Tag: p

Picture Claire

  By

★★★½
“Bit of a tossed salad – in need of more tossing.”

Set over one day, more or less, in Toronto, this can’t make up its mind whether to be a tense thriller, or an art-house drama. The result is an uneasy blend, where most of the elements are fine, yet the overall result falls short of completely satisfying. Quebecois Claire (Lewis, spouting an irritating French accent, and shouting “Beelee!” a lot) travels to Toronto in search of a photographer with whom she had a brief relationship. She doesn’t initially find him, but ends up chief suspect in a murder committed by Lily (Gershon), and also the only person who knows the whereabouts of Lily’s film canister, which is being sought by a psychotic criminal (Rennie).

It’s definitely Canadian: Claire’s lack of English and Toronto’s ignorance of French, jab at provincialism in a country with two official languages. Still, it’s fast-paced, and Beresford’s use of split screens sometimes adds tension, as when Lily chases after Claire’s taxi, which is stopped at a red light. Of course, at others, the results look like a pointlessly frame-obsessed website. Either way, Gershon is particularly good, and you’re left feeling there’s much more to discover about Lily. This is made clear from her casual, broad-daylight garroting of the sleazy Eddie (Rourke) in a cafe, when she merely suspects him of a double-cross. How Lily got hold of that film-canister is probably a movie in itself.

Dir: Bruce Beresford
Star: Juliette Lewis, Gina Gershon, Callum Keith Rennie, Mickey Rourke

Perdita Durango

  By

★★★½
“The two greatest pleasures in life are fucking and killing.”

perdita_durangoDespite flaws, this merits your attention simply because of the title character, even if describing her as a “heroine” would necessitate a wholesale redefinition of the term – the quote above is entirely typical of her attitude. When she teams up with bank-robber Romeo Dolorosa to traffic a truckload of foetuses to Las Vegas (as you do…), it’s like putting a lit match to fuel. You just know there’s trouble ahead.

Romeo is into Santeria, and Perdita convinces him to perform a human sacrifice; to this end, they kidnap a slumming young WASP couple (Cross and Graham – and yes, it is Heather’s sister, though notably less well-endowed), and the film goes into nightmare mode. You get the horrible feeling that absolutely anything could happen, and de la Iglesia shows that he has no problems pouring on both sex and violence. [I should mention at this point that you should track down the German DVD, which is the only uncut version currently available, AFAIK] It’s difficult viewing – and Rosie Perez always seemed so nice. You certainly won’t sustain that view afterwards.

The film does run out of steam when this extremely menacing section is completed, and ends up petering out somewhat, as the focus moves off the couple and more onto Romeo – Perdita is pushed into the sidelights, and she deserves a much better fate. If there’s also a sense of deja vu, it’s because the story comes from the same writer as Wild at Heart, and both depict a twisted love-story/chase. Despite this, there’s enough perverted nastiness here to satisfy the most jaded palate.

Dir: Alex de la Iglesia
Star: Rosie Perez, Javier Bardem, Harley Cross, Aimee Graham

Picasso Trigger

  By

★★★

Salazar (Aprea) is a famously devious assassin who gets shot by a sniper just after he donates a painting (of the emblematic ‘Picasso triggerfish’) to a Parisian art gallery. This sparks a series of lethal attacks on undercover federal spy teams who are Salazar’s enemies. But are the various bad-guys, who use all manner of tricks to eliminate government agents, all working for a criminal mastermind?

Sidaris makes amusing action films by casting Playboy pinups and hunky TV actors, and crafts low-budget Bond style thrills in exotic locations. There’s not much point in expecting greatness from these stereotyped heroes and villains, as the quintessential Sidaris formula simply requires some beautiful women to strip at regular intervals, a number of offbeat stunts and violent explosions, occasional bouts of kung fu, and frequent travel scenes in small planes, flashy boats and fast cars. On these terms, Picasso Trigger is a splendidly uncomplicated production showcasing several enjoyably ridiculous gadgets: a boomerang grenade, a radio-controlled toy car bomb, and a missile launcher disguised as a crutch!

If what you want is a speedboat chase in which the hero cannot shoot straight, lots of busty babes in bikinis (or less) carrying enough weaponry to fight a small war, crooks guilty of everything from drug-smuggling to snuff movies and white slavery, and a scattering of throwaway one-liners, Picasso Trigger fits the bill, perfectly.

Jeff Young
Originally published in Video Vista
www.videovista.net

Dir: Andy Sidaris
Star: Dona Speir, Hope Marie Carlton, Steve Bond, John Aprea