the first movie. (Also in 2011, there was another, live-action movie put together from a series of webisodes with the title Dragon Age: Redemption, about an Elvish assassin Tallis, starring Felicia Day. I haven’t seen it, as it’s too difficult/expensive to get here in Germany.)

Some changes in the game character were made to make Cassandra look a bit more feminine, e. g. she gets longer hair here. They also give her a backstory about why she hates mages so much, explaining why she treats the mage Regalyan with strong suspicion. He has to earn her trust: while that underlying subplot doesn’t make the story Shakespeare, it gives the characters enough emotional layers to come across as more than just one-dimensional. That doesn’t lead to a big love story, as would typically have been the cast. but lightens what could otherwise have been a very bare storyline, and leads to a satisfying end. At least he gets a little kiss on the cheek for helping her. Obviously, she is becoming soft, considering how quickly she has been drawing her sword over the entire movie! πŸ˜‰

There are some surprises along the way, though I wouldn’t call them earth-shattering. There are steady, regularly appearing action sequences, between escape and investigation scenes and a grand finale showing that, while a female knight may not alone be able to prevent an assassination, she can at least deal with a gigantic dragon. But we all need a little help from our friends, right? There are some gory scenes, so this is not for kids, though nothing really shocked me. Admittedly, 8 seasons of Game of Thrones may have desensitized me in regard to the depiction of bloody fantasy violence. If you need them, they’re in here; if you don’t like gore, there aren’t too many to distract you from an otherwise entertaining enough, and comparatively short, fantasy movie.

The end seems to indicate another story will follow. But if that happened, it was probably in the form of another computer game, as the movie didn’t get a sequel. Overall, I think it’s safe to say that the movie can serve as a quick fantasy fix, if there is nothing else for you out there right now. Entertaining enough without being extraordinary, it has some nice developments and the main character is layered enough so that she doesn’t bore you. I give it 3 stars for acceptable, though hardly ground-breaking, solid fantasy entertainment. A fan of the franchise may value it higher or lower; as I’m not in the know about an extended universe that also features several books and comics, I will not presume to decide that for them!

Dir: Fumihiko Sori
Star (voice): Chiaki Kuriyama, Shōsuke Tanihara, Hiroshi Iwasaki, Kaya Matsutani 

The Harlequin and the Drangue, by Liane Zane

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Literary rating: β˜…β˜…β˜…β˜…Β½
Kick-butt quotient: β˜†β˜†β˜†β˜†

Goodreads author Liane Zane is a published novelist under her real name, but has adopted this pen name for her new venture into paranormal romance, beginning with this opener for a projected series. She and I are Goodreads friends, so I accepted her offer of a free review copy, with no guarantee of a favorable one. PNR as such isn’t typically my thing (nor is “romance” in general, in the book trade sense); but both supernatural fiction and action adventure are, and I could easily approach this book in those terms. I’m also a sucker for a well-drawn action heroine who kicks butt and takes names –and here we have not just one but three such ladies.

Genesis, the first book of the Old Testament, referring to the time before Noah’s flood, states, “The Nephilim were on the earth in those days –and also afterward– when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown” (6:4). Biblical scholars are not agreed on exactly what the writer meant by this; but one ancient interpretation, articulated for instance in the inter-testamental Book of Enoch {which is not actually by Enoch], held that it refers to matings of rebellious angels and humans, with resulting offspring. Personally, I’m skeptical of that interpretation, but I can accept it as a fictional conceit in a novel; and it’s used as such in a number of modern novels, usually (as here) with the idea that these mixed bloodlines survived to the present day. Zane terms the descendants of these pairings the “Elioud;” her premise is that they may or may not know of their heritage and may have different amounts of angelic genes, but they inherit certain physical/mental powers, to the degree of angelic ancestry they have. Like angels and other humans, they also have free will; those who know their ancestry may ally themselves with God’s cause –or with the Adversary.

This information is the backdrop context for this novel; it’s disclosed more gradually in the book, but IMO it’s not a spoiler, and is actually helpful for the reader to know from the get-go. That understood, our setting is present-day central and eastern Europe, initially Vienna. Protagonist Olivia Markham is a young (I think her age is said to be 24) but very capable CIA agent stationed there, under the cover of graduate study and internship in international business development. But unknown to the Company, she has a side hobby: by night, she sometimes dons a Harlequin mask to take on sexual predators/rapists who use the Internet to line up victims; and she has a couple of female friends (also with backgrounds in covert intelligence) who help her.

Her latest target is a slime-ball who calls himself Asmodeus, the name of a demon in the Book of Tobit from the Apocrypha. What she doesn’t know, however, is that Asmodeus just might be his real name, and that he’s heading up a murderous cult who call themselves bogomili after a medieval Gnostic sect. (The Bogomils were an actual sect which originated in the Balkans, and which I’d read of before in various places, but the medieval Bogomils weren’t into murdering people to “liberate” their souls.) She also doesn’t know that he has another adversary watching him, a wealthy Albanian named Mihail Kastrioti, who has some friends of his own, friends who call him a drangue, which is usually translated as “dragon” in English. A drangue is a being known in actual Albanian folklore, but the concept is really pre-Christian and Zane has reinterpreted it somewhat. The plot takes off from there; and it’ll be quite a ride!

At 517 pages, this is a thick, substantial novel, but it doesn’t feel padded in the least; it flows quickly, with steady development of events, no dull moments, and a lot of action. In between, our heroines and heroes may stop to regroup and compare notes, and Zane may use the interludes to develop characters and impart information; but they’re interesting characters and information which are well worth developing and imparting, and which enhance the story. Characterization here is very adept and three-dimensional, and definitely a strong point. It’s obvious that the author also has done a lot of background research into history, Balkan culture and language (foreign-language phrases are translated for the reader where they need to be) etc.; it shows, but in a good way that masterfully evokes the setting as a seamless part of the narrative, not in the form of info-dumps or displays of erudition. She clearly has a particularly good grasp of the physical geography of Vienna and other cities where events take place. Action scenes are handled realistically and well. There’s a high body count, but no wallowing in gore for its own sake. As a whole, the story is a page-turner with a high tension and suspense factor, especially near the end.

While this is not “Christian fiction” in the commercial sense – it has a small amount of occasional profanity and obscenity, within the bounds of reasonable realism for the characters speaking – it is fiction written by a Christian. We get a picture of angels and demons, and their interaction, here which is morally and theologically consistent with what we’re told in the Bible, not a drastic reinterpretation of it in the manner of some modern writers. We’re solidly in the realm of a serious, high-stakes conflict between clearly defined good and evil, which grounds the novel and gives it substance. There’s no illicit or explicit sexual activity as such, though readers should be warned that there is one scene that could be described as “steamy”. There’s a clear closure to the immediate story arc with no cliffhanger, while the stage is clearly set for the projected sequel, which I want to read!

IMO, Olivia’s vigilante activities are unrealistic for a CIA operative. They’d be far too risky in terms of possible exposure and unwanted publicity: the Harlequin mask would hide her face, but still draw attention, and the consequences of her bosses’ wrath if they found out about it too drastic to risk. It’s also likely that the CIA’s recruiting process would have included psychological profiling which would have red-flagged vigilante tendencies; and there’s also the problem of what to do with offenders if she did catch them –just beat them up? Lethal force isn’t her default option –though she’s not squeamish about using it when she needs to– and she can’t make a citizen’s arrest and turn them in at the police station. The entire plot here unfolds in less than a fortnight, so there’s an insta-love situation with the attendant credibility challenge. If the angels mating with humans before the Flood were said to be disobedient, it renders it dubious to have similar unions going on in post-medieval times, between humans and angels in good standing. And one key aspect of the way a demon-acolyte bond magically works was a bit murky, at least to me. That kept my literary rating from a full five stars this time; but this is nonetheless a very good novel, and highly recommended!

The four-star kick-butt quotient here, for action-heroine action, draws on the activities of all three of our female spies/vigilantes. Olivia contributes her share to the body count I mentioned; but her two friends and sidekicks ably shoulder some serious action as well. My guess is that each of them are very likely to serve as protagonists in their own books in the series, which will make it at least a trilogy!

Author: Liane Zane
Publisher: Self-published; available through Amazon, both for Kindle and as a printed book.
A version of this review previously appeared on Goodreads.

The Old Guard

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“Who wants to live forever?”

While a serviceable entry in the beloved genre of “Charlize Theron kicks ass”, this does have to be classed as disappointing in comparison to the epic awesomeness which were Atomic Blonde or Mad Max: Fury Road. This is considerably more obviously a comic-book adaptation than Blonde, and more restrained than Fury Road, resulting in a film which plays more like X-Men: The Highlander Years. Andromache of Scythia (Theron), for obvious reasons known to her mates as Andy, is a neo-immortal bad-ass who has been roaming the Earth since pre-Christian times. But she’s beginning to wonder what the point of it all is, endlessly doing jobs somewhere between mercenary and humanitarian.

Two things disrupt the playing field. The first is the “birth” of a new neo-immortal, Nile Freeman (Layne), a US marine who survives having her throat slit, and is brought on board the team, despite her severe initial doubts. The other is less pleasant: the Merrick pharmaceutical company is out to find what makes them tick, and will happily trample Andy and her friends’ rights, in the name of “the greater good.” This involves them kidnapping two members of the group for scientific experimentation, and they are intent on completing the set. Needless to say, Andy isn’t having any of that, along with some help from Nile, as well as a Merrick employee and former CIA agent who is now having second thoughts (an underused Chiwetel Ejiofor). However, it turns out Andy is approaching the “neo-” phase of her neo-immortality…

That is a bit of a cheat: they’re basically immortal, except when necessary for the plot or dramatic reasons. It’s a double-standard which also seems to permeate the film more generally, The film wants to deliver the mayhem audiences want to see, while having characters who loudly express being tired of exactly that, borne down by world-weary ennui. It’s a mindless action movie which doesn’t like being a mindless action movie, and I suspect would rather be something else. That may be the only way to explain the contrived shoehorning in of two characters’ sexuality, in a scene of no relevance that couldn’t be more clunkily woke if it tried.

It is better when letting go of the angst, and instead embracing its inner John Wick. Theron proves why she is still the top action heroine working in Hollywood, getting valuable support from Layne. There’s a lovely hand-to-hand battle between the two of them on a transport plane, for example, and Andy busting out of the church which is under attack by Merrick thugs is also a pleasure to watch. As seems almost required, there’s a scene at the end, setting up The Old Guard 2 with the apparent promise of an insane neo-immortal for the big bad there. It’s perhaps telling that it’s a prospect which may be more exciting than the humdrum stock genre plot rolled out here. Not even the best Netflix original action movie of the year (that’d be Extraction), yet entertaining enough, if your copy of Fury Road isn’t to hand.

Dir: Gina Prince-Bythewood
Star: Charlize Theron, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari

The Vampire Sword, by T. L. Cerepaka

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Literary rating: β˜…β˜…β˜…
Kick-butt quotient: β˜†β˜†

This series opener got a favorable review from one of the ladies in a Goodreads group I belong to. Since I’m interested in the vampire mythos, and especially intrigued by fiction that approaches it from a Christian standpoint, her review got my attention, though I hadn’t previously heard of either the author or the series. So, when I discovered that I could download the e-book for free, I opted to give it a try.

This is basically urban fantasy, and is clearly influenced both by the Twilight Saga and the Harry Potter series (though Meyer and Rowling are each significantly more accomplished writers than Cerepaka is). What makes it somewhat distinctive in that 24-year-old Tara is a Baptist pastor’s daughter and a Christian believer herself (she made a Christian commitment at the age of 13), who takes her faith seriously, has taught Sunday school, and is singing for her dad’s congregation in a church service when the book opens. But this Sunday proves to be atypical, when an actual vampire crashes through a sanctuary window (on the second frame of the e-book) and bites her in the neck. As in the Twilight books, those who survive a vampire bite normally become vampires themselves. But as the previously clueless Tara learns, she and her dad are Sorcerers, genetically gifted with magic powers most humans (the Powerless –think, “Muggles”) don’t have.

Vampires generally don’t bite their Sorcerer enemies; they just try to kill them. But a rare bitten Sorcerer becomes a half-vampire, with some vampire traits (including a blood thirst –though vampires don’t have to indulge that with human blood, despite the strong temptation) combined with ability to use magic, though just as in the Potter books, that takes training. Unfortunately for Tara, that not only poses theological conundrums for a good Baptist young lady; half-vampires are considered by both the Vampire Council and the Sorcerer’s Parliament as unnatural abominations that need to be killed on sight. And then there’s the added wrinkle that, as Council agent Lucius soon reveals, Tara’s assailant was working for a rogue Vampire Lord who has his own agenda –and it’s an agenda the rest of the world won’t like.

If that sounds like an interesting premise with good possibilities, it is (provided you like that sort of thing –which I do!). The execution, though, isn’t nearly good enough to fully realize the potential of the idea. Throughout my reading of the book, I found myself thinking of ways in which the literary craftsmanship could be improved; obviously, that’s never a good sign! Cerepaka’s prose is minimalist (and often awkward), telling the story straightforwardly enough, but with little description or texture to enflesh the characters and situations. Since Tara is the first-person narrator, we get inside her head; but even so, neither she or the other major characters are very well-developed; we’re never even told, for instance, what she does for a living, though she has a job.

As that would imply, the novel is much more plot-driven than character-driven, and the characters tend to be mostly two-dimensional. No sense of place is evoked; our setting is Texas, where the author lives, but we only learn that in Chapter 20 of a 29-chapter book. (Until then, the references to Greensboro and South Side had me picturing a setting in North Carolina and south-central Virginia!) In a couple of places, facts are stated in the narration and then contradicted a couple of pages later. Although romance actually isn’t a significant element here – it probably is in subsequent books – what there is of it is an unconvincing, one-sided insta-love.

So, why three stars? There are a few pluses here. This is a very fast-paced book, beginning with a bang and moving along quickly through a short time-frame: just about two days for the main story), and though the prose is undistinguished, it flows relatively easily, even despite Tara’s tendency to repeat things in places or over-explain. That makes it a quick read, and I was engaged enough with the story throughout to be anxious to keep clicking to the next frame. Once I started reading it, I finished it in four days, and for me that’s pretty good time for reading an e-book! Cerepaka does display some originality in the treatment of his vampires, and in creating story elements like the Shadow Way and the Strangers, and of course the Vampire Sword itself. Though historically it couldn’t have been forged “ten thousand years ago” –metallurgy didn’t exist then, unless we imagine Robert E. Howard’s lost Hyborean Age! I appreciated the fact that Lucius is a “Pure”, a vampire who eschews human blood, and is disposed to help rather than hurt humans; and Tara’s sincere spiritual struggle with the question of whether, as a half-vampire, she still has a soul and a relationship with God, or is beyond His grace, gave the tale a certain degree of depth.

A word about Tara’s character is worthwhile, since it’s the most developed one here, and obviously the most central. Despite the deficiencies in the portrayal, she does come across as basically likable. Yes, she’s overly concerned with the fact that Lucius is handsome, sometimes to the point of making my eyes roll. But she’s a single woman in her 20s, not a plaster statue on a pedestal. The same can be said of the fact that her Christian faith doesn’t mean she never says a swear word, nor that she’s a paragon of devotional practice. She is who she is; but the person she is has a kind heart, a caring disposition towards others, and a core of guts and resolve when the chips are down. While she’s definitely in a distress situation here, she’s far from helpless; and though she’s not into violence, she’s game to do what has to be done –a fact we learn when she takes out the vampire who bit her with a head shot from a pistol her dad dropped (the bullets were silver). Another thing that helps credibility here (and also adds some depth) is that her greatest challenges in combat situations don’t hinge on her physical fighting ability (which is largely untrained at this point!) but rather on the strength and purity of her moral will.

All in all, I liked this well enough as an entertaining read.  I wouldn’t spend much money to buy it, or the two later books – but I might pick up a used copy of the sequel if I found one at a flea market or a yard sale. :-)

Author: T. L. Cerepaka
Publisher: Self-published; available through Amazon, both for Kindle and as a printed book.
Book 1 of 3 in the Vampire Sorceress series.
A version of this review previously appeared on Goodreads.

Warigami

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β˜…β˜…β˜…Β½
“Card sharks”

This feature-length entity is the omnibus edition of a series created for Canadian streaming service, CBC Gem. Originally 10 x ten-minute episodes, they’ve been combined into one entity, though the joins are still pretty visible. It is, however, a brisk and generally entertaining work, with a good twist to the usual martial-arts shenanigans.

Wendy Ohata (Piggford) lives with her grandfather, a martial-arts master who is the guardian of a scroll that potentially will confer great power on its owner. Wendy has never been able to tap into her talents, until one day she meets Vincent (Bradbury) and his pal Mark (Julien) – while they are burgling her house. Their choice was not a random one: Vincent felt a strong pull towards the house, and it turns out he and Wendy are long-lost siblings. More significantly, when they are within 50 feet of each other, they both become kami-jin. Those are people who are able to manipulate the density of paper at will, turn it into a lethal weapon in their hands.

Unfortunately, when these talents are used, they attract the attention of the villainous Teramoto clan, who want to use the scroll to return Japan to a more pastoral state, blaming technology for the evils of modern life. Their leading agent is another kami-jin, Sadako (Suzuki). She kidnaps Wendy’s grandfather and holds him hostage, demanding the scroll for his release. Can she, along with her new-found brother and his pal, locate the Teramoto lair, and rescue Gramps?

The show got my attention with an opening scene where Sadako is detained at the airport – it doesn’t end well for the agents trying to hold her – and didn’t let go for much of the way thereafter. This does a good job of balancing between the serious and the silly, no small task given the potentially ludicrous nature of the skill at its heart. About the only moment where it descends into full-on silliness is when Vincent dons a complete outfit of samurai armour made from paper – and even there, you can only admire the effort involved from the costume department. Wendy and Sadako make for a solid yin and yang at the center of things, with both acquitting themselves well on the martial-arts front. Director Lapeyre also deserves credit for not letting their talents be obscured by frenetic editing.

There are a couple of plot moments which have questionable plausibility: both the Teramoto lair and its underground entrance are discovered way too easily. And the ending is rather obviously pointing towards a sequel, though it’s one I’d be interested in seeing, and hopefully the makers are given the chance to deliver it. For, given its origins, this was better than I expected from a web series. That’s especially true for the way the talents of the kami-jin are portrayed, which varies from okay to flat-out impressive, on occasion. I was left with a strong urge to find a pack of playing cards and start working on my wrist strength.

Dir: Jason Lapeyre
Star: Emily Piggford, Kai Bradbury, Miho Suzuki, Akiel Julien.

Angelbound, by Christina Bauer

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Literary rating: β˜…Β½
Kick-butt quotient: β˜†β˜†β˜†

It’s nice to be reminded of why I’m generally averse to romance in my reading – particularly poorly written and unconvincing romance, like we get here. An interesting scenario with potential gets bogged down in gooey mush during the second half: let’s just say, there are phrases such as “my tummy goes all tingly again.” Yes: again…  If I wasn’t already committed by that stage, being more than half-way through a 500+ page book, that sentence might well have led to this ending up as a Did Not Finish. Instead, I figured I’d at least get a review out of it. You’re welcome.

As noted, the setting isn’t the problem. It takes place in Purgatory, which in this rendition is basically a clearing house for souls with no particular destination. Will that be heaven or hell? One of the ways this can be decided is trial by combat, and on the opposition team responsible for dispatching them in the arena there is Myla Lewis, a quasi-demon 18-year-old, whose combat skills belie her years. It’s supposed to be a neutral location, but is increasingly coming under the thumb of Armageddon, the King of Hell, whose forces staged a velvet glove occupation around the time Myla was born. And speaking of which, who was her father anyway?

It’s populated by a whole host of supernatural tribes. Deoms, quasi-demons, angels, ghouls and the thrax, who are demon hunters, as well as a whole host of cross-breeds between them. This makes for a murky diplomatic situation, in which the various groups struggle – both overtly and covertly – for power. Myla really just wants to kick ass in the arena, but life and the deteriorating political situation have other plans. Not least in the well-muscled shape of Lincoln, a thrax prince. Which, of course, makes things tricky given Myla’s partly demonic ancestry. 

And that’s where the whole thing falls apart. We go from mutual disgust to tingly tummies, on both sides, without apparently passing through any of the intervening stages, and is not in the least bit convincing. Meanwhile, Myla is being drip-fed information about her heritage and past events through angel-controlled dreams, even though it seems everyone – not least her mother – knows exactly who her father was, for example. It’s contrived purely for the sake of drama, and isn’t exactly subtle about it. Equally inevitably, we end up discovering that Myla isn’t just a normal teenage girl – or normal teenage part-demon, anyway. It’s likely no spoiler to reveal that her flowering abilities end up with her going toe-to-toe with Armageddon.

Bauer does have a decent handle on the action, and the moments where she gets to let rip in that direction are effective. Some imagery will stick in my mind, such as the torture Armageddon inflicts on Myla’s father just before their final face-off. But this doesn’t come anywhere close to balancing the cringeworthy romance, and I’ve absolutely no interest in going further. Now, if you’ll excuse me, I think my tummy is going a bit tingly too. Just not for the same reasons as Myla’s…

Author: Christina Bauer
Publisher: Monster House Books, available through Amazon, both as a paperback and an e-book
1 of 8 in the Angelbound Origins series.

The Poppy War, by R.F. Kuang

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Literary rating: β˜…β˜…β˜…β˜…Β½
Kick-butt quotient: β˜†β˜†β˜†β˜†

“Was she now a goddess or a monster? Perhaps neither. Perhaps both.”

There can’t be many fantasy novels based on the events of World War II. But here we are, and Kuang has done an amazing job of taking historical events and weaving them into a saga of gods, magical powers and monsters, that works very well, even if you have no clue about the background.

At the beginning, Rin is a young orphan girl in a remote village in the South of the empire. Abused ceaselessly by her foster parents, they’re about to sell her into marriage. Her only hope of escape is to pass the exam which grants admission to the military academy of Sinegard. Even though she succeeds, she remains an outcast there, except to the equally derided Master Jiang, professor of lore. He helps her tap into powers largely forgotten by the Empire, but warns that if she doesn’t control them, they will control her. Her studies are brought to a sudden end when the Federation invades, laying siege to Sinegard. With the city about to fall, desperate measures have to be taken. But some doors, once opened, are an awful lot harder to close.

β€œThis is what you have to tell yourself,” Qara said fiercely. β€œYou have to believe that it was necessary. That it stopped something worse. And even if it wasn’t, it’s the lie we’ll tell ourselves, starting today and every day afterward.”

The above quote is a good depiction of the dilemma at the core of the book. Is it permissible to do evil deeds to stop evil deeds? But that’s just part of the moral quagmire in which Rin finds herself, where a desire to protect her country merges with a quest for vengeance – both personal, and for previous genocide. There’s no denying the abilities into which she can tap are increasingly powerful, bordering on the divine. But she’s no “Mary Sue”: the cost mounts alongside them, to the point where her humanity is in danger of being entirely scorched away when she uses them.

And even if it doesn’t, the drugs necessary – both to reach the Pantheon where the gods reside, and to numb the pain of life following her awakening – won’t necessarily help Rin retain her sanity. There’s a gigantic stone prison, inside which are entombed, in a state of living hell, the thousands of previous shamans, who were driven completely insane by what they unleashed inside themselves, and had to be contained or they could destroy the world. The dangers here are very real, and only escalate the further Rin develops.

“I will die on my feet,” she said. β€œI will die with flames in my hand and fury in my heart. I will die fighting for the legacy of my people, rather than on Shiro’s operating table, drugged and wasted. I will not die a coward.”

Kuang has constructed a great heroine in Rin. From the very beginning, she is driven to escape a situation many would accept as hopeless, and demonstrates enormous resilience, and an utter commitment to do whatever she feels is necessary. She succeeds, not through some innate ability (hello, Harry Potter), but by working her butt off. Yet it’s that same willingness which ends up taking her, both physically and mentally, to some appalling places and experiences. The descriptions of Federation atrocities are all, apparently, backed by historical fact, matching what the Japanese did during the occupation of China in the thirties and forties. Most notably, the sacking of one city is based on the Rape of Nanking, and even a hardened soul like myself had his stomach flip on occasion. Kuang doesn’t pull her punches. There also seems to be a scientist based on the infamous Unit 731, who carried out human “experiments” on the locals.

But it’s all severe unpleasantess which is very necessary to the plot. Because it’s the only way through which Rin can justify her own reactions, and the extreme measures which she unleashes, along with the rest of the Cike [the Imperial shaman troop to which she is conscripted, and who are used to take on the Federation by unconventional means] There’s certainly no shortage of awesome-if-horrific set pieces, such as the Cike’s luring in and destruction of an enemy fleet. I’d love to see Peter Jackson or Guillermo Del Toro take on a cinematic adaptation, though the entire $200 million budget would probably end up going on digital flames…

“She was no victim of destiny. She was the last Speerly, commander of the Cike, and a shaman who called the gods to do her bidding. And she would call the gods to do such terrible things.”

The general tone is one of increasing darkness, and by the end, I was as much scared of Rin as in awe of her or concerned for her fate. About the only weakness I can think of, is that she’s rather distant and unlikable. Not exactly fun to be around, shall we say, and given some of her later acts, the term “heroine” seems dubious at best. But she’s going to need to be an ultimate, supernatural bad-ass in future volumes – not least to deal with a potentially equally-lethal shaman, who escaped from the stone prison, partly through Rin’s actions. There’s also the little matter of the Empress, who may not be the honourable subject of veneration she initially appeared to be.

It all sets up very nicely, without needing to create an artificial cliff-hander. As time permits, I definitely look forward to reading the next installment, The Dragon Republic.

Author: R.F. Kuang
Publisher: Harper Voyager, available through Amazon, both as a paperback and an e-book
1 of 3 in the Poppy War series.

Immortal Wars: Resurgence

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β˜…β˜…
“Let there be light!”

First, the good news. Whatever the issue was with its predecessor in the lighting department, it has been corrected. You can actually see what is going on. After spending the entire previous movie peering into murky darkness, trying to work out who was doing what and to whom, this was a blessed relied. Now, the bad news: it still falls some way short of interesting, so merits a mere half-star advance. Indeed, if anything, it’s a bit more tedious, not least because it clocks in at 112 minutes, without having anything like 112 minutes of content.

It does carry on immediately from Immortal Wars, so you might as well consider them as one single movie – watching one or the other would not provide anything close to a complete experience. Heroine Trikalypse (Gerhardy) continues her revolt against the evil Dominion Harvey (Roberts), with the help of her fellow rebel “deviants” – those who possess special powers. Apparently, this involves her escaping from Dominion’s facility… purely so she can break back into it. Not sure what that was all about. It certainly explains the expanded running time, with a lot of traipsing about, both through tunnels and across the (mercifully, well-lit!) desert, as Dominion’s henchwoman Hart (Alayne) tries to stop them.

There is no shortage of action, admittedly. It just isn’t very well-executed action, and for supposedly superpowered mutants, they seem to keep forgetting to use their superpowers much. We also discover the whole “fight to the death” thing from the first film was more true in the spirit than the actual observance, with Trikalypse’s BFF Iro not exactly as deceased as we were led to believe. Of course, as the rebels fight their way towards the inevitable confrontation between Trikalypse and Dominion, there are casualties, though it would be a stretch to say that any of them provided an emotional impact.

It’s all very predictable, such as the way that Dominion, despite his claimed aversion to deviants, has his own platoon of them. Yet, for someone who supposedly rules the entire United States, he can only apparently command a couple of dozen people. His actions also defy simple logic. If ever I become an evil overlord, and know the precise location of a group of my enemies who are coming to attack me, I will not send out a henchwoman to engage in banter and hand-to-hand combat. I’m taking off and nuking the entire site from orbit. It’s the only way to be sure…

And, again: Bill Oberst is listed second in the credits, yet barely appears. [He may not appear at all, but I did genuinely doze off for a bit in the middle, so can’t be 100% sure] At least this time, Lujan does have the good grace to provide something of a satisfactory conclusion: another area in which it does improve on the first part. Overall though, the plodding nature of the core narrative largely negates these improvements, and combined with the extended duration, you’re left with something which you need to be in a highly forgiving mood to sit through.

Dir: Joe Lujan
Star: Jackie Gerhardy, Eric Roberts, Ben Stobber, Camille Alayne 

Immortal Wars

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β˜…Β½
“Batteries not included.”

For whatever reason – presumably misguided stylistic reasons – the great bulk of the film is buried in darkness. Seriously, three-quarters of the film feels like it’s illuminated solely by natural lighting. And given it mostly takes place underground, in rooms with no windows, this is a major problem. The movie reaches its literally darkest moment during an early scene where the camera pans over an underlit set to an even more underlit door where someone has entered to deliver a message. You cannot see who it is. You just hear a disembodied voice, before the camera pans back. It’s a horrible mis-step, whether due to poor shooting, a poor transfer, or a bit of both. It largely dooms the movie, to the point where even an energetic final third is unable to rescue proceedings. For how can you begin to enjoy something you can’t see?

The story takes place in a future world, now divided into ten sectors. A small fraction of the population, known as “deviants”, have developed superpowers, becoming the subject of fear and hatred by regular humans. For popular amusement, there’s an annual competition in which each of the ten sectors capture and nominate their top fighting deviant. They are then taken to a central location and made to battle each other to the death, in a globally-televised contest run by Dominion Harvey (Roberts), which is watched by just about everyone else. So, basically: The Hunger Games crossed with X-Men. On a very, very much smaller budget.

The main heroine is Trikalypse (Gerhardy), one of the ten combatants taking part in this year’s model. Though for the first hour, it’s more chatty, as she bonds with another of the fighters – inevitably, of course, one she ends up fighting later on. But it is refreshingly female-oriented, with both of the finalists being women, as well as the super-boss that the winner then has to take on. However, the film then ends – literally going to the end-credits – just as that fight starts. Fortunately, I didn’t watch this until after the sequel was also available, otherwise I would have been very annoyed. It’s the sort of cliff-hanger you expect from a free e-book on Amazon, not an actual feature film.

Despite the lack of originality, it’s a decent concept and I’d have forgiven this, if the fights had actually been better than mediocre. Instead, as well as the lighting problem, they’re not very well-choreographed, though do have occasional moments which are somewhat effective. I was most impressed with Cruz as bad bitch Dekay, who had the presence, the look and the apparent skills, to keep me at least somewhat interested. But this was small consolation for something which, far too often, crossed the boundary into being genuinely unwatchable. It even managed to waste the talents of Bill Oberst, who shows up for exactly one scene – though at least that’s in daylight – while Tom Sizemore also manages to cameo his way through the darkness. I’m not exactly eagerly looking forward to the sequel, but it’s there…

Dir: Joe Lujan
Star: Jackie Gerhardy, Lindsey Cruz, Eric Roberts, Taylor Kilgore

Queendom of the Seven Lakes, by A B Endacott

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Literary rating: β˜…β˜…β˜…
Kick-butt quotient: β˜†Β½

There is an interesting set-up here: unfortunately, it’s one which truly doesn’t get developed far enough. Elen-Ai is a 21-year-old woman, who has been brought up since birth to be an assassin for hire, part of “The Family.” Her latest commission is a little different: it’s not to kill, but to protect. For she is hired to make sure that Gidyon, the teenage son of Latana, Queen of the Second Country, stays alive. This is a matriarchal society, where power passes down the female side. But Latana has only her son, and is set to upset the traditional apple-cart by proclaiming Gidyon as her heir apparent. This decision will potentially be rejected by some among the seven clans who comprise the queendom, and may make him a target for those who’d rather see him out of the way. Hence, Elen-Ai’s presence, to make sure that doesn’t happen, as he begins a national tour around their estates, seeking support for his position.

I suspect it’s pretty obvious where this will end up going, based on Gidyon’s plan to defuse the clans’ concerns by marrying someone outside of the nobility entirely. I would bet his bride ends up being Elen-Ai, given by the gobbets of unresolved romantic tension which pepper proceedings, together with the wild swings between like and dislike. Given his age though, we’re probably a few volumes away from that. For now, this is more of a travelogue than an action novel. There’s one assassination attempt on Gidyon while they’re on the road, but otherwise, Elen-Ai’s skills are more seen in the stealth department. As well as her abilities with weapons, she can make herself invisible, a useful talent when it comes to obtaining information regarding the conspiracies against Gidyon. However, she’s far from infallible; indeed, her momentary inattention proves to have tragic consequences.

Despite some interesting wrinkles, e.g. the identity of Gidyon’s father is a closely-guarded secret to avoid political repercussions and enforce neutrality, this doesn’t capitalize on the worldview. Indeed, by using a male heir instead, it largely negates much of the role reversal which has gone before. I’m also hard pushed to imagine Latana is the first ever queen who failed to have a daughter. The main issue though, is I really would have liked to know more about Elen-Ai. The very concept of the Family – a tacitly-accepted guild of assassins – merits considerably more exploration. How she reached the point of being commissioned by royalty as a bodyguard, seems considerably more interesting than her traipsing across country as some kind of lethally mobile baby-sitter. This seems like a sad waste of her talents, a bit like reading a Sherlock Holmes book devoted entirely to his post-retirement life as a bee-keeper. While I didn’t feel like I’d wasted the time, there wasn’t enough here to convince me to go further into the series.

Author: A B Endacott
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
1 of 6 in the Legends of the Godskissed Continent series.