High School Girl Rika: Zombie Hunter

★★½
“High School Girl? Check. Zombies? Check. Hunting? Not so much.”

Rika (Kudo) and her schoolgirl pal ditch education for a day and head off to a remote village to check up on her grandfather, who hasn’t been heard from for a while. But as soon as they arrive, the pair come under attack by zombies, initially spawned as the result of a euthanasia drug being tried out by the Japanese government to address the whole “inverse pyramid” thing. They do reach Grandpa’s house, but find him in the stages of advanced Alzheimer’s – at least, until Rika is bitten. Gramps removes the limb, and replaces it with one conveniently lying around, which happens to belong to a master zombie hunter. Who cares if it’s the wrong colour and incredibly muscular? With America preparing a Return of the Living Dead style cleansing operation on the area, Rika and her allies have to locate the King Zombie and kill him, before being reduced to their constituent atoms.

There are a couple of nice ideas here, so let’s get those out of the way first. The master hunter is an amusingly male version of the Onechanbara heroine, both in the cowboy hat and otherwise scanty clothing. And I liked the fact there is actually an intelligent, polite zombie thrown into the mix, who retains his fondness for humanity (or does he? For he’s still a bit bitey…). However, it’s the best part of an hour before anything approaching the title is seen, by the time Rika loses her arm, gets her new one and comes to terms with the new, strong urges to swing a sharp sword in the direction of anything lacking a pulse. When it does…it’s really no great shakes either, and the action aspects of this are absolutely no match for the likes of Machine Girl or Hard Revenge Milly.

This is, however, operating in a rather different genre, as you’d expect from the makers of the catchily-titled Girls Rebel Force of Competitive Swimmers, which occupies an uneasy middle-ground between horror and soft-porn. This is mostly horror, occasionally comedy (the Three Stooges who are also roaming the town could have taken their comic mugging and left, without doing the film the slightest damage), and the action is some way back, likely less important than the “let’s all compare our breast sizes” scene. I’m certainly not averse to horror, and on that basis, given its low-budget, it’s a harmless time-passer. But given the title, I’d have liked to see Rika do an awful lot more actual hunting of the zombies.

Dir: Kenichi Fujiwara
Star: Risa Kudo, Takeshi Yamamoto, Mai Minami, Tsugumi Nagasawa

The Forty-First

★★★½
“Robinson Crusoe during wartime.”

It’s the war between the Bolsheviks and the White Guard. A platoon of the former is left with no route of escape except across the desert to the Aral Sea. They begin the perilous trek, under Commander Yevsyukov (Kryuchkov), aided by the unit’s best sniper, Maria Filatovna (Izvitskaya). During the journey, they capture a White officer, Lieutenant Vadim Govorkha (Strizhenov, who looks kinda like Cary Elwes in The Princess Bride!) who is carrying information vital to his side. The Bolsheviks take him with them, as they head back to HQ, with Maria given the task of guarding him. But when she is separated from her comrades, and left with Vadim to fend for themselves after a storm, duty and loyalty to the cause of Communism becomes conflicted with other less revolutionary emotiona.

Given this was made in 1957, during the height of the Cold War, with Joe Stalin barely cold in the ground, it’s relatively even-handed, with Govokha portrayed sympathetically, especially given he was The Enemy [his colleague in the White Guards are definitely bastards, as we see when they ruthlessly interrogate an torch a native village in pursuit of the Bolsheviks]. This apparently led to some issue with the censors, who were less impressed. Anyway, Maria is an engaging character, well ahead of her time, and prone to random outbursts of “Fish cholera!” when vexed [look, I’m just reporting that’s what the subtitles say]. She takes surprising glee in gunning down the enemy, keeping count as she does so: Vadim almost becomes kill #41, hence the title. It’s the middle section where she really comes to the fore, taking charge of a difficult situation until the more romantic elements take over.

Even these, which would normally have me rolling my eyes, aren’t too bad, because of the political angle, leading to lines such as “You’re asking me to loll on a feather-bed with you and eat chocolates? When those chocolates are all smeared with blood?” Not your usual romance, shall we say. The ending is just superb: it’s one of those which you absolutely should see coming (it’s foreshadowed enough), but still comes as a surprise. Add in some great settings, both in the desert and by the sea, as well as an interesting visual style and, if this isn’t as action-packed as one might wish, given its era, this remains a surprisingly worthwhile watch.

Dir: Grigori Chukhrai
Star: Izolda Izvitskaya, Oleg Strizhenov, Nikolai Kryuchkov