Never Back Down: Revolt

★★★½
“The women are revolting!”

The “underground fighting” subgenre is among the most macho of action films, so it’s interesting that this entry doesn’t just feature a female protagonist. It’s also written and directed by women, with the lead villain also from that gender. It’s a particularly novel twist, considering the previous three installments in the Never Back Down franchise were, by most accounts, competent yet entirely generic, male-dominated movies. I say “by most accounts,” since I’ll confess to not having seen them. This is both a positive and a negative, I think. It means I can go into this with no preconceptions or expectations. On the other hand, it also means I can’t compare it to the rest of the series.

The latter is perhaps less important since it seems to be a sequel in name only, without any characters or story-line carrying forward. The heroine is Anya (Popica), a Chechen refugee now living in London with her brother, Aslan (Bastow), who takes part in those underground fights. After failing to throw a fight, he finds himself thirty grand in debt to some very nasty people. But Anya, who’s no novice with her own fists, gets an offer from swanky promoter Mariah (Johnston) to help pay off the arrears with a trip to Italy. Naturally, it turns out to be a front for “fight trafficking”, with the female participants held against their will, and shipped off to Albanian brothels, when they can no longer battle for the amusement of rich patrons. The title tells you the rest of the plot.

Madison isn’t without an action pedigree, having directed rather good short, The Gate, starring site favourite Amy Johnston. That’s currently being shopped around to become a feature; fingers crossed that happens. In the meantime, this would appear to match its predecessors in being competent, yet entirely generic. Everything unfolds exactly as you would expect, if you’re at all familiar with this kind of thing. It’s the kind of film where you can pop into the kitchen for 10 minutes without pausing it, make a sandwich and a cup of coffee, and return, safe in the knowledge that you’ll still be able to follow the plot perfectly well. I can neither confirm nor deny having done exactly that.

While predictable, it’s never dull though. Popica doesn’t appear to have any particular martial arts background, yet is decent enough to pass muster (even if you wonder what someone like Amy Johnston might have done in the part). There’s a laudable and complete lack of romance here, just the sibling relationship. I could probably have used some more action, even if the quality of what there is, is decent. I particularly liked the fate meted out to the chief guard. The size issue, inevitably present in mixed-gender fights, is overcome by having him held down by two women in a bath, while a third shanks him very enthusiastically. In comparison, Ghislaine Maxwell Mariah seems to get off easy, just when I was looking forward to her getting her just deserts. Still, solid enough to leave me anticipating what The Gate feature might be like.

Dir: Kellie Madison
Star: Olivia Popica, Tommy Bastow, Brooke Johnston, Nitu Chandra

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