Nemesis 5: The New Model

★½
“Left longing for the subtlety of Albert Pyun.”

It has been twenty years since Nemesis 4 apparently signalled the end of Pyun’s cyborg saga. I was therefore rather surprised when a fifth installment cropped up on my radar. Not directed by Pyun, admittedly, but he had given his blessing to it continuing under the guidance of Ferguson. It’s one of those things which probably seemed a good idea at the time, and there are elements that occasionally teeter on the edge of working. However, there’s far from enough content here, and the execution turns into into a fan film for the Nebraskan rivet-head community, with the severely limited appeal that implies. 

In the future, the Red Army Hammerheads are waging a war against the Los Angeles Police Department and their allies. Among the latter is Ari Frost (Craig), a part-human, part cyborg, who was trained in the ways of a warrior by Alex Sinclair (Price). That’s one of those nice elements, having the star of Part 4 show up to pass the torch on; seeing her was a bit like seeing Linda Hamilton pop up in the trailers for the new Terminator movie. Ari and her pals are being hunted by various elements of the R.A.H., dispatched by their leader (Novak), before she can stop them by… Well, you’ll have to watch it to find out. Which is code for “I completely lost interest and stopped paying attention.”

The director seems to think that slapping a random filter on the lens equates to art, and the complete lack of consistency between consecutive shots is enough to give you a migraine. The special effects are mostly bargain basement post work, though the Terminator-like android was decent enough, at least in comparison to most of the rest. The fight sequences leave a great deal to be desired, and the entire film grinds to a halt in the middle, for what amounts to a 20-minute promo film for local venue, the Zero Bar, including the least sexy go-go dancing in cinematic history. That’s a lot, considering the whole thing runs barely an hour between the lengthy opening text crawl of set-up, and equally extended closing credits. And apparently, after the apocalypse, the world will look like downtown Lincoln, Nebraska. Who knew?

Positives are hard to find here. The electronic soundtrack works quite well, including a surprising theme by Velvet Acid Christ, of whom I was well aware previously. Craig isn’t bad either, though when she’s acting alongside her predecessor, you realize that she’s desperately in need of the  sheer physical presence Price brings. Though again, apparently when people get cybernetic implants, they turn into refugees from Hot Topic. Even by the limited standards of what was already a bargain-bin science fiction franchise, this is scraping the bottom of the barrel. To be honest, it would probably have been better for all concerned if they’d left the franchise on the strange yet relatively high note which was the fourth installment.

Dir: Dustin Ferguson
Star: Schuylar Craig, Crystal Milani, Mel Novak, Sue Price

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