Month: October 2023

The Blind Spot, by Michael Robertson

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Literary rating: ★★½
Kick-butt quotient: ☆☆½

On the surface, Scala City is an idyllic, hi-tech world of prosperity, peace and morality, albeit at the cost of omnipresent surveillance of its residents. But there’s a dirty little secret. The Blind Spot is an area where surveillance is barred, and where the citizens of Scala City go to blow off their sordid steam. Its residents have cybernetically enhanced bodies, something rejected by Scala City, and a zero-tolerance policy for any kind of monitoring. It’s run by Wrench, who has kept his daughter Marcie Hugo under strict control since the death of her mother. However, like all teenagers, the 16-year-old Marcie is seeking to spread her wings, and has been making covert excursions into Scala City, with the aim of moving there some day soon.

The problem is, an escalating series of terrorist attacks have been occurring in the city, which it appears someone is trying to blame on the Blind Spot, in order to trigger a war between them and the city. After one of Marcie’s trips is caught on camera, the heat gets turned up, and she – along with the Blind Spot’s most infamous computer hacker – becomes the only person who can prevent a conflict that could lead to the destruction (at least in a digital sense) of both sides. She believes the perpetrators may have help from inside the Blind Spot, suspecting in particular a close accomplice of Wrench, who also happens to be the father of her best friend.

The world-building here is solid enough. As well as Marcie, events unfold through the sad eyes of Nick, an overweight and largely unloved Scala City resident. He’s addicted to the Wellbeing App, which records only the positive things people say about each other, sharing it with them. This is…scarily plausible, to be honest, though the split focus is a little unwieldy. No connection between this pair of story lines is established until about two-thirds of the way through the book, although they work well enough on their own terms. The idea of a city with a Jekyll and Hyde personality is also well-executed.

A bigger problem, for me, was the sudden reticence on Marcie’s end. Initially, we experience things through her eyes, knowing everything she knows. Then, at a certain point, we get cut out of the loop, from a narrative point of view, as she and her hacker pal begin their plot to track down and expose the real terrorists. We’re left on the outside, not knowing what’s going on – and when we do find out, there naturally being a grand reveal, it’s not very satisfying. It relies too much on the “all-powerful hacker” trope, and the identity of the traitor in their midst is also unconvincing. The story ends up being a swing and a miss, though with the book being free on Amazon, I probably can’t complain. Though it’d have to be at the same price point to get me to go any further into the series.

Author: Michael Robertson
Publisher: Self-published, available through Amazon, both as a paperback and an e-book
Book 1 of 6 in the Neon Horizon series.

Guns of Eden

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★★
“Fires mostly blanks.”

Buffalo police officer Megan (Sadeghian) is a highly-skilled cop, but has a crisis of confidence after being involved in the accidental shooting of a colleague. To help get her out of that mindset, partner Jeremy (Johnson) invites Megan on a weekend camping getaway in upstate New York, along with another couple. This goes horribly wrong, after they stumble across the summary execution of a drug-dealer by the local sheriff, Preacher (Kennedy) and his death squad. The four campers are now a problem for Preacher, so he seals off the area, and unleashes a slew of hunters, putting a ten thousand dollar bounty on the head of each target. Of course, you don’t have to be psychic to see it won’t be easy, courtesy of Megan.

When your story is one with which every viewer will be familiar, like this, it increases the need to nail the execution. Here, the results are a bit of a mixed bag, and I’m being extremely kind with that description. The best thing the movie had going for it, is Sadeghian in the lead. As the poster indicates, it looks like she could have been a better Lara Croft than Alicia Vikander (y’know, back when Lara still used guns…). She does a good job of commanding the viewer’s attention when she’s on screen. Unfortunately, the villains are feeble in comparison: often they’re the biggest danger to themselves, either deliberately or, in one especially eyeroll-worthy scene, accidentally. There’s a political subtext here too, which seems all the more dubious, given the film’s topic.

The biggest issue, though, are the frequent ways in which its flaws are obvious. A convenience store shoot-out, in which not even a packet of chips is displaced. A villain who gets “knocked out”, by a stone, marginally above pebble sized, lobbed gently toward them. The heroine supposedly being chased by a random hovering helicopter, while the vegetation nearby barely moves. Bad guys (and girls) whose incompetence is only exceeded by their inaccuracy. Thoroughly unconvincing bullet-holes. The list of problems here is just too long to ignore. On the other hand, I very much appreciated the presence of veteran actress Lynn Lowry, as a local who is less than enamoured by Sheriff Preacher. In a movie often teetering on the edge of self-parody, she has a calming influence, that helps keep proceedings grounded.

Lamberson also makes decent use of the wilderness locations. In particular, a series of narrow canyons, that provide a mazelike setting through which the hunters and hunted must proceed. But the good elements – the final knife fight between Megan and Preacher is also energetic – never last long, before something shows up to take you out of the viewing experience. I’d been waiting for this to show up on a streaming service for a while. Suffice it to say, it fell some way short of my expectations, and I probably shouldn’t have bothered getting my hopes up.

Dir: Gregory Lamberson
Star: Alexandra Faye Sadeghian, Bill Kennedy, Peter Johnson, Nicole Colon

La Reina Del Sur: season three

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★★★
“La reina de Sudamérica”

Even though the third season was announced just a couple of weeks after our review of the second series was posted, I was still surprised when it suddenly popped up on Netflix earlier this year. I’d simply forgotten about the show, it having been part of that bygone BC era (before COVID). But I was still pleased to see it, even if three years had passed since the last season. In screen-time, it appears to be even longer, perhaps four or more years since the end of the second series. Teresa Mendoza (del Castillo) is now in jail, the DEA having finally caught up with her in Australia, though her daughter Sofia escaped, taking up a new identity in Spain.

It’s not long before Teresa is sprung from jail, at the behest of her ex-husband Epifanio Vargas (Zurita), who is now the Mexican president. He has his sights set on extending the reign through quasi-legal means, but is getting opposition from the American government. To stop that, he needs a stash of evidence which details all the black ops activities carried out by the US government in South and Central America. The price for his breaking Teresa out, is her tracking down the “White Rider” who has the stash, and recovering it for Epifanio. He can then use it as leverage against the United States, to get them to drop their opposition to his “constitutional reforms.”

This leads to Teresa spending much of the series travelling around various locations in South America, including Peru, Colombia and Argentina. It’s not clear if this is related to del Castillo’s previous troubles with the Mexican government, resulting from her relationship with El Chapo. I kinda feel that should all have been squared away by now, but you never know. While a significant portion of the show does take place in Mexico, those are mostly the sections involving Epifanio. Only the very end appears to show Teresa there, and there’s nothing which couldn’t be staged easily enough, from outside the country. This contrasts to much of Teresa’s overseas scenes, which firmly place the actress on location.

There are quite a lot of familiar faces for this one. There’s the long-running relationship between Teresa and Russian mobster, Oleg Yosikov (Gil). This is somewhat reflected in the love triangle of her daughter, now very much her own young woman. Sofia has to decide between Oleg’s son, Fedor, and street-kid Mateo Mena. He rescues Sofia from a sticky situation, and those who want to use Sofia to force her mother into compliance with their wishes. There’s also faithful sidekick Batman, who has been with Teresa since the beginning. On the other side, as well as her ex-husband, whose power is now grown to such an extents as to be a real threat, there’s long-running DEA nemesis Ernie Palermo. He brought Teresa in, and is very keen for her to serve the rest of her eighty-five year prison sentence.

Interestingly, there’s more of a cross-border conspiratorial element here, focused on American politician, Senator Jane Kozar (Beth Chamberlin). She’s very keen for the evidence of dirty Yankee deeds not to come to light, and Palermo is the tip of the spear in those efforts. However, his repeated failure to deliver on Kozar’s needs, eventually leads to a shift in loyalties, after she tries to get rid of him. Similarly, after President Vargas has got his hands on what he needs, his ex-wife becomes surplus to requirements, and he blows up the mine in which she and her team find the data. He then brokers a deal with Kozar, while Palermo joins with Mendoza for the final face-off, at an dinner in Mexico, where Kozar has gone to cement the alliance.

This all unfolds over the course of sixty episodes, each running about 40 minutes, from “Previously…” to “On the next episode…” You’ll understand this gives plenty of room for plot threads, and the above barely even scratches the surface. There’s family disagreements, pregnancies that might or might be unwanted, betrayals, life both high- and low-, and much more. It does feel as if the focus here was considerably more split than previously. It seems like Epifanio’s palace intrigues, including his current wife and her desire to escape with their son, occupy more time than Teresa’s own problems. Add on the stuff north of the Rio Grande, and I can’t help wishing they remembered about the title of the show a bit more.

That said, it’s certainly never dull, with every episode adding another twist, bringing another threat into play, or revealing another layer to one or more of the characters. The writers do a very good job of keeping all the different strands in play, and it never becomes difficult to understand. Everyone is given clear, strong motivations for what they do, and the veteran characters especially do well in terms of carrying the drama forward. I was somewhat less impressed with the younger players, such as Sofia, who comes over as a bit of a whiny teenager. Maybe she’ll grow on me, though I wouldn’t count on it. My tolerance for whiny teenagers isn’t what it was…

At this point, there has been no word of a fourth season. del Castillo herself said in February, “Yo creo que la tercera es la última,” which translates as, “I think that the third is the last.” After 12 years and 183 episodes, it has certainly been a journey, and I can’t blame her for wanting to move on. If this is the end – and the finale doesn’t resolve everything – I think it’s a good point to draw a line under the show. One major character receives everything they deserve at the hands of Teresa Mendoza (below), and it’s safe to say that it’ll be a long time before Senator Kozar decides to set foot across the border again. My mornings won’t be the same without La Reina, and I guess I’ll have to find other ways to practice my Spanish!

Showrunner: Marcos Santana
Star: Kate del Castillo, Antonio Gil, Humberto Zurita, Isabella Sierra