Body of Sin

★★
“Diamonds are clearly not forever.”

Erica (Kriis) is an attractive con-artist, who seduces married men in hotels, then drugs and robs them, knowing they’ll never be able to report the crime. She has just brought on an apprentice, Lauren (Patrikios), to learn the dubious trade, watch her back, etc. Their next score turns out to be the jackpot. as they discover the target was carrying a stash of diamonds with a seven-figure value. Absconding with their ill-gotten gains, the pair decide to lay low for a while, and head to Erica’s hideout on the holiday destination of Isabelle Island. They’re disturbed to read news reports that the target turned up dead in the room, and it quickly appears that the owner of the diamonds is closing in on them. But who is the threat? Local policeman, Mike (McCullough), for whom Lauren has a thing? Visiting boat-owner and part-time magician Tom (Berdini), with whom Erica has a fling? Or the creepy bald guy who arrives on the island and appears to be stalking Erica?

The performer who makes the best impression here is Tybee Island in Georgia, playing the role of Isabelle Island. It seems like a very nice place to take a holiday, picturesque and relaxing. Everyone else? Not so much. In particular, you could have Meryl Streep and Helen Mirren, and they’d still struggle to do anything with a script which resembles French lace, in that it’s a lightly-connected series of holes. For instance, when robbing the target, Erica first comes across an empty briefcase, before locating the diamonds in a tube, hidden in the toilet cistern. Inexplicably. she still takes the briefcase – which, of course, turns out to contain a tracking device. For the film’s entire duration, people both good and bad don’t behave in ways that make logical sense, and Creepy Bald Guy is probably the Worst Stalker Ever, though in his defense, there does turn out to be something of an explanation.

The leads are decent enough. There’s a nice contrast between the utterly cynical and untrusting Erica, who believes she’s on some kind of crusade to punish deceitful men, and the more naive and open Lauren, who gradually becomes more appalled, the more she discovers about her partner. I’d far rather have seen this angle exploited, with the two women turning from Thelma and Louise buddies, into vicious competitors, battling each other for the diamonds. Instead, they literally stand around while the (eventually revealed) good guy and villain tussle it out, mano a mano, on the edge of a convenient cliff. No prizes for guessing how that ends. The other thing is, for a film basically predicated on sexual attraction… it’s  tame stuff. Given Kriis bears some resemblance to Penelope Cruz – though she’s Indian rather than Hispanic – this was disappointing. If ever you want proof that technical competence alone is not sufficient to justify a movie’s existence, this should be Exhibit A.

Dir: The Olson Brothers
Star: Elisha Kriis, Ellie Patrikios, William Mark McCullough, Riccardo Berdini

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