★★½
“The black-and-white widow.”
Turns out, interesting is not the same as good or entertaining. Who knew? If you watch this unaware, as I did, you are certainly going to be very, very confused initially. What’s important for you to know, is that the lead character is played by three completely different women (Lairana, Docampo and Ariza). This wasn’t because the first two died or anything: it’s a deliberate artistic choice, with the trio representing different aspects of her personality. It’s quite a trip, because they swap in and out between scenes as appropriate, or sometimes even during the same shot. There’s Lobo, the violent one; Rubia, the nymphomaniac; and Joven, who is shy and as close to normal as you’ll find here. You’ll understand why it took me a while to figure out what was going on.
Our “heroine” [or “heroines”?] is a serial killer, whose territory covers the streets and, in particular, the subway of Buenos Aires, the capital of Argentina. She preys on men, going back to their place and indulging in their sexual fantasies, before offing them with poison. [As the tag-line above suggests, I’d have said this was more the behaviour of a black widow than a she-wolf, though this is going off what I’ve seen on the Discovery Channel] But one of her targets – who almost gets her before she can get him – turns out to be a cop. Garcia He is hunting the serial killer – yet, not necessarily for justice, as there’s something creepily personal about his search. There’s also a young guy called Leo, living in her apartment building, for whom at least one of her personas begins to have feelings. And by that, I mean ones which do not involve his death.
This is certainly for mature audiences, with the sex scenes pulling almost no punches – some of the dialogue is perhaps more graphic than the images. However, it just goes to prove that sex is not intrinsically interesting (well, if you’re not taking part!), even when artfully photographed in moody black and white, as is almost exclusively the case here. Another issue is the lack of development. Until the final twenty minutes or so, once you’ve wrapped your mind around the basic ideas, not much more happens. Things perk up somewhat towards the end, with the three personalities starting to show up simultaneously, as they seem to battle for domination. Will Joven prove capable of retaining her innocence, or will she succumb to the dark desires of her other facets?
I must confess, I wasn’t particularly enthralled to find out. That’s probably a good thing, since the ending here is as inconclusive and ambivalent as everything which had preceded it. This would likely have made an amazing short film, with a very good idea at its core. Stretching the material out to feature length, however, leaves it perilously thin. It’s just not enough, with 80% or more feeling like empty padding.
Dir: Tamae Garateguy
Star: Mónica Lairana, Guadalupe Docampo, Luján Ariza, Edgardo Castro
a.k.a. Mujer Lobo