The Last Dragonslayer

★★★½
“Here be dragons. Well, a dragon, anyway…”

This slice of British televisual fantasy was offered up on Christmas Day, and provides a pleasant, warm and unchallenging slice of family fare. It takes place in a world where magic has ruled, but is gradually fading from consciousness and being replaced by technology. The magic appears connected to the dragons with which humanity shared the planet, uneasily. After previous battles, a kind of apartheid was set up, with the world divided into dragon and human areas. Overseeing the peace is the Dragonslayer, who is charged with killing any dragons who violate the treaty and attack humans or their territory. But some members of mankind are casting envious eyes on the unspoiled territory of the dragons, and would love an excuse to take it over.

Into this comes Jennifer Strange (Chappell), an orphan who was adopted as an apprentice by the magician Zambini (Buchan). A decade or so later, he vanishes suddenly, and while Jennifer is still coming to terms with that, a bigger shock occurs. Fate has decreed she is to become the Dragonslayer, the one prophesied to kill the final dragon. Having grown to love magic in all its forms, she’s extremely reluctant to do so. But how is a teenage girl supposed to escape what the apparently immutable finger of fate has written? And never mind, having to cope with all the other unwanted attention, from interview requests to merchandising deals, that comes to Jennifer along with the unexpected position.

It’s a nicely constructed alternate world, part steampunk, part modern and a declining part magical – wizards, for example, are now reduced to doing rewiring work for employment, such is the low demand for their skills. This offers scope for satirical elements, such as the Dragonslayer having to do adverts for a soft drink to pay off an unexpected tax debt. There are also any number of faces you’ll recognize if you watch much British TV: Buchan is familiar from Broadchurch; Bradley, who plays Jennifer’s sidekick Gordon, is best-known as Jon Snow’s wingman Samwell Tarly in Game of Thrones; and King Snodd is Matt Berry, who played a similarly mad boss in The I.T. Crowd. Richard E. Grant voices the final fire-breather, though is largely wasted in the role.

Chappell makes for a good, plucky heroine, even if her willingness to accept the hand dealt to her is a little fatalistic. Why not just walk away? Can’t kill the last dragon if you don’t pick up the sword – even if it does have your name engraved on it. While light in tone, this does have its action beats, not least when Jennifer has to fend off an assassination attempt, and an occasional moment of surprising poignancy. The finale perhaps asks more questions than it answers, and it’s clear the aim is an ongoing saga of films to follow the books (there are three volumes in the series by Jasper Fforde with a fourth in preparation). Yet if this does become a Christmas Day media tradition in Britain, it’s one to which I’d not object at all,

Dir: Jamie Magnus Stone
Star: Ellise Chappell, Anna Chancellor, Andrew Buchan, John Bradley

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