★★★
“
Little Miss Sunshine no more.”
The obvious inspiration here is Winter’s Bone, with its similar tale of a teenage girl trying to rescue her meth-infected family. Indeed, given the title here goes so far as to share the same initials, this feels almost like a “mockbuster,” hoping to capitalize on RedBox or Netflix consumer confusion. That said, it’s solid enough, even if there’s just something… wrong about watching Abigail Breslin, one of our most beloved of screen moppets since we saw her in Signs, blowing people up with hand-grenades. She plays Hannah Lee Baker, a bright young girl with a fondness for chess, but an orphan. Along with her older sister Amber (Vega), she lives with her Uncle Donny (Temple), who cooks meth for local crime boss, Frank Stinson (Bean). As Amber falls for Stinson’s rival, Hannah works on a chance to move away from their precarious position, but “Uncle Frank” isn’t exactly going to let any of them leave easily.
It’s a good cast, though both Breslin and Vega bring some baggage in their filmographies: Vega was one half of Robert Rodriguez’s Spy Kids series, so is clearly growing up as well. They aren’t the only ones in unusual roles, Also kinda weird to see the very Yorkshire Bean sporting an American accent; while I won’t say whether or not he lives up to the Sean Bean meme, this is probably the third-creepiest Uncle Frank in cinema history [behind the ones in Hellraiser and Blue Velvet]. The chess metaphor is nice, if somewhat over-used; it’s clear Hannah is the smartest tool in her family, and the only one that’s capable of thinking further ahead than the next meal. She desperately wants to avoid becoming like Donny, having seen the terrible toll “hillbilly crack” has taken on him and his life, and is prepared to go to any lengths to avoid the same fate.
However, there is certainly a sense that we’ve seen this all before, with nothing particularly new in the storyline department. While I certainly admire the way Heather went about things, some of her actions were rather poorly explained, seeming to serve no purpose for her expressed goal. In particular, she opts to start stealing meth from Uncle Frank, but doesn’t appear to have any particular plan with what to do with her box o’ drugs. I’d like to have seen more of the heroine using her intellect, playing the factions off against each other, and using her smarts for leverage, because that’s obviously Hannah’s biggest edge, and the film doesn’t make enough of it. However, the performances are effective, and they help this one pass the time perfectly adequately, even when the plotting leaves a considerable amount to be desired.
Dir: Mark Young
Star: Abigail Breslin, Alexa Vega, Lew Temple, Sean Bean