Tag: psycho

Perdita Durango

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★★★½
“The two greatest pleasures in life are fucking and killing.”

perdita_durangoDespite flaws, this merits your attention simply because of the title character, even if describing her as a “heroine” would necessitate a wholesale redefinition of the term – the quote above is entirely typical of her attitude. When she teams up with bank-robber Romeo Dolorosa to traffic a truckload of foetuses to Las Vegas (as you do…), it’s like putting a lit match to fuel. You just know there’s trouble ahead.

Romeo is into Santeria, and Perdita convinces him to perform a human sacrifice; to this end, they kidnap a slumming young WASP couple (Cross and Graham – and yes, it is Heather’s sister, though notably less well-endowed), and the film goes into nightmare mode. You get the horrible feeling that absolutely anything could happen, and de la Iglesia shows that he has no problems pouring on both sex and violence. [I should mention at this point that you should track down the German DVD, which is the only uncut version currently available, AFAIK] It’s difficult viewing – and Rosie Perez always seemed so nice. You certainly won’t sustain that view afterwards.

The film does run out of steam when this extremely menacing section is completed, and ends up petering out somewhat, as the focus moves off the couple and more onto Romeo – Perdita is pushed into the sidelights, and she deserves a much better fate. If there’s also a sense of deja vu, it’s because the story comes from the same writer as Wild at Heart, and both depict a twisted love-story/chase. Despite this, there’s enough perverted nastiness here to satisfy the most jaded palate.

Dir: Alex de la Iglesia
Star: Rosie Perez, Javier Bardem, Harley Cross, Aimee Graham

Killers 2

  By

★★★★
“Heather is sick and twisted…”

Director Latt and star (and wife) Little came to our attention through a highly-amusing comedy about TV, Jane White is Sick and Twisted. This is radically different, but still effective, thanks to Little’s performance as Heather. The sole survivor of a warehouse massacre, she is taken, catatonic, to a mental hospital. The bad news is, associates of the gangsters she killed want her dead – try convincing a doctor his staff have been bribed to off you. [They skip the potential ambivalence as to whether Heather actually is imagining everything.] The good news is, she has developed ‘hunter craze’, and is capable of enormous strength and savagery when threatened; hence her nickname, ‘The Beast’.

The detailing is poor: Heather’s hair changes length at random; crop-tops & make-up are apparently easily available; she dislocates her shoulder to escape a straitjacket, but five seconds later, she’s 100% well. Yet there is a lot to admire, especially a final battle where the gangsters give up trying to make Heather’s death ‘accidental’, and storm the hospital – it’s an excellent sequence, albeit underlit, like much of the film. We also liked co-incarceree Emma (Martin), in for clinical depression, and not the best hostage for the villains, since she wants to die. There’s something of Angelina Jolie in Girl, Interrupted about her. We haven’t seen Killers, yet happily recommend the sequel, though it ain’t One Flew Over the Cuckoo’s Nest. Refreshingly free of romantic interest, this is a straightforward story, vigorously told and largely avoiding low-budget pitfalls.

Dir: David Michael Latt
Star: Kim Little, D.C.Douglas, Mellisa Martin, Nick Stellate

Freeze Me

  By

★★★½
“A chilly tale of rape, revenge and household appliances.”

Five years after a vicious gang-rape, Chihiro has somewhat recovered, with a new apartment, job and boyfriend. But one of the attackers turns up on her doorstep, with a video of the assault, and threatens to destroy her new life. He moves in. Worse yet, his colleagues are on their way. What’s a girl to do? If you answered “kill the bastard, stuff him in her freezer, then wait for the other two rapists”… you’ve clearly seen this before.

This film is often difficult to watch, on several levels. On the down side, Chihiro is such a passive victim, it’s hard to feel much initial sympathy for her – letting the guy who raped you stay in your flat with barely a whimper of protest, is so damn… wussy as possibly to turn you off her character. It might have made more plot sense to have her kill the first one, then she’d have good reason not to seek help when the second moved in. Though when you see the attack, it’s so brutal, nasty and vicious (exactly how rape should be depicted), that her post-traumatic shock is more explicable.

The change that comes over her as a result makes for intriguing viewing – the title is entirely apt, since she gradually transforms into something every bit as cold as her enemies, and is finally so blase as to order another fridge while the intended occupant is playing video-games in the same room. By the end, it’s hard to say who is more dangerous to know; at least the rapists know they’re doing wrong. Credit to Inoue – better known as a model in Japan – for a creepy performance, and to Ishii for pulling no punches, an approach which rescues the film after a wobbly start.

Dir: Takashi Ishii
Star: Harumi Inoue, Shingo Tsurumi, Shunsuke Matsuoka, Kazuki Kitamura