Tag: animation

Kim Possible: The Secret Files

  By

★★★½
“A semi-random grab-bag of bits and pieces. Coherent – no. Amusing – most definitely.”

This compilation puts together four episodes – three from the first season, plus another at the time exclusive to the DVD. It’s hard to see who this is aimed at: if you’ve not seen the series, novices may find elements, such as Ron’s naked mole rat, kinda bizarre (trivia note: the rat’s squeaks are by Nancy Cartwright, who also does some loser called Bart Simpson). On the other hand, fans will have seen almost all the material, and would likely far rather have seen a complete Box Set rather than semi-random episodes. They’re not even particularly highly-regarded ones: the TVTome viewers’ poll ranks only one in the Top 20. However, it’s still the smartest thing on the Disney Channel, and easily kept the GWG viewing panel (ages from 19 to forty-coughhackwheeze) entertained.

The first episode, Attack of the Killer Bebes, is the best, I’d say. Ron wants to be a cheerleader, while Kim’s dad is kidnapped by the evil Dr. Drakken, who has built three fem-bots in order to…er, do something. It illustrates the central idea of KP – Kim’s Sisyphean struggle to balance home, school and fighting evil – with beautifully surreal moments, such as Drakken’s quest for a phone-book to prove that Possible is a common surname. Downhill, the second ep, works less well; it’s too group-huggy, teetering on the edge of sickly. But the concept of D.N.Amy, a toy collector and crazed bio-geneticist intent in making live version of her plush pals, is enough to keep things interesting.

Third is Partners, where Kim is paired with the class genius for a science project, while Drakken and D.N. Amy team up, with the following immortal exchange:
D.N.Amy: ”But I’m all about cute and cuddly!”
Dr. D: “Have you ever tried vicious and bloodthirsty?”
D.N.Amy: “Do you think I’d like it?”
Finally, tucked away in the special features, there’s Crush: how it all began, though with surprisingly little insight into Kim’s origins as a superheroic teenager. She springs, fully formed, taking on Drakken’s giant robot and asking her crush, voiced by Breckin Meyer, to the dance. Overall, it’s a cute package, but you’d probably be better off starting with A Sitch in Time, and waiting (hopefully…) for that Season One box set.

Star: Christy Carlson Romano, Will Friedle, John DiMaggio, Melissa McCarthy

Kim Possible: A Sitch in Time

  By

★★★★
“Somewhere between Alias, Buffy and The Powerpuff Girls lurks Kim…”

“I’m working with a man named Monkey Fist. My evil career is so in the toilet!” Thus complains one villain in the first Kim Possible movie, a relentless barrage of sight gags and dry humour likely to amuse those of any age, whether regular viewers or not. We probably fall into the latter category, having a natural aversion to the Disney Channel [if you’ve seen the Lilo & Stich series, you’ll understand], but KP is a show likely to pause our channel surfing. Kim is a teenage girl who spends more time saving the world from a range of bizarre bad guys and gals, than the usual pursuits involving the bathroom, phone or mall (if our daughter is anything to go by). Her parents are remarkably cool about these extra-curricular activities. In this edition, the bad guys team up to grab a time-travel device and alter the future so they can rule the world. It’s up to Kim and friends to restore things. [Should mention the title is as given, “sitch” being Kim-speak for situation, as in “What’s the sitch?”]

It does remain a Disney show, hence the irritating musical interludes and, while the action is fast and furious, no-one ever gets hurt – though the sequence where a naked mole-rat comes out of a kid’s trousers is frankly freaky. But assisted by a stellar supporting cast (Elliott Gould, Michael Dorn, Dakota Fanning, Michael Clarke Duncan, Vivica A. Fox and – slightly less stellar – Freddie Prinze Jr.), this is a great parody of the whole genre: as one character says, “Time travel – it’s a cornucopia of disturbing concepts.” The tongue-in-cheek self-awareness is a delight, both heroes and villains having a refreshingly world-weary attitude, cheerfully admitting the paradoxes inherent in the story. Even an evil, golfing, kilt-wearing Scot comes over as endearing rather than insulting – Mike Myers, please note. The expected fluff blends with some surprisingly dark moments, such as the “Re-education Center” which seems right out of 1984. This is what the Tomb Raider movies should have been like.

Dir: Steve Loter
Star: Christy Carlson Romano, Will Friedle, Richard Gilliland, Nicole Sullivan

Aeon Flux (animation)

  By

★★★★
“State of flux”

Difficult though it may be to credit, especially for younger readers, there was a time when watching MTV could actually be interesting occasionally, back in the days when the station had its own animation division. The best-known product to seep out was Beavis and Butthead, but more interesting was Aeon Flux, perhaps the most dense and impenetrable animated series to reach a wide audience – even if the general reaction was “Eh?”

It debuted as part of Liquid Television, and right from the start, makes an impression with its lack of dialogue, weird design and astonishingly high body-count. The first series of mini-eps depicted the mission of an apparent secret agent, Aeon Flux, who comes within moments of solving the case of a mysterious epidemic, only to meet an untimely death. Undaunted, the second series had a variety of cases, whose only real linking theme was the repeated untimely death of Aeon.

aeonanThen MTV commissioned some 25-minute episodes, and things inevitably started to mutate. The characters started to speak (gasp!), but anyone who thought this meant it would become easy to understand was in for a shock – if anything, it added an extra new dimension of complexity. More of the setting was exposed: two countries, Monica and Bregna, of opposite character and once united, but now in perpetual tension. Extra characters were added, most notably Trevor Goodchild, the Breen leader, whose relationship with Aeon (a Monican “agent”?) is perhaps the central focus of the series.

“What I was trying to go for was a kind of ambivalence.” So said creator Peter Chung, and as ambivalence goes, there’s little doubt he succeeded – rarely has a show hidden its light quite as effectively. Very little is laid out for easy consumption, and each episode repays, and indeed demands, repeat viewings. Every action and line of dialogue sometimes seems to have multiple meanings.

If it has a weakness, it is perhaps too obscurist, and you wonder whether the show is quite as deep as it wants you to think. In addition, there are parts which, however stylish, just don’t seem to make sense. But Aeon is a fabulous character, who in the words of Chung, “is not someone who reacts to things. She makes things happen…she’s a force for change as opposed to the status quo”, and the combination of intelligence and malevolent brute force is immensely appealing. Chung again: “I think it’s undeniable that there’s a certain glamour or a certain seductive power of violence on film. Her whole design and the way she looks, the way she moves is engineered purely to evoke that attraction.”

A feature version of Aeon Flux has occasionally been hinted at (Liz Hurley would seem a leading candidate for any live-action version!), but at the moment seems somewhat unlikely, especially with MTV having now folded their Animation Division. Chung has moved on too, first to work on Phantom 2040, whose characters are clearly cut from the same cloth, in their spidery style, and then off to the Far East, for an animated series based on the life of, I kid you not, Alexander the Great. Whether anything created in his future will be as memorable, intense and downright impenetrable as Aeon Flux is surely in doubt.

Creator: Peter Chung
Star: (voice) Denise Poirier, John Rafter Lee

The Powerpuff Girls

  By

★★★★½
“Pre-school superheroines kick serious tongue-in-cheek butt.”

This sprang virtually fully-formed from the twisted mind of McCracken back in 1992, as a student film: even then, he intended it as a series, with most the characters, both heroines and villains, already present. The main change was to the title, the Cartoon Network balking at presenting a show called The Whoop-Ass Girls, and so the “can of whoop-ass” which was originally part of their make-up, was replaced by Chemical X.

The heroines number three: Blossom, Bubbles and Buttercup, attendees at Pokey Oaks Kindergarten who just happen to have amazing superpowers – flying, laser-eye beams, incredible strength, you know the sort of thing. Each episode sees them take on a monster which threatens to destroy their home city of Townsville, or a diabolical plot by the likes of Mojo Jojo, super-intelligent simian who is perhaps their most common foe. There’s never any doubt over the outcome; the PPGs will win, and (no matter what the title says) there will be large quantities of animated whoop-ass.

Yet despite this predictability in the plot, the series continues to amaze and delight, with great characters on both sides of the law, fantastic imagination, and fabulous lines like, “The Bubbles you know is dead – I’m HARDCORE now…”. Plus there’s a whole series of riffs on pop-culture – what cartoon show would do a shot-for-shot remake of a scene from The Big Lebowski…just because? It also manages to be moral without being overly preachy, and has retained its sense of the absurd throughout. If there’s a weakness, it’s the same as any episodic show: some eps work better than others, and there are certainly dull moments. But when on-form – which is more often than not – there isn’t a more enjoyable 22 minutes of television to be seen.

Creator: Craig McCracken
Star: Cathy Cavadini, Tara Strong, E.G.Daily, Roger L. Jackson

The Powerpuff Girls Movie

  By

★★★
“Rated PG, for non-stop frenetic animated action.”

Rarely have the MPAA spoken truer words than that – crack open the highly-caffeinated, carbonated beverages, tuck into those sugary snacks and sit through the equivalent of eight straight Powerpuff Girls episodes. Preceded in theatres by a startlingly unfunny Dexter’s Laboratory cartoon, the weakness here is the obvious one of translating a ten-minute TV show to feature length; going by the lack of a crowd when we saw it, few people saw the point of paying $8 for what they could get at home for free. Though this is actually less like eight episodes than one, really stretched out, covering the creation of the girls and how they came to be Townsville’s protector, taking on former lab monkey Mojo Jojo and his evil plot to take over the world through the creation of super-powered simians.

If the above seems breathless and short of full stops – so is the movie. It’s at its best when riffing off pop culture, with a host of Planet of the Apes and King Kong references – I was really expecting an “It was the beauties that killed the beast…” line at the end. The animation is rarely any better than the TV show, but this is mostly a stylistic decision and there are occasional more advanced techniques such as a CGI ball which are used effectively.

Otherwise, it’s largely business as usual, with the tiny heroic trio coming to terms with their superpowers, Bubbles sniffling a lot, etc. It’s just rolled out at greater length, e.g. a hyperdestructive game of tag which might last 30 seconds on TV, goes on here for what seems an eternity (but was probably only five minutes – blame the caffeine). And this is the problem. As the pile of dire Saturday Night Live movies shows, what works great in short bursts often becomes, if not tedious, merely average when extended to feature length.

Creator: Craig McCracken
Star (voice): Cathy Cavadini, Tara Strong, E.G.Daily, Roger L. Jackson