Veronica

★★★
“Teaching moment”

Veronica (Beltrão) is a teacher in a Rio de Janeiro school. One day, nobody comes to pick up one of her pupils, Leandro (de Sá), so she accompanies him back to his house in the Rio slums known as favelas. Only, on arrival, she finds out his parents have been shot dead by gangsters. His father had been playing a dangerous game as an informant to the cops, and it had finally caught up with him. However, that morning, he had given his son a thumb drive containing a bombshell video, and his former employers are very keen to get it back. And, it turns out, so are the police, some of whom are in cahoots with the criminals. This leaves Veronica in a difficult position, with nobody she can be sure is trustworthy – including even her ex-husband, Paulo. a police officer himself.

In terms of action, the picture on the right is more the exception than the rule, if truth be told. Veronica spends more time avoiding those are seeking to harm her and/or Leandros; there’s considerably more running than shooting, shall we say. But she’s still an action heroine, brave enough to face enemies whom any normal person would think twice about going up against [or several more times, if they’ve seen the brutal reality of favela life and police corruption which is the awesome Elite Squad]. Even more impressive, it’s not for anyone related to her by blood, just a kid in her class. I dunno about your primary school teachers, I’m not sure many of mine would have put their lives on the line against a posse of well-armed gangsters for my sake. :)

Is it just me, or does this feel a bit like Gloria, with a woman having to protect a young boy from gangsters, over incriminating evidence? I did enjoy the setting though, with a side of Rio being a very long way from the more glossy aspects which the tourist board want you to see e.g. Mardi Gras and Christ the Redeemer. The city shown here seems considerably more alive, yet with that energy comes a perpetual undercurrent of menace, with violence present just below the surface. This begins with the opening scene, in which the gangsters hang out on a roof with an impressive (or disturbing, depending on your point of view!) amount of weaponry. It does a good job of establishing the threat here, and that then informs much of what follows.

The relationship between Veronica and Leandros is key to the movie, and it’s a bit of a mixed bag. At times, it seems very genuine, yet at others, Leandros has the usual issue with child actors, where their performance is obvious, instead of feeling natural. I will confess the climax also felt a little disappointing, with the heroine having to rely on the actions of others. The previous 90 minutes had shown her as being self-reliant and full of initiative, and I’d rather have seen this continue through the end. So, some way short of perfect, yet there are positives as well, and this still felt like a worthwhile experience.

Dir: Maurício Farias
Star: Andrea Beltrão, Matheus de Sá, Marco Ricca, Giulio Lopes

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