Literary rating: ★★★★★
Kick-butt quotient: ☆☆☆
Canadian author Kelley Armstrong is best known as a bestselling writer of urban fantasy. Her Nadia Stafford trilogy was her first foray into the mystery/crime fiction genre. Having already read the sequel novellas that conclude the series, I really want to read the original trilogy. This first volume didn’t disappoint!
After a short, grim prologue in third person, Chapter 1 introduces us to series protagonist Nadia, who’ll be our first person narrator for the bulk of the novel. (The parts from other viewpoints are in third person.) Now 32 years old (so, though the books were written from 2007-2017, the story arc of the series actually covers just three years in her life), she owns and operates a guest lodge in the northern forests of her native Canada. Raised in a family of cops, she’s always had a strong compulsion to serve justice and protect the innocent, which deepened and became more driven after the death of her much-loved cousin, who was murdered when the girls were in their teens. (Nadia still blames herself for not keeping Amy safe.) When she followed in her family footsteps by joining the force, that compulsion had to be tempered by laws and procedures protecting suspects and requiring due process, that exist for a good reason. In her early 20s, there came a triggering incident where her reaction couldn’t be tempered, and boiled over in an act of vigilantism that cost her her badge. Investing in her lodge was a way of rebuilding her life. But she’s fortunate in employing a married couple who can manage the place at times if she has to be away for awhile; because she has an un-advertised side occupation.
The lodge barely breaks even, and six years ago was on the verge of bankruptcy. A regular guest was aware of her financial troubles, and of her history. He happened to be a high-ranking member of New York City’s Tomassini Mafia family. His family aren’t philanthropists, and don’t have much in the way of ethical values –but he could respect hers, and understand something of her mindset. Occasionally, the Tomassini’s interests call for the elimination of some genuinely bad person, who really is a threat to the innocent; and at those times, they’re willing to pay top dollar to someone who can accomplish their purpose capably, without getting caught. So, he had a business proposition for her; and when she accepted it, she saved her lodge.
But she also crossed a line that put her permanently on the wrong side of the law, precluded much possibility for normal close human relationships, and set her on a dark and morally problematic path. She doesn’t relish killing in itself, even of the deserving and dangerous, and is painfully aware that a regular diet of it is troubling and unhealthy. But it does allow her, in some sense, to fulfill her inner compulsion, and it’s become an inescapable part of the person that she is, which she shoulders responsibility for. Her narrative voice looks at herself honestly and self-critically, but without apology. So if you, the reader, are going to be friends with her, you’ll have to look her in the eye and decide whether you can accept her as is. (Obviously I can, since I’m a series fan.)
Early on here, she gets a visit from her taciturn older acquaintance Jack. She’s gotten to know him some (though that’s not easy) in the last few years, since he first showed up at the lodge and let her know that he’s also in her illegal line of work. He’s been back sometimes since, and become a bit of a mentor, with professional advice that she’s found useful. Now, he’s bringing news of the Helter Skelter Killer who’s been terrorizing the U.S. (she’s heard of the case, but deliberately refused to immerse herself in the details). Over a period of nine days in October, across several states, four very diverse people have been murdered, in different localities and all by different means; the only unifying factor is a page torn out of the book Helter Skelter and left beside each of the victims. The chilling twist, though, is that law enforcement officials believe the perp is actually a professional killer, who’s gone rogue and is now dropping random bodies. This has produced an unusual spotlight of police attention on the very small world of long-term hitmen/women, resulting in a couple of arrests, much inconvenience, and a general climate that’s very bad for business.
By nature and necessity, the denizens of this circle are not a gregarious and chummy bunch; but to the extent that they do share information and opinions, their general consensus is that this wacko needs to be identified and stopped, NOW. Jack wants to know if Nadia’s willing to bring her cop skills to the table and partner with him in this hunt. She’s not too keen about coming out from behind her curtain of anonymity, even just among other assassins; and while talking to Jack sometimes at her lodge is one thing, she’s got some trust issues about going off to the States with him and working together. But …the precious lives of more potential victims that this killer might take are at stake, and Nadia is Nadia. Having gotten to know her by reading the novellas, I wouldn’t have been surprised by her answer even if I hadn’t read the cover blurb of the book. :-) So, as Sherlock Holmes might have said, the game is afoot!
As a rule, I don’t care for the idea of serial-killer fiction, and mostly avoid it (the one other exception being Agatha Christie’s The ABC Murders). I’m also not usually a particular fan of romantic triangles, despite my liking for the Twilight Saga, and we get something of that vibe here. (Having read the later books, I already knew how that would play out –and my reviews of those books would be “spoilers” for that aspect!– but reading the series in order is probably the best way to experience the character arcs and relationship developments.) Unlike in the Christie book, we do experience most of the serial killings directly, although they’re done quickly and Armstrong doesn’t wallow in the gore, and we do get in the killer’s sick and disturbed head some –thankfully, only at times and briefly, but it’s an unpleasant place to be.
Coupled with the mitigating factors, though, the author’s strong character study of Nadia herself made this a worthwhile read. She’s a fascinating, complex character (and when the chips are down, an actual heroine despite the ethical issues some of her life choices present), and not the only one of those here; very vivid, round and complicated characterizations are one of this author’s particular strengths. Even minor characters who only appear for a few pages are often illuminated clearly enough to be memorable. Not many of them are particularly likeable (although Nadia honestly is, at least to me, and that’s an assessment I think series fans in general would echo), but you do understand them –or, if you don’t, you’re intrigued enough to want to peel back more of the layers.
This is a genuine, challenging mystery that takes detection and deduction to solve, and Nadia and her unlikely fellow sleuths don’t have access to the kind of crime scene investigation and witness interviews that the FBI does. (Fortunately, though, which partially compensates, they do have more knowledge of the shadowy world of killers for hire than the authorities do.) It’s definitely a mystery of the “American” school, not its staid and cerebral British counterpart: gritty, violent and fraught with danger, and peppered with bad language, though I considered the level of the latter legitimate in terms of realism for these characters. (There’s no sex, explicit or not, but there is some reference to it; Nadia isn’t often promiscuous, but her attitudes are colored by the fact that she doesn’t expect marriage to ever be in her possible future.) The investigation snakes through a dark underside of America, where not only the serial killer but other nefarious types as well have dark secrets, and no scruples about eliminating the nosy. And while Nadia’s very protective of innocent life, even when it’s not convenient to be –despite her hit woman credentials, you could totally trust her to babysit your toddlers!– thugs who want to kill her may find her quite lethal.
Overall, this is a gripping read right from the starting gate (Armstrong leaves two dead bodies lying on the first nine pages), with a lot of action and a real page-turning quality. With the above-mentioned caveat for language issues, I’d highly recommend it to mystery/crime fiction and action “thriller” fans.
Author: Kelley Armstrong
Publisher: KLA Fricke Inc.; available through Amazon, both for Kindle and as a printed book.
A version of this review previously appeared on Goodreads.


Born as Maya, the heroine here adopted the name of “Jet” when she became part of a seriously black ops group, part of the Israeli intelligence service known as the Mossad. There, she and her colleagues had carried out thoroughly deniable operations against… well, supposedly Israel’s enemies, though it’s not as if she asks questions. The secrecy wasn’t limited to her work, as she carried on an unsanctioned relationship with David, the man in charge of the group. But eventually, it all became too much: with David’s assistance, Jet faked her own death on a mission and vanished off the grid, re-appearing as “Carla” in Trinidad, where she enjoyed a quiet life for several years. That came to a sudden end when assassins make an attempt to terminate her new identity. Her cover has clearly been blown. The questions are: what happened, who is responsible, and how can Maya a.k.a. Jet a.k.a. Carla restore the balance?
Eva Destruction – and, yes, that
Firstly, I’m still trying to figure out the relevance of the cover (right). With a heroine named Kat, why is there a dog pictured? It’s not as if she even owns one at any point. The “size of the fight” line… well, tenuous at best. I should probably have listened to my instincts and skipped this frankly implausible tale, about a teenage girl who is smart, attractive and a black-belt martial artist with 34E breasts. Yet she ends up having to get work as a stripper, a job at which she is naturally brilliant (thanks to adopting a pseudo-Xena persona), in order to keep her alcoholic mother out of debt. She breaks the arm of a particularly unpleasant customer, Alex, an act which gets her the attention of Alex’s business partner. He runs McKenzie Personal Security, and offers Kat a job as a trainee bodyguard.
Owen and Noraya Smith are twins, in a world where such siblings are looked upon as cursed. Brought up as charcoal burners, they leave their village so Nora can avoid an arranged and unwanted marriage, and have the forture – whether good- or ill- remains to be decided – quickly to encounter the party of Prince Basham. He is scouring the country in search of a magical artifact called the Living Blade, which will grants its wielder great power. Assisting him is the half-wight Telen Diaz, a pilgrim/fighter. Owen joins the party, hoping to become a pilgrim himself; Nora decides to return home, but that option is removed from her as the village has been taken over by bandits. Fortunately, Diaz has followed her and is able to lend assistance when necessary. Nora eventually becomes his student in the fighting arts, and they all head to the temple/brothel of Shinar where the immortal seer Suranna can provide insight to the blade’s location. But the cost of her information is perilously high, since she has plans for both Nora and Diaz.
This is the second book from Cooper here, after
This is less a book than a hodge-podge of elements cobbled together from other sources. Buffy the Vampire Slayer and Wonder Woman are the most obvious influences, but you can also throw in some X Men and Greek mythology. Hell, the bad guy even uses the Force choke, as popularized by Mr. D. Vader. What’s missing is mostly originality. Though that’s not all.
I previously reviewed the ninth volume in the Wardstone Chronicles series,
I reviewed the
Not sure I’ve ever read a book with three authors before, though Amazon omit Noe from the list given on Goodreads. This “novel by committee” might explain some of the problems with this, and its failure to mesh the two strands in any effective way. It’s a pity, as it starts off in entirely blistering fashion, with the arrival on Earth of the Syndicate, an extra-terrestrial invading army. We knew they were coming, so humanity’s forces take them on, in a massive and spectacular battle at their landing site in Mexico. It doesn’t go well for us, thanks to the attacker’s vastly superior technology. Survivors are few, but include Marines Quinn and Giovanni.