★★½
“Which witch is which?”
This showed up as a bit of a surprise. Obviously, even the title suggested that the makers were looking for a sequel to The Witch: Part 1. The Subversion. However, I had no idea whether or not it had been successful enough to merit a follow-up. Clearly the answer is yes, though I would certainly recommend you either re-watch, or at the very least read up on, the preceding entry. Even at a rather bloated 137-minute running time, it does not provide any “Previously, on The Witch…” recap. You’re entirely on your own, and after a brief prologue, you will be dropped right into things, though any connection to the previous film only becomes apparent at the very end.
It begins with the escape of “Ark 1” (Shin) from the research facility where she has been undergoing experiments. Stumbling onto a road, she’s picked up by a car containing Kyung-hee (Park), a young woman who is in serious trouble with the gangsters also present in the car. Ark 1 handily defeats them after they get a bit too friendly, quickly earning Kyung-Hee’s gratitude. She takes Ark 1 back to live with her and her brother, Dae-gil (Sung), introducing Ark 1 to the delights of food. The gangsters are none too happy with getting their butts kicked, and regroup for another attempt. They’re not the only ones after Ark 1 either, as her former “owners” sent out an agent, Jo-hyeon (Seo), with talents of her own, to retrieve their property.
As the rather clunky sub-title implies, this is mostly about an entirely different character to the preceding movie. This feels like a bit of a cheat, as if you’d carefully studied for a pop quiz, only for it to be for another subject entirely. Instead, you get a plot which, even at the extended running time, feels rather too over-stuffed. The remarkable coincidence of Ark 1 stumbling into a car containing the very person who can help her, and that simultaneously needs her help, is just the first in quite a few moments where people happen to be in the right place at the right time. I suspect there’s also a plot thread or two more than is beneficial to overall coherence.
This is especially true at the end, where the various factions converge and have a massive battle in poorly-lit conditions. Going by what I saw earlier, this may have been the makers’ way of disguising the CGI. It’s an area with scope for improvement, especially when Ark 1 is demonstrating her remarkable super strength, by hurling people. cars, etc. around with enthusiasm. I suspect this is a victim of second movie syndrome, being the entry in a trilogy that has neither a start nor an ending. I do have to cut it some slack on that basis, and presuming the series is finished (and this was a top 10 film in Korea for 2022), I’ll still be tuning in for the finale. There’s just enough potential, even if my expectations are quire restrained.
Dir: Park Hoon-jung
Star: Shin Si-ah, Park Eun-bin, Seo Eun-soo, Sung Yoo-bin