The Woman King

★★★
“Annalise Keating does not mess around.”

The above – though expressed rather more bluntly! – was Chris’s reaction to the opening scene, in which Nanisca (Davis) leads her female troops, the Agojie, in the ambush of slavers from the neighbouring Oyo tribe. The Oyo are rivals to the Kingdom of Dahomey, under King Ghezo (John Boyega), who relies on Nanisca and the Agojie to protect his territory, and it’s getting closer to all-out war. The Agojie get a new recruit, Nawi (Mbedu), whose father drops her off at the palace gate, because of her refusal to accept an arranged marriage. Nawi turns out to have a very close connection to Nanisca, but also ends up captured by the Oyo and needs to escape before being sold to Brazilian slavers.

I found myself disappointed by this split focus. Davis is great, commanding the screen in just about every scene, and looking every inch a credible army commander. Her physique is also impressive, considering she’s older than I am. The problem is, there isn’t enough of her, even in a 134-minute movie, and Nawi isn’t anywhere near as interesting. While Nanisca may be a fictional character (and I’ll circle back to this), she’s a unique creation. Nawi, on the other hand, feels like a lazy combination of tropes from other films. Never mind the training montage, I literally sighed when she goes back to help a struggling comrade in arms during her final test. The more I saw of her, the less interested I was.

The Agojie in general are an intriguing topic, and there has been some controversy over the film’s depiction of Dahomey. In reality, they were no less enthusiastic about slavery than their neighbours, and certainly didn’t limit themselves to captured enemy soldiers, as is kinda suggested here. However, I can’t say I was bothered. Heck, one of my all-time favourite films is Braveheart, which has only a tangential and tenuous link to historical fact. This deserves no less a pass. You have to accept that these days, you just couldn’t sell – to the audience or a studio – a film where slavers were the good guys. Or girls, in this case. Just do not attempt to pass this off as history.

While more accurate than Black Panther, which had its own female warriors, I’d say it is on a par with your typical Joan of Arc biopic, of which I have rather a lot of recent experience! Purely as entertainment though, it’s decent enough, with Prince-Bythewood possessing a good eye for spectacle. The various threads of Nanisca’s life are weaved together in a decent way, leading to a final confrontation that’s no less satisfying for being entirely expected [and reminiscent of another not-very-historical epic, Gladiator] However, at the macro level, it never quite meshed for me into more than a pleasant time-passer. Nanisca is a fascinating heroine, in need of a character arc. The problem is, Nawi is an interesting arc, in desperate need of a character. 

Dir: Gina Prince-Bythewood
Star: Viola Davis, Thuso Mbedu, Lashana Lynch, Sheila Atim

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