The Dawns Here are Quiet (2015)

★★★
“Back to war”

While initially released as a film, what’s reviewed here is the extended cut, screened as four 45-minute episodes on Russia’s Channel One in May 2016. This is easily available, on both Amazon Prime and YouTube with English subtitles, so seemed more appropriate. However, it’s likely the case that your reaction will be determined largely by how familiar you are with the 1972 version. Having seen and reviewed that recently, this felt solid, but almost entirely superfluous, offering not enough in the way of a new spin on proceedings. But if you haven’t seen its predecessor, then this is potentially a little more accessible. Stemming from the post-Soviet era means it can be more cynical, and does play slightly less obviously as propaganda.

The story is almost identical. War-weary soldier Fedot Vaskov (Fyodorov) is invalided out to an anti-aircraft battery well behind the front lines. After complaining about the drunken and ill-disciplined soldiers under his command, he gets replacements – an all-female platoon. After being initially shocked, he realizes that they, under their leader Junior Sergeant Rita Osyanina (Mikulchina), are actually competent at their job. When one of them spots a couple of Nazi paratroopers in the enormous forest nearby, Vaskov takes Osyanina and four other soldiers into the woods to hunt the Germans down. Only, they discover there were actually considerably more than two, and the hopelessly outnumbered and outgunned Russians have to try and prevent the enemy from reaching their saboteurial objective.

If you’ve seen the earlier adaptation of Boris Vasilyev’s novel, there will be absolutely no surprises here. In terms of plot, this is almost point-for-point identical, and for me, that did rob the film of much tension, since I knew exactly where it was going to go, and who was going to survive. Again, though: that shouldn’t particularly be taken as a knock on this version, and the performances, especially from the two leads are equally as good. The differences are mostly stylistic: while both do use flashbacks in order to tell us about the women’s lives before the war, the ones here feel considerably more grounded, compared to the dream-like sequences in the seventies version. They are also notably harsher about life in Stalin’s Russia, such as one woman’s family being ruthlessly exiled to Siberia.

There are a couple of sequences of gratuitous, albeit entirely innocent, nudity, which I didn’t expect in a TV series. I’ll leave it up to you to decide, whether this is a recommendation or a warning. Personally, I had no complaints. However, I would definitely have preferred it if the makers had been a little more inventive in their adaptation. While going down the same path as the earlier, well-loved movie was probably the safer approach, it renders the entire thing largely pointless. Well-made and still entertaining, don’t get me wrong. But carbon copies [Kids! Ask your parents!] are always going to feel inferior, to the source which they are imitating.

Dir: Renat Davletyarov
Star: Pyotr Fyodorov, Anastasia Mikulchina, Evgenia Malakhova, Agniya Kuznetsova

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