Girl of Nightmares, by Kendare Blake

Literary rating: ★★★★
Kick-butt quotient: ☆

Warning: while this review contains no spoilers for the book I’m reviewing, it inevitably involves some spoilers for the book to which it’s a sequel, Anna Dressed in Blood. (I didn’t review that one here; see below). The situation in this book directly grows out of the events of the first one; and though the author provides some brief references to those in the opening chapters here, if you have not read the series opener, you would get only the very bare basics of what happened there. IMO, she expected that her readers will read the books in order, and I would strongly recommend doing so. Your whole understanding of the premise here, your engagement with the story, and your understanding of who most of the major characters are as people and your emotional connection to them will be seriously impaired if you don’t!

With this novel, Blake concludes the Anna duology. The two books are quite similar in terms of style and literary vision. As in the first book, our protagonist and present-tense narrator is high school junior Cas Lowood, the latest member of his family line to wield a magically-powered athame capable of sending those ghosts which are homicidal (not all ghosts are) out of this world into the afterlife. And again, our title character is Finnish-descended Anna Korlov (ca. 1942-1958), brutally murdered by her own mother, a black-magic witch, who cursed the girl with a spell that forced her to haunt the house in which she died and to savagely slaughter anyone hapless enough to subsequently enter it. Near the end of the first book, Anna deliberately cast herself through a portal into Hell (conceived in terms more owing to North American European-derived folk religion than to anything biblical), dragging along with her an utterly malevolent and murderous spirit of enormous power and menace, the “Obeahman,”and thereby saved the lives of Cas and others –but not before she and Cas had forged a genuine emotional connection.

The previous novel took place in the fall of Cas’ junior year in high school. When the second one opens, we’re now in the late spring of the next year, when the school year is rapidly winding down to its close. All during the interval, a grieving Cas has been searching for some way to communicate with Anna and at least obtain some sort of closure. He’s been aided in this quest by his mom, a white witch; by his London-based British mentor (and the mentor of his late father before him) Gideon Palmer; and by his high-school classmate, psychically-gifted Thomas Sabin and Thomas’ grandfather Morfran, a pair who are endowed with pretty formidable magic talents of their own. So far, they’ve drawn a blank. But now, Cas is beginning to find his dreams turned nightmarish with visions of Anna and, increasingly, experiencing very vivid waking visions of her as well. Are these genuine communications from Beyond, or is he simply beginning to lose his mind and hallucinate? (Well, for an answer, you’ll just have to read the book! :-) )

The first novel in the series isn’t an action heroine read. There, although Anna, as a cursed ghost, is formidably deadly (she can, and does, kill people by literally ripping them to pieces), she’s not inflicting her mayhem in a heroic mode; and where physical combat with dark forces is called for, it falls strictly on Cas. This time, though, he’s going to need help in that department; and Carmel Jones, queen bee of the high school’s “in” crowd (and Thomas’ girlfriend; Blake lets her transcend stereotype, which I appreciated) will find herself “getting in touch with her inner warrior princess.” Then there’s magically-gifted teen Jestine “Jess” Reardon, groomed to be Cas’ replacement (long story!) by the ancient Druidic order whose ancestors created the athame, who’s combat-capable as well as smart. And just because Anna’s no longer cursed doesn’t mean that she’s not still one tough ghost…. Action scenes that involve these young ladies aren’t numerous –but they are pretty intense, and potentially lethal (or worse).

Our initial setting is the main setting of most of the first book, the real-life rather large Canadian city of Thunder Bay, Ontario. We also have a couple of ghost-hunting side trips to Minnesota, and then shift to the British Isles for roughly the last half of the book. Again, Blake gives us three-dimensional people in her important characters (both the returning ones and one newly introduced here), who have realistically complex feelings and motivations and nuanced attitudes and interactions, but whom at the same time we can understand and like. Folklore from the Vodoun tradition isn’t as prominent in this book, but the author continues to make good use of Finnish lore, particularly the role of Sami drums in shamanism. Again, this is a very gripping read, with a high suspense factor, several surprise developments (which never violate the logic of the plot, unlike the “surprises”thrown in by some genre writers!), often a real sense of life-and-death danger in places, a high-stakes central conflict, and scenes of ghostly menace which conjure a genuine, powerful sense of creepiness. The emotional intensity of the story, for me, was quite high.

As with the first book, I’d call this an adult novel which happens to have mostly teen characters. I don’t unreservedly recommend it for teen readers because, like the first book, it has a lot of bad language, including profanity and obscenity, the great majority of it gratuitous. (That cost it a star.) But, also like the first book, it has no sexual content, and the violence, though it’s there, isn’t more graphic than necessary. If you’ve read the first book, I’d characterize this sequel as a must-read.

Author: Kendare Blake
Publisher: Tor Teen; available through Amazon, both for Kindle and as a printed book.
A version of this review previously appeared on Goodreads.

Dead Shot by Ethan Johnson

Literary rating: ★★
Kick-butt quotient: ☆☆☆½

I did get through this, but there were times when it was on thin ice, and it certainly didn’t work for me. At first, it seemed the heroine, Diana, was maybe eight or nine, going by the way she acts, and how her survivalist father treats her. [The first sentence is, “Diana Fellner stood over her suitcase, clutching a worn teddy bear”] Turns out, she’s actually 23. He abandons her at a roadside diner, for reasons that never become clear, and she is suddenly forced into adult life. With the help of a waitress at the diner, she ends up heading for Newark, and despite her lack of paperwork, gets a job in a shop. Then, all hell breaks loose, with a massive, coordinated series of terrorist attacks and subsequent riots, on what becomes known as Arbor Day. Diane turns vigilante, using the skills her father provided, and after the carnage, ends up joining what’s left of the police force. She has to overcome blatant sexism and a dangerous new world on the streets, as she finds herself – and also deal with her past catching up with her.

I think there was one particular moment where Diane jumped the shark for me. It’s on Arbor Day, when she basically executes a police officer, who has taken exception to her style of summary justice. The lack of real justification for the act, and any significant guilt or regret apparently felt by Diana after it, was rather troubling. Indeed, many of the events on that day themselves seem severely implausible. At the end of chapter 2, her father says, “I’ve got to teach you how to shoot,” for she has never fired live rounds, just a BB gun, before her abandonment. Yet she later proves capable of eliminating an entire mob of gang-bangers, virtually single-handed. Given she was brought up in a remote rural lifestyle, and kept almost in isolation, how did Diana become such an apparent expert in urban combat and pacification techniques? 

The world-building is a bit spartan as well. There’s not even any theories offered as to who was behind the events of Arbor Day – maybe that proves relevant in further volumes? – and the sudden collapse of society into anarchy and chaos seemed more convenient than plausible. I remember 9/11 and the country actually came together after those attacks, rather than immediately descending into The Purge. Diana – who inexplicably changes her name to DianE at the end, as if that’s a radical change – doesn’t seem to be a very nice person, with an apparent zero tolerance for anyone else’s flaws. However, it has to be said, the supporting cast are more annoying than endearing, so the reader is left with, basically, no-one likeable in the book. That isn’t necessarily an impossible block to overcome. However, Johnson doesn’t have the ability to do so, and I was left with no interest in going further.

Author: Ethan Johnson
Publisher: Independently published, available through Amazon, both as a paperback and an e-book
1 of 3 in the Diane Pembrook novel series.

Feral Recruit, by Ginger Booth

Literary rating: ★★★½
Kick-butt quotient: ☆☆☆

While this does take a bit of time to get going, it’s worth persisting with. For there’s some particularly impressive world building here, and characters who are not your typical young adult fare. This takes place in a post-apocalyptic world, after an Ebola outbreak has devastated the United States, causing it to disintegrate into a collection of “superstates”, combining various old states into larger, autonomous territories. New York was, to borrow a (profane but accurate here) line from Snatch, “Proper fucked.” After the disease broke out, the city was sealed off and the epidemic left to burn itself out. The population was decimated, both by Ebola, and the lack of food which followed, known as “The Starve”. Only now, years later, has the city been re-opened and the survivors are beginning to rebuild.

The heroine here is Ava Panic – originally pronounced “Pah-nich”, but no-one bothers now. She survived as a gang rat in the White Rule group, rising to become “Queen Bee”, alongside its leader, Frosty. Eventually growing disenchanted, she left for a more official life and work, running one of the crews involved in rebuilding Manhattan. But an opportunity arises with the army looking to recruit new soldiers for the security forces. While they’re prepared to overlook Panic’s questionable past, how can a tiny girl, no matter how fierce and capable, cope with the ferocious physical demands of basic training? Never mind the discipline required by the military, a sharp contrast to her lawless gang rat life.

At times, it does feel like I was thrown in the deep end; there is a whole series of prequels available, which might have addressed this. A Book 1 needs to be able to stand on its own, and this was on slightly shaky ground there early on. But the depth of the world gradually made sense, and I appreciated the gutsy way in which Booth made her heroine imperfect. Indeed, making her a white power supporter – even a former one – is kinda risky, in terms of evoking heroine empathy. Admittedly, she joined White Rule after a particularly shocking incident, and Booth manages to make both Ava and Frosty more than the obvious Aryan stereotypes.

There has clearly been a lot of thought put into the detail of how society might be rebuilt after a world-shattering event like this – and another follows in the second half, when a tsunami triggered by the collapse of the melting ice-caps, sweeps the East coast of America. Perhaps it gets bogged down a little too much in those minutiae on occasion, though it’s never long before Ava’s progress forward continues. Interestingly, it doesn’t end quite the way I expected from the synopsis, but it’s always good when some problems are too much for a heroine to overcome; it makes them more human. This first installment finishes with Ava’s life heading in a different direction, and it’s one I’d be curious to follow her into.

Author: Ginger Booth
Publisher: Createspace Independent Publishing Platform, available through Amazon, both as a paperback and an e-book
1 of 4 in the Calm Act Feral America series.

Perilous Waif, by E. William Brown

Literary rating: ★★★
Kick-butt quotient: ☆☆☆

In the future, humanity has spread across much of the universe, but has also adopted all manner of enhancements, with androids and other artificial creations likely outnumbering the people. This section of the galaxy has become a vast cosmic melting pot of cultures with worlds occupied by everything from religious cults to yakuza gangs. Alice Long is an orphan on the strait-laced planet Felicity, but clearly doesn’t fit in, possessing an unusual range of those enhancements, to go with her leaning towards delinquency. Running away from the orphanage, she rescues a woman from attack, and in exchange for her help, becomes one of the crew of the slightly grey-market Square Deal, under Captain Sokol. However, as Alice blossoms, it becomes clear her obscure heritage has blessed her with artificial talents far outstripping Alice’s new colleagues. 

Initially, I really liked this, appreciating the enormous amount of thought which has gone into the universe here. That’s clear from the multiple appendices, explaining technical aspects of how everything from interstellar travel to artificial intelligence works in this setting. I was greatly looking forward to seeing Alice rising from a lowly cabin girl to… well, wherever her skills might take her. Except, it didn’t quire work that way. Her rise is, in fact, super easy, with any impediments barely an inconvenience. For example, this is a universe in which fabricators can be used to make anything for which there’s a recipe, and Alice becomes increasingly over-powered due to all her enhancements. No matter what the situation, it seems she has an app for that. She’s certainly the smartest person in the book, and may well be the strongest, fastest and most lethal as well. Then there’s her heritage, best described as unique. And even if she were to be killed, it’s established that people can get restored from backups into a new body. Death, where is thy sting?

It’s an issue of which the author does seem to be aware, with a mention in one of the appendices of “post-scarcity society”. That seems to be the situation which we have here. Brown spent so much time on the dazzling infrastructure, he forgot to come up with the equally dazzling threats necessary, in a world whose inhabitants calmly discuss the possibility of them surviving a multi-gigaton nuclear blast. There’s absolutely no shortage of action, in particular a final third where Alice has to fight her way off a massive, derelict starship after betrayal by the people they are supposed to be helping. But, while this is currently a stand-alone book, it also has too many loose strands left dangling at the end. My overall feeling is that, while this is a fascinating universe that could serve as the basis for many great stories, Alice Long’s just isn’t one of them. Or, at least, she needs an antagonist of comparable ability and power.

Author: E. William Brown
Publisher: Independently published, available through Amazon, both as a paperback and an e-book.

Boundary Crossed, by Melissa F. Olson

Literary rating: ★★★½
Kick-butt quotient: ☆☆½

After returning from her time in the Middle East with the military, during which she almost died, Allison Luther – now going by her army nickname of Lex – has difficulty readjusting to civilian life. She’s working nights at a convenience store in Boulder, Colorado, and still troubled by her experiences over there. Things change dramatically, when two low-lives with a baby enter the store, for Lex recognizes the child as her niece, Charlie. The resulting confrontation is highly strange, and opens the door for Lex to an utterly different life. In this world, vampires and witches exist, largely unknown to normals, with their struggle for power going on beneath the surface.

It turns out Lex is a powerful “boundary witch”, one who can see and – with training – manipulate the energy of life and death. Her near-death experience had awakened that ability. Meanwhile, her niece is a “null”, someone whose presence suppresses the magical talents of of both witches and vampires. It’s a very valuable talent, and why Charlie had become the target of a pair of vampires. But who were they working for, and what would they have done with her? Seeking protection for Charlie, Lex agrees to work for Boulder’s head vampire, Itachi, who operates out of a coffee-shop. This puts her in a rather odd place, as a witch working for a vamp – and her skill-set doesn’t make her any friends either.

What we have here is fairly standard Urban Fantasy, with the obligatory hawt vampire, Quinn, both attracted to and worried about the heroine, while she has to learn to come to terms with her equally obligatory powers. However, if there’s nothing particularly new here, it is still executed reasonably well. While there’s clearly a lot of scope in the concept, the author doesn’t over-reach herself by trying to cram too much in. Especially in a first volume where there’s always going to be a fair degree of set-up and exposition anyway, it’s wise to focus on Lex and her desire to make sure Charlie is kept from danger. There is stuff around the outside which does feel a bit superfluous – at least in this first volume. Examples include her feelings for Charlie’s father, and a dead sister turning up as a ghost. Yet they never interfere too badly with the main plot, which is solid and keeps moving forward.

Being a former soldier, Lex certainly knows how to handle herself, and is willing to mix it up in defense of Charlie, even with vampires whose state gives them enhanced strength and speed. Though as the book proceeds, her metaphysical skills become more relevant than her physical ones, and they’re a bit less exciting to read about. For instance, “pressing”  – her mind-control talent – is not exactly cinematic, and is a tad convenient, truth be told. Not a bad read, all told, though Olson will need to be careful her heroine doesn’t end up becoming obnoxiously over-powered in future volumes.

Author: Melissa F. Olson
Publisher: 47North, available through Amazon, both as a paperback and an e-book
1 of 5 in the Boundary Magic series.

The Fox and the Eagle by David Kantrowitz

Literary rating: ★★★
Kick-butt quotient: ☆☆½

I don’t typically buy fourth books in a series, but didn’t actually realize that was the case here until after I’d finished it. From what I can gather, this is set in the same universe at its predecessors, but introduces a new set of characters. It certainly works well enough as a stand-alone entity, and poses no problems read on its own.

There are really two action heroines here. Evangeline Adeler is a CIA agent, who is investigating a strange series of abductions, when she becomes its latest victim. Turns out these are carried out by the Kira’To, aliens from a nomadic asteroid called the Eagle, hundreds of light years away. Humans are being taken  in order to provide “a fresh genetic source” for the Eagle’s inhabitants – inbreeding generally being a bad thing. However, Eva is having none of that, escaping an arranged marriage and winning her freedom after prevailing in a trial by combat. The other heroine is Reveki Kitsune, a teenage girl and farmer’s daughter, who ends up the sole survivor after an attack on her uncle’s spaceship, the Fox, by members of a neo-criminal group called the Syndicate.

Due to this, she inherits the Fox, and meets Eva, who becomes part of the ship’s new crew while looking to find a way back to Earth. Their subsequent adventures take them on a raid to acquire a stash of neptunium, discovering the truth about Vecky’s parentage, and linking up with Tomoyasu, a long-time exile from the Eagle who is seeking to return there in order to stage a coup. The Eagle has a Japanese-based culture, for reasons apparently related to previous injections of abductees from there, This means Tomoyasu can take over if he can beat the current leader in a samurai duel.

It’s a decent slice of space opera, though does get rather confusing during the final battle on the Eagle, where Kantrowitz struggles to keep his multiple balls in the air. At one point, it looked like a major character had been disposed of with a single sentence, though I should have realized from this, that it was a red-herring.  Still, he has some occasionally nice turns of phrase. For example, I particularly liked this line: “The pistol made a sound like someone dropped a steel refrigerator full of beer one hundred feet from a helicopter onto a concrete surface.” I was also amused by the way Eva likes to drop Earth culture references, e.g. “Thank you, Doctor House”, which no-one else ever gets.

She’s definitely the most bad-ass of the characters, and I did feel the split focus of the narrative was a bit of a problem. Her story ends up having to share chapters with Vecky’s and Tomoyasu’s, when I’d have preferred to hear more about Eva – as a newcomer to this setting, I’d have been learning about the galaxy at large, along with her. Everything ends in a bit of a cliff-hanger, with the roles reversed: Eva is no longer the only “stranger in a strange land,” and it’s clear that further parts will be arriving. I’m somewhat interested in more, but would welcome a sharper direction on the writing.

Author: David Kantrowitz
Publisher:Kyrie Devonai Publishing, available through Amazon, both as a paperback and an e-book
4 of 4 in the Reckless Faith series.

Chameleon Assassin, by B.R. Kingsolver

Literary rating: ★★½
Kick-butt quotient: ☆☆½

This takes place in a mildly post-apocalyptic version of Toronto. Climate change and other global issues have helped trigger a sharp increase in mutations among newborn children. Some are positive; others… not so much. The social upheaval also occurring around this time has led to a sharp divide between the haves and the have-nots, with the former able to enjoy considerably more than basic essentials such as clean air and water. The latter struggle to afford these necessities, creating a vicious cycle of deprivation. Libby Nelson rides the razor’s edge between the two worlds. While a mutant herself, she has been blessed with abilities rather than cursed with ailments; she can change her appearance and also disrupt electrical currents.

These two talents have brought her a career as a hired assassin, thief and investigator, working on behalf of various commercial or business interests, as corporations have replaced governments. Her latest commission is working for the local Chamber of Commerce – not quite the charitable group they currently are! – to look into “luvdaze”, a new drug which has recently started to flood the market, both locally and across the continent. They want to find out who is behind its production and distribution. However, the deeper Libby digs, the more dangerous her mission becomes, as she approaches the murky ares where organized crime and corporate malfeasance cross paths, with both groups very intent on playing for keeps, and taking no prisoners.

It all feels rather contrived, right from giving the heroine not one but two positive mutations, as well as a remarkable array of skills, devoted friends and physical beauty. She is even literally kind to orphans, a revelation which you’ll understand may have provoked a derisive snort. There’s heroic, and then there’s positively beatific, y’know. On the other hand, given her ability to look like absolutely anyone, it seems oddly limiting, or shows a lack of imagination, that’s she’s working as a freelance security consultant. Five minutes thought about how to use the skill, and I imagine most people would easily be able to come up with more profitable – or, indeed, more interesting – ideas.

I can’t say this is badly-written. It is, however, remarkably “meh.” There’s no any particular progression or escalation, which would potentially lead to a building sense of excitement. Things happen, but they aren’t described in a particularly exciting way on their own, and nor do they combine in a way which is greater than the sum of their parts. I only finished reading the book a couple of days ago, and it has already all but vanished from my mind. For the purposes of this review, I had to look up basic information like the name of the heroine or the city in which it took place, such was the lack of impact. Like the creature in its title, this book has faded quietly into the background, and will soon be entirely forgotten.

Author: B.R. Kingsolver
Publisher: CreateSpace, available through Amazon, both as a paperback and an e-book
1 of 5 in the Chameleon Assassin series.

Air and Ash, by Alex Lidell

Literary rating: ★★★½
Kick-butt quotient: ☆☆☆½

There is quite a lot going on here, so please hold on while I try to summarize. The world in which this takes place has two main groups, engaged in a decade-long war: the neo-Communist People’s Republic of Tirik and the Lyron League, an alliance of six kingdoms. The smallest of these is Ashing, a seafaring country, where both men and women go to see. The latter includes Princess Greysik, an officer on one of the Ashing navy’s ships, but after one mission goes wrong, she is returned to the palace, and scheduled to become part of a marriage arranged for diplomatic reasons. Rather than suffer that, she runs away, taking the identity of Nile Ash and becoming a sailor on a Lyron League ship. But without the privileges her rank and position previously afforded her, she’s about to discover how harsh her new, entry-level position life will be.

But, wait! There’s more! For a small fraction of the population are “Gifted” – they have an affinity for, attract and with practice can manipulate, one of the five elements: air, water, metal, stone or fire. But the ability has potentially lethal side-effects, e.g. stone caller’s muscles dissolve; water caller’s blood refuses to clot. This matters because Greysik’s twin brother, Clay, is a metal caller. She has vowed to find a cure, rumoured to be found in the Diante Empire, a reclusive and largely sealed-off third faction in this world. However, Greysik is showing increasing signs of being an air caller herself. While that may potentially be very useful on the sailing ship she now inhabits, that will only be the case, if she can manage to control it before it kills her.

Phew. You’ll understand why the early stages felt a bit like I was cramming for an exam. Meanwhile, the end of volume one topples into over-ripe romance, which is no less unwelcome for having been foreshadowed since almost the very beginning. Fortunately, in between these  times, there’s a lot of good to be found here. Lidell does a particularly good job of capturing the sense of being at sea. Well, not that I have much watery experience; it just feels authentic, to the point where it seemed I could almost smell the salt in the air. Indeed, the whole royalty angle seems almost slightly superfluous, at least in this first volume; the heroine could just have been an ordinary girl with her “gift”.

There is also a nice sense of progression, with the relationship between the characters deepening, and an increasing sense of foreboding, as a Tirik prisoner provides ominous, if non-specific, predictions of doom. These do indeed come to pass over the final chapters, in spectacular fashion – though not in the way that Greysik expects. I am just hoping the late surge of romance doesn’t prove to become a major focus as we go on. This has done a good job of setting the stage, though we’ll see whether I get to circle around back to further volumes before my Kindle Unlimited subscription expires.

Author: Alex Lidell
Publisher: Danger Bearing Press, available through Amazon, both as a paperback and an e-book
1 of 3 in the TIDES series.

M and the Last Hell Gate, by Mark William Hammond

Literary rating: ★★★½
Kick-butt quotient: ☆☆☆

In my review of the first two volumes in the trilogy, I concluded the third would only be read at a discount price. Enter my accidental purchase of Kindle Unlimited, which allowed me to pick it up at no additional cost. And, on balance, I’m fairly glad I did. It was always going to be something of a problem since, as noted previously, parts 1+2 were basically two-thirds of a single entity. Part 3 does a good job of tying things up, with a grandstand climax deep in the Tibetan Alps. There, M and her twin sister Lien, with whom she was recently re-united, have to take on bone goddess Baigujing. The demon queen has opened up a third and final hellgate, which is the Channel Tunnel in comparison to the previous, fun-sized portals to hell which M has had to close up.

It does take a while to get there, admittedly. Distractions on the road to Tibet are provided by increasing attacks from wendigos in the New York subway system; a threat to M’s adopted family; and her off-again, on-again relationship with Gotham detective Antony DeAngelo. All of these manage to provide their share of entertainment, M slicing and dicing, with the unstoppable ribbon sword, through all that get in her way. My main issue was the lack of closure. Sure, the main threat is addressed. But for something that’s supposed to be the final entry in the saga, there was no particular sense of finality. It wasn’t even clear what happened to M, who was described as “dying,” yet seemed to be clinging to life, half way up a Himalaya. The status of Lien, gravely wounded in the battle against Baigujing’s minions, was similarly uncertain, and poor Antony seemed to get forgotten about entirely.

That said, the journey to get there is quite satisfactory. Hammond has a great sense of location, whether he is describing Chinatown, the tunnels beneath New York City or the lofty heights of the Tibetan mountains. He also manages to tie together various disparate mythologies so that they mesh into a single, coherent universe. There’s clearly a hierarchy in hell and, as in the first two volumes, it’s a world which is interesting to visit, though you certainly wouldn’t want to live there. This is written with a dry sense of wit, which helps overcome the suspension of disbelief needed for the scenario to make sense, e.g. that the wholesale slaughter of subway workers would not trigger a mass shutdown of the network.

It’s still a solid page-turner, and I certainly can’t complain about the climax, which is exactly the epic, grand-scale confrontation expected, and to which only the written word can do justice. Well, that or a $200 million budget. I’m happy enough with this one, even if I suspect I’ll have to wait for a hypothetical fourth volume to achieve any kind of resolution.

Author: Mark William Hammond
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
3 of 3 in the Demon Realm series.

Misfit Lil Rides In + Misfit Lil Cheats the Hangrope, by Chap O’Keefe

Misfit Lil Rides In: Literary rating: ★★★, Kick-butt quotient: ☆☆
Misfit Lil Cheats the Hangrope: Literary rating: ★★★★, Kick-butt quotient: ☆☆½

The Western is typically among the most macho of genres, and this applies to the world of pulp fiction as much as to movies. There are exceptions: Werner has covered quite a few in the past, such as The Complete Adventures of Senorita Scorpion, and I recently dipped my toe in the genre, with the first book of Chrissy Wissler’s Cowboy Cat series, Women’s Justice. While set in the past, that did have a contemporary feel to it: Cat felt like a 21st-century heroine in an antiquated world. That seems significantly less the case for Miss Lilian Goodnight, despite her nickname of “Misfit Lil”. These two stories feel like a throwback to the golden age of pulp. There is no obvious agenda beyond entertaining the reader, which is almost refreshing. They’re quick, uncomplex, and occasionally slightly disreputable reads. Nothing wrong with these elements, I should stress.

Lil is the daughter of cattle rancher Ben Goodnight, who has resisted all attempts by her father, a widower, to turn her into a proper young lady. In particular, he sent her to a Boston boarding school; rather than uplifting Lillian, she succeeded in corrupting the other pupils, and we sent home in disgrace, earning her nickname. Since then, she has been riding free, helping out on the ranch, with occasional stunts that bring her into conflict with the local authority, such as showing off her pistol marksmanship on the local Main Street. “Once she hammered five four-inch nails halfways into a boardwalk post, then drove each of ’em in with a bullet from twenty paces.” The local sheriff was unimpressed, locking her up overnight, until her long-suffering father bailed her out. But Lil gained another nickname: “Princess o’ Pistoleers”.

Beyond the heroine, the players do overlap, in particular, a co-lead in both books is Jackson Farraday, local scout and guide, who takes on commissions both for the army and for civilians seeking to cross the dangerous territory. She has a crush on him, though acknowledges its futility, with him being twice her age (doing the math based off this and other information, it makes Lil about twenty, and Jackson almost forty), and he similarly has no interest in her for romantic purposes. But he certainly respects her skills and bravery, and they have no hesitation in helping each other out when needed. Which is the case in both of these novels, with Farraday being falsely accused of murder in each.

The first, Misfit Lil Rides In, sees him framed for killing the wife of store owner Axel Boorman. While Axel was actually the killer, in a fit of jealous rage, with the help of the local law, Farraday is blamed, and a posse sent after him. With Lil’s aid, the posse is fended off, though she is arrested, and Jackson believed to have fallen to his doom. He is actually still alive, but ends up captured by the local Apaches, so both are in serious trouble. Even after Jackson escapes, he falls foul of an Army officer with a grudge against him, and ends up behind bars too. Lil needs to free herself, break her friend out, then find some way of proving the truth – not least about Boorman’s scheme to sell guns to the Indians – and convince the authorities to take action.

I think my major surprise was how relatively even it felt like the book was split between Jackson and Lil. While Jackson isn’t a bad character, he is fairly generic as Western heroes go. I was considerably more interested in Lil, and every page that detailed her colleague’s adventures felt like it was wasted, especially as the whole book is under two hundred pages. I almost found myself speed-reading the Faraday heavy sections, to get back to what Lil was doing. Outside of the gun-battle against the posse, that was largely using her brain rather than her pistols. But of particular note here is an author’s afterword, Heroines of the Wilder West, in which O’Keefe discusses some of Lil’s predecessors and inspirations, such as Hurricane Nell and Denver Doll. I sense a rabbit-hole for future exploration, and may have to watch Along Came Jones as well, for its proto-heroine.

However, any issues are well addressed in Misfit Lil Cheats the Hangrope; it seems O’Keefe has grown more comfortable with his characters by this, the most recent entry. While Faraday plays a significant role here, Lil feels more the focus, and the story flows around her in a fluid way. It begins when Lil helps rescue a wagon train of settlers headed west, who make an ill-informed decision to try and cross the mountains as the weather comes down. She gets Jackson a job as co-guide on the train, but the previous sole guide, Luke Reiner, is far from happy about it. When the corpse of a young, female settler turns up drowned in a creek, suspicion falls on Farraday, because Lil isn’t the only woman to find him attractive. It’s up to her to find the necessary proof that will exonerate her friend, before Reiner succeeds in whipping up a lynch mob.

There’s a good sense of escalation here, and it’s a solid page-turner, with each incident providing a natural progression into the next. It works both as a Western and as a whodunnit mystery, with the killer’s identity shrouded in uncertainty. As for the cause of death… Well, that might be one of those “slightly disreputable” elements mentioned earlier, even if there are worse ways to go, it has to be said! Again though, Lil seems to be almost loathe to use her shooting skills. To me, the point of guns is that they are a great equalizer, allowing the weak (or “weaker sex,” to use a slightly pejorative term!) to stand up against the strong. But over both volumes, I’m not sure there was any real demonstration of the sure-shot abilities described early in the first book.

This is a relatively minor complaint, however. These may be stories, rather than Great Literature; yet there’s an absolute lack of apparent pretension to the approach, which I appreciated. If the intention of the author was, as discussed above, simply to provide a good yarn that entertains the reader, I’d say they accomplish that mission. 

Author: Chap O’Keefe
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
Books 1 and 7 in the Misfit Lil series.
I was provided copies of both volumes, in exchange for an honest review.