Jet, by Russell Blake

Literary rating: ★★★
Kick-butt quotient: ☆☆☆☆

Born as Maya, the heroine here adopted the name of “Jet” when she became part of a seriously black ops group, part of the Israeli intelligence service known as the Mossad. There, she and her colleagues had carried out thoroughly deniable operations against… well, supposedly Israel’s enemies, though it’s not as if she asks questions. The secrecy wasn’t limited to her work, as she carried on an unsanctioned relationship with David, the man in charge of the group. But eventually, it all became too much: with David’s assistance, Jet faked her own death on a mission and vanished off the grid, re-appearing as “Carla” in Trinidad, where she enjoyed a quiet life for several years. That came to a sudden end when assassins make an attempt to terminate her new identity. Her cover has clearly been blown. The questions are: what happened, who is responsible, and how can Maya a.k.a. Jet a.k.a. Carla restore the balance?

Finding the answers apparently requires her to rack up the air miles, as the resulting narrative goes from Trinidad through Venezuela to Israel, then back via Cyprus to Belize, before finishing off in Monaco. And that’s not even including any globe-trotting in the flashbacks to her time as a Mossad agent. Still, I guess that’s one of the fun things about writing a novel: you don’t have a production budget! While this aspect feels reminiscent of a Bond book, I think Kill Bill is perhaps a greater inspiration here. This is apparent both in the fractured timeline, and in particular, the revelation at the end of the book, which clearly sets up Jet’s direction for the next volume. As well as her being an unstoppable bad-ass, of course.

If the book has a weakness, it’s likely David, whose actions don’t appear to be consistent with each other. It’s hard to be specific without spoilers for “that” revelation, but if he loved Jet as much as some things imply, why did he not quit his job and go be with her when she pulled her vanishing act? This question is somewhat addressed, but the argument, little more than “He’d taken an oath”, falls a long way short of being convincing. I think their relationship either needed to be depicted in considerably more nuanced depth, or considerably less. As an action fan, who tends to roll his eyes whenever romance crops up, I’m leaning towards the latter.

Jet just doesn’t feel like a person who needs anyone else, and Stone’s handle on the action – which is plentiful – is good enough that anything else feels like an unwanted distraction. I felt it was particularly strong at the beginning, as the heroine tried to get out of Trinidad, providing an excellent demonstration of Jet’s abilities. But the raid she and David carried out on the Belize compound was also impressive. Overall, I’d not be averse to reading more – though I’d probably rather wait for the movie instead.

Author: Russell Blake
Publisher: Reprobatio Limited, available through Amazon, both as a paperback and an e-book
1 of 15 in the Jet series.

The Barista’s Guide To Espionage, by Dave Sinclair

Literary rating: ★★★
Kick-butt quotient: ☆☆☆½

Eva Destruction – and, yes, that is the legal name of the character – is an Australian expat who owns a coffee shop in Central London. But when we first meet her, she is making a hasty exit off a rapidly-exploding tropical island, somewhere in the Pacific. How she gets from point A to B, is the saga which unfolds in flashback over the course of this book, as she tells her history to the disbelieving American navy officers who rescue her off the island.

The key player in that, and Eva’s transformation from barista to secret agent, is her boyfriend Harry. For he actually turns out to be Horatio Lancing, a cross between Elon Musk and Edward Snowden, a hi-tech idealist with unlimited resources and an agenda. Initially, it’s apparently benign: applying pressure to governments around the world to “do the right thing” and act on behalf of the people they supposedly represent. But Eva eventually finds out, his end-game is considerably less altruistic. Due to her connection to Harry, she comes to the attention of the British intelligence services, who recruit and train Eva through unrepentant chauvinist Charles Bishop, in an effort to use their relationship to help stop Harry. And they’re not the only ones out to do so.

The resulting adventure globe-trots from London to Iceland and Prague, before ending on Harry’s secret island lair. By the end, Eva proves to be as capable of whipping up improvised munitions as a double-shot latte, even if her prowess with firearms allegedly comes mostly from the somewhat unlikely source of Virtua Cop II. She is, unquestionably, very much an archetypal Aussie girl, with all that implies – both good and bad. She’s brash to a fault, and can curse like a sailor, but is fiercely loyal to her friends. Interestingly, that applies even to Harry, with whom she stays well past the point I think I’d have noped out of there. She also suffers some angst, when Eva realizes she has abandoned all her feminist ideals for a jet-setting lifestyle and a castle, effectively becoming “an exceptionally high-priced hooker.”

It’s all entertaining enough, if thoroughly disposable and largely implausible, with the important people miraculously surviving against all odds. It is the kind of plot which is probably impossible to read with any seriousness, so it’s fortunate that the author and his heroine embrace this. Even if that does make it difficult to care, when it’s all being taken very lightly by everyone involved. Sinclair does have a good way with action, both in a hellacious chase through Prague, and the eventual, very Bond-like climax on the island. At least the relationship between Eva and Harry does go some way to justifying the “Before I kill you, let me tell you my entire plan” trope. I probably won’t be actively seeking out subsequent volumes. But I’ll tell you this: I wouldn’t mind a movie adaptation either.

Author: Dave Sinclair
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
1 of 4 in the Eva Destruction series.

Kat, by K.L. McRae

Literary rating: ★★
Kick-butt quotient: ☆☆

Firstly, I’m still trying to figure out the relevance of the cover (right). With a heroine named Kat, why is there a dog pictured? It’s not as if she even owns one at any point. The “size of the fight” line… well, tenuous at best. I should probably have listened to my instincts and skipped this frankly implausible tale, about a teenage girl who is smart, attractive and a black-belt martial artist with 34E breasts. Yet she ends up having to get work as a stripper, a job at which she is naturally brilliant (thanks to adopting a pseudo-Xena persona), in order to keep her alcoholic mother out of debt. She breaks the arm of a particularly unpleasant customer, Alex, an act which gets her the attention of Alex’s business partner. He runs McKenzie Personal Security, and offers Kat a job as a trainee bodyguard.

She and the boss, a black Scotsman who is terminally ill, end up falling in love, while Alex, who had been set to inherit the business until Kat showed up, plots against her with his cronies. This ends in a nightmare gang-rape, setting up Kat to take vengeance. Oh, and the all-powerful MPS has a “black” division, which kills pedophiles and the like for money. If you are not going, “Wait, what?” at multiple points during the above synopsis, you’re a more tolerant reader than I. So much of this sounded like dubious sexual fantasy, I was genuinely surprised to discover the author is a woman. I mean, it could still be dubious sexual fantasy; I just tend to expect that kind of thing more from male writers.

The structure is all over the place. After she is attacked, Kat’s actions seem completely bizarre and pointless, and the book fast-forwards through a couple of years, until a later explanation that falls some way short of convincing. Meanwhile, neither Alex nor his allies come over as any kind of credible threat: in particular, their assault on her rural farmhouse is portrayed as painfully inept. Which, I concede, may be part of the point. As the book says, “vile bullies…might have some skills but put them up against someone who really knows their stuff and the only chance they had was blind luck.” During this, Kat sits back in her stronghold and lets her allies take care of the threat, bringing the villains to her like a Christmas present for her amusement. She certainly spends more time training in martial arts, than actually putting her skills into practice. In fact, she probably spends more time attending karaoke nights than being an action heroine. I was somewhat surprised Kat did not turn out to be a classically-trained opera singer, while she was at it.

All told, sadly, this book turned out to be a bit of a dog. I guess the cover was representative enough, after all.

Author: K.L. McRae
Publisher: Little Silver Publishing Ltd, available through Amazon, both as a paperback and an e-book
1 of 2 in the Kat series.

Touch of Iron, by Timandra Whitecastle

Literary rating: ★★★
Kick-butt quotient: ☆☆½

Owen and Noraya Smith are twins, in a world where such siblings are looked upon as cursed. Brought up as charcoal burners, they leave their village so Nora can avoid an arranged and unwanted marriage, and have the forture – whether good- or ill- remains to be decided – quickly to encounter the party of Prince Basham. He is scouring the country in search of a magical artifact called the Living Blade, which will grants its wielder great power. Assisting him is the half-wight Telen Diaz, a pilgrim/fighter. Owen joins the party, hoping to become a pilgrim himself; Nora decides to return home, but that option is removed from her as the village has been taken over by bandits. Fortunately, Diaz has followed her and is able to lend assistance when necessary. Nora eventually becomes his student in the fighting arts, and they all head to the temple/brothel of Shinar where the immortal seer Suranna can provide insight to the blade’s location. But the cost of her information is perilously high, since she has plans for both Nora and Diaz.

I believe this is what’s called “grimdark” fantasy fiction, which is basically as it sounds: in its simplest terms, think Game of Thrones rather than Lord of the Rings. I’ve no problem with the resulting “mature” content. Much of it here does seem necessary to the plot, though the concept of a vast, hidden city in the middle of nowhere that’s a gigantic, all-encompassing pleasure palace does pose certain logistical queries. There was also something slightly creepy about teenage Nora increasingly crushing hard on eighty-seven-year old Diaz – even if half-wights, like half-elves, age very well. I have a couple of other nitpicks. An almost entirely untrained Nora is capable of going all ninja and taking out an entire platoon of brigands. And there’s an assault on the city that comes out of nowhere, and whose purpose and participants both seem ill-defined.

With the negatives out of the way, on the positive side, I really liked Nora. She has a very sharp character arc over the course of the novel, but always seems to have been a bit of a bad-ass, even as a charcoal burner. It’s clear there’s a very significant future in front of her, and I sense she and Suranna will end up facing off down the road. I appreciated the way the heroine largely doesn’t care about the Living Blade; such apathy is pleasantly refreshing, though I suspect that opinion is going to change before long. Whitecastle has a good eye for world-building as well, giving the reader enough of an impression, without getting bogged down in too many details. It appears future volumes may concentrate more on Diaz. As I found him about the least interesting of the major characters, that will stop me shelling out for more. Still, as a one-off this made for an entertaining enough read, though I felt the first half, before they arrived at Shinar, was stronger and more interesting.

Author: Timandra Whitecastle
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
1 of 3 in the Living Blade series.

Destiny Lost, by M.D. Cooper

Literary rating: ★★★
Kick-butt quotient: ☆☆☆

This is the second book from Cooper here, after Outsystem, and has some of the same characters. Initially, it seemed to have a shot at being considerably better, with a first half which was impressive. Unfortunately, it couldn’t sustain this, and ended up dropping back to a similar level and for similar reasons. If you’re interested in SF which is so hard, you could use it to cut glass, this is for you. But I’m not typically a fan of books which need to include a twenty-page appendix of “Terms and Technology” at the back. Especially when half of them don’t help much, e.g. “A CriEn module is a device which taps into the base energy of the universe, also known as zero-point, or vacuum energy” – glad that’s cleared up. And some of the rest are superfluous: any fan of SF won’t need to be told what “FTL” travel is.

In this world, that faster-than-light breakthrough allowed humanity to occupy a swathe of the galaxy, but the resulting wars triggered a dark age from which we are now only just recovering, in the ninth millennium. Sera is a transporter-for-hire, who’ll move anything, anywhere for the right price. But when one commission brings down unexpected heat, she cracks open the package, and is startled to find it contains Tanis Richards. She was a colonist from Earth, whose ship set off over five thousand years ago and is only now reaching its destination. While events overtook them,  her ship, the Intrepid – its construction was the subject of Outsystem – carries long-lost technology, on which everyone, from pirates to stellar alliances, wants to get their hands.

One such pirate, Rebecca, kidnaps Sera, seeking to swap her for Tanis and access to her tech. But both Sera and her crew, helped by the colonist, are made of sterner stuff. Through this section is when the book is at its best, combining interesting characters with a conflict which is taking place on a personal level. All seems lost for Sera and her trusty AI, when she’s secreted away in Rebecca’s headquarters, hidden in the depths of dark space, outside our normal universe. Yet, through grit and determination, she manages to return to her allies, then prepares to take the fight to Rebecca, as well as reunite Tanis with her crew. It’s a very good, gripping read. Unfortunately, after that is where things go a bit pear-shaped.

For once everyone arrives at the star-system of Bollam’s World, the hard SF elements really kick in, as if Cooper wanted to make up for the time lost earlier. It becomes more like watching a gigantic game of three-dimensional chess, with vessels of various kinds moving around and firing weapons at each other, for lengthy sections. Rather than technology enhancing the human elements in the story, it threatens to overwhelm the characters entirely, and even a (not exactly surprising) revelation about Sera’s origins couldn’t stop this from becoming laborious by the end. Quite a few typos, such as a reference to a “grizzly task” when no actual bears were involved, don’t help matters. I’ll not be going further in this series.

Author: M.D. Cooper
Publisher: The Wooden Pen Press, available through Amazon, both as a paperback and an e-book
Book 1 of 13 in the Orion War series.

Crossfire, by Andrea Domanski

Literary rating: ★★
Kick-butt quotient: ☆☆½

This is less a book than a hodge-podge of elements cobbled together from other sources. Buffy the Vampire Slayer and Wonder Woman are the most obvious influences, but you can also throw in some X Men and Greek mythology. Hell, the bad guy even uses the Force choke, as popularized by Mr. D. Vader. What’s missing is mostly originality. Though that’s not all.

Mirissa Colson has always been unusual, blessed with remarkable physical abilities – her “respiratory and vascular systems are extraordinarily efficient.” Even though her mother left their family over a decade ago, she has been lovingly nurtured by her ex-military father, Steve, and trained in martial arts, shooting, and other skills On her eighteenth birthday, a package arrives from her mother and Mirissa discovers her true legacy and destiny. She’s an Amazon, who are the usual bunch of warrior women from history. However, an ancient victory over worshippers of Ares peeved the god. He got the ruler of the underworld, Hades, to create the Kakodaemons as enemies who’d fight the Amazons. They’re basically vampires, and the two sides have been at war ever since. It’s time for Mirissa to join her ancestors in that fight, under the tutelage of her watcher, Giles – sorry: I mean guardian, Greco.

But, wait! There’s more! Specifically, a demigod named Daedric, who has brought all the creatures of darkness together and is preparing to unleash his final solution against humanity. Meanwhile, the “Omega Group” has been formed to rally all those on the side of light. And unfortunately for Daedric, there’s a prophecy: “The Queen of the Amazons has a daughter that is destined to disrupt your plan. Her powers will be great, and if you don’t stop her, she will stop you.” No prizes for guessing who that is, and it’s why Mom vanished, to stop Mirissa from being discovered. Now, everything is coming into place, and it’s up to Mirissa to master her almost endless list of powers (including but not limited to: telekinesis, sensory expansion, the ability to control the elements and, by the end, teleportation) in order to take on Daedric.

Except, she never really does. She’s supposed to have all these talents, yet spends most of the story wrapped in bubble-wrap, being protected from danger. It’s an awkward contradiction to her being the all-powerful child of prophecy, and to be frank, Daedric comes over as more than a bit crap. He’s capable of being held and rendered harmless by a force-field projected by one of the Omega Group’s minions – the same force-field Marissa can tear through like it was tissue paper. The structure is also needlessly confusing. For example, the first seven chapters take place at three different points in time, beginning by bouncing between Marissa’s 19th birthday and a year previously, and then goes back to 12 years previously, when her mother was still around.

The main problem though, is a complete failure to establish Mirissa as a character. I finished the book less than 24 hours ago, and I’m damned if I can remember a single defining aspect of her personality. She feels less like a person, than a piece that gets moved around the board between various plot points. There’s little or nothing here, in story or persona, to make me want to go any further.

Author: Andrea Domanski
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
1 of 6 in the Omega Group series.

Alice, by Joseph Delaney

Literary rating: ★★★
Kick-butt quotient: ☆☆☆½

I previously reviewed the ninth volume in the Wardstone Chronicles series, I am Grimalkin, and site contributor Dieter was kind enough to send me a copy of this, the 12th installment. It’s obviously a bit odd to be so selective about reading and reviewing a series, but neither Grimalkin nor Alice are the main character, and by all accounts, the other volumes don’t qualify. I probably should read all the others, to be completely fair in my assessment here… But then I look at my pile of unread books, which even though it’s largely virtual, is threatening to declare independence and become its own country. So, file that under “some day”.

Things have moved on a bit since my last encounter. The Fiend – basically, the Devil – is still separated from his head, and the heroes and heroines are seeking for the necessary artifacts that will allow him to be disposed of permanently. In particular, they have two of the three weapons necessary. However, the third, the Dolorous Blade, is not on Earth. To find it, someone will need to descend into the realm of the dead knows as the Dark, journey across its many territories to the Fiend’s domain, where the relic is hidden under his throne. That someone is powerful witch, Alice Deane. But there are a lot of the deceased in the Dark who are very keen to reacquaint themselves with her, because Alice is responsible for them being there…

Despite my intermittent knowledge of the series, I didn’t find that was a problem at all. The book does a good job of bringing the reader up to speed with recent events, and Grimalkin provided sufficient background on the world and situation, that I didn’t feel lost. A fair bit of the book is also told in flashback, to Alice’s time as an apprentice, somewhat unwillingly, to the witch Bony Lizzie, telling the story of how she broke free and discovered her true potential. These are intercut with her progression through the Dark, which is an evocatively unpleasant place, both in decor and inhabitants. Fortunately, she has help there, in the shape of Grimalkin’s apprentice assassin, Thorne, though her loyalties are uncertain.

While an enjoyable and fast-paced read, one issue I had was the lack of any real escalation. When they finally arrive in the throne-room, what they face hardly feels like the final boss it should be. But my main complaint came at the end, when it appears – pending the 13th and final volume – that the entire exercise proved unnecessary. Alice seems to have risked her life and soul for no real purpose. If I’d been her, I would have been more than a bit miffed at getting what’s not much more than a “Thanks, but we’re going in another direction” for her efforts. On that basis, this is probably a book where you should probably enjoy a gruesome and chilling journey, instead of the rather underwhelming final destination.

Author: Joseph Delaney
Publisher: Greenwillow Books, available through Amazon, both as a paperback and an e-book
a.k.a. The Last Apprentice: I Am Alice
12 of 13 in the Wardstone Chronicles series.

Kat’s Rats by Michael Beals

Literary rating: ★★★
Kick-butt quotient: ☆☆☆☆

I reviewed the first book in the series last year, and to be honest, found it a bit of a mixed bag. I was thus a bit surprised when the author contacted me and offered me a copy of volume two, in exchange for an unbiased review. Kinda brave. The good news is, this is a genuine improvement. Not perfect, certainly. But it has got one of the best ‘Final Bosses’ I’ve ever seen in a book.

To rewind. Katelyn Wolfraum is a German expat who has switched sides, and is now operating in North Africa as an agent of MI-6. This one starts off with her in and around Morocco, preparing for a looming Allied invasion. However, the water is thoroughly muddied by the presence of various, more or less unaligned groups, from Vichy soldiers to Jewish partisans, with whom Kat and her team of under-the-radar operatives have to interact. With the mission constantly evolving, she has to be quick in her ability to adapt, and fearless in her willingness to go up against enemies, the likes of which the world has never seen.

Which brings me to that Final Boss: an experimental German weapon known as the Landkreuzer P. 1000 Ratte. It’s a tank which weighs – and this is not a misprint – a thousand tons. For comparison, the heaviest tank currently in operational service, the M1A2 Abrams, weighs just 62 tons. This Landkreuzer is mounted with battleship guns, has impenetrable armor and its 16,000 horsepower engines mean literally nothing the Allies throw at it can stop the Landkreuzer. Oh, and Kat’s Nazi father is on board, for extra plot points.

The most startling thing might be, this monster wasn’t just some fever dream of Beals’s. It was actually proposed in 1942: Hitler loved the idea, but wiser heads prevailed. However, this book offers a glimpse at what this behemoth might have been like in action. And if you’re a fan of absolute mayhem, like I am, it’s glorious. There’s even an explanation offered for why this action was wiped from the historical record – basically, to make General Patton look good. He’s one of a number of genuine historical figures on both sides who are sprinkled in, adding a certain authenticity. Hence we get cameos by Audie Murphy and Claus von Stauffenberg, and the chunk in Morocco seems slightly influenced by a certain Humphrey Bogart film.

On the downside, the middle section, before the Landkreuzer shows up to provide focus, seems to consist of random action scenes bolted together, severely lacking in narrative flow. Then there’s things like the comparison of the machine to Godzilla: while perhaps not wrong, Godzilla didn’t appear until 1954. And Beals’s strength seems at the “big picture” level: there were times when I was less than clear about the details of who was doing what and to whom. But if you assume the answers to those questions are a) Kat, b) killing them and c) the enemy, you’ll probably not be too far off. Given my main complaint about book one was, “It needs considerably more Kat”: consider that addressed.

Author: Michael Beals
Publisher: Amazon Digital Services, available through Amazon, both as a paperback and an e-book
2 of 4 in the Adventures of Kat’s Commandos series.

First Strike by Justin Sloan, Kyle Noe + George S. Mahaffey Jr.

Literary rating: ★★
Kick-butt quotient: ☆☆☆☆

Not sure I’ve ever read a book with three authors before, though Amazon omit Noe from the list given on Goodreads. This “novel by committee” might explain some of the problems with this, and its failure to mesh the two strands in any effective way. It’s a pity, as it starts off in entirely blistering fashion, with the arrival on Earth of the Syndicate, an extra-terrestrial invading army. We knew they were coming, so humanity’s forces take them on, in a massive and spectacular battle at their landing site in Mexico. It doesn’t go well for us, thanks to the attacker’s vastly superior technology. Survivors are few, but include Marines Quinn and Giovanni.

The former is one of the soldiers abducted by the Syndicate and taken up into their orbiting mother-ship. There, she’s given an ultimatum: fight for the Syndicate or be turned into a mindless zombie… and fight for them anyway. With a 12-year-old daughter, Sammy, back on Earth – albeit status unknown – Quinn decides to accept the offer, but keeps her fingers crossed, so to speak. She teams up with another abductee, a scientist who might have found the germ of a way by which the Syndicate can be defeated. Though they’ll have to stop their employers from finding out about it.

This aspect isn’t too bad, with no shortage of solid action sequences, even if I’m still not sure about the method behind their plan. Except there was time travel involved. Definitely time travel. Somehow. Anyway, it’s the kind of thing I can easily imagine becoming a major Hollywood picture. That makes some sense, since Mahaffey’s bio says he’s a screenwriter – despite his IMDb listing including nothing to have ever made it to the screen. The problems are back on Earth where Giovanni has joined up with the resistance and… Well, nothing of importance happens. Possibly his character becomes relevant in future volumes, but here, he serves little or no purpose to proceedings.

Oh, except for being gay, that is. I’ve no problem with that, but it’s handled in such an incredibly clumsy way. It’s announced as he and his lover, Luke, “had largely ignored whatever it was that had happened that night between them.” Except that’s the first we heard of it. I literally went flicking back to try and see if I’d skipped something. But short of there being an entire chapter missing, there was nothing. And then there’s this sentence, which literally made me cringe when I read it. “‘FUCK ME!’ Luke shouted, and Giovanni couldn’t help but think how under different circumstances he would love to hear those words.” Giovanni’s near-absence from much of the second half of the book is likely a blessing, but his presence in the first half almost single-handedly destroyed any interest for me in reading further installments.

Author: Justin Sloan, Kyle Noe + George S. Mahaffey Jr.
Publisher: Elder Tree Press, available through Amazon, both as a paperback and an e-book
1 of 5 in the Syndicate Wars series.

Curiouser and Curiouser by Melanie Karsak

Literary rating: ★★★½
Kick-butt quotient: ☆☆

If you thought “Alice in Wonderland was okay, but it really needed more air-ships,” then this book is for you. It’s a steampunk take on Lewis Carroll’s classic tale, set in an alternate universe version of Victorian London. Specifically, 1851, when the renowned Great Exhibition took place in Hyde Park. Though it doesn’t actually feel particularly “alternate”;  this angle lives mostly in its trappings, such as people using air-ships to get around, or clockwork cats, rather than in elements necessary to the plot. But that’s okay, because at its core, the story is strong enough to stand on its own.

The heroine is Alice Lewis, an orphan who, along with her sister Bess, was rescued from the workhouse and brought up by the Jabberwocky, one of the leaders of London’s underworld. She fell in love with William, another of the Jabberwocky’s employees, but Alice walked away from both the criminal life and William, after being morally unable to handle the actions it required from her. But several years later, she gets dragged back in, and has to re-unite with William on a job to steal the famous (and cursed) diamond, the Koh-i-Noor, which belongs to Queen Victoria, from the Great Exhibition. It’s the only way William can pay off a debt to the occultist known as the “Queen of Hearts,” who intends to use the Koh-i-Noor in a ritual to make her immortal. And that’s far from the creepiest thing about the Queen, since her role-model is Countess Bathory.

Karsak does particularly well with her world-building, to the extent that this feels like an established universe. The timeline bounces back and forth, between the present and the various incidents which brought Alice to where she is. It’s an approach which could easily be disruptive, but I felt this was admirably pulled off, and balanced nicely. I was, however, a bit disappointed that much of the book seems to be directed towards a final-act heist, to which I was quite looking forward. Only, the plot makes a left-turn in the later stages, which renders the heist superfluous. This sends the book onto somewhat thin ice in terms of believability on a couple of aspects, and an alternate method of resolution might have worked better.

All told though, this is a fun insight into a world that is both familiar and strange, with both heroine and villainess being strongly characterized and memorable. You probably need to be at least somewhat aware of the works of Lewis Carroll – otherwise some of the terms might seem more like unpleasant STDs (“I caught a bad dose of Bandersnatch”). But Alice in Wonderland is deeply enough ingrained into the collective unconscious that this isn’t likely a major issue for most potential readers. I look forward to the Guillermo del Toro adaptation in due course. Well, we can dream, can’t we?

Author: Melanie Karsak
Publisher: Clockpunk Press, available through Amazon, both as a paperback and an e-book
1 of 4 in the Steampunk Fairy Tales series.