Eight Strikes of the Wildcat

★★★
“Pussy Riot.”

I guess this is, at its heart, about the quest for a treasure map that has been torn into two pieces. Though you could be forgiven for not really noticing, as most of the cast seem to forget about it for the bulk of the running time. The heroine is Shao Wa (Chi), whose father is killed by the Three Rats in their quest for the map. She ends up being punted off a cliff and presumed dead by them. Naturally – it’d be a short movie otherwise – she’s not as dead as they think. She’s rescued by the inevitable kung-fu master and his annoying sidekick, Lee Ta Fa (Hung), who nurse her back to health, and give her the skills necessary to beat the Three Rats.

The clue there is in their name, for their martial arts are all rodent-inspired. This being a seventies Taiwanese flick,  means all their movies are accompanied by a dubbed-in soundtrack of squeaking. Literally, every move they make, sounds as if they are breaking in a new pair of loafers. Their big move involves all three of them forming a mouse, with one the head, the next the body and the third the hindquarters and tail. It’s every bit as loony as it sounds. You should probably have worked out from the title how Shao Wa is going to counter them: and, yes, this means her moves are accompanied by caterwauling. For variety, she also does “beauty kung-fu,” which seems to involve a lot of pouting.

There are a lot of training montages in this one, though I minded less than I generally would, because they’re quite entertaining in their own right. Chi, who doesn’t appear to have made any other movies, is clearly flexible and gymnastic, and some of the stuff she pulls off is genuinely impressive [I mean, I regard getting out of bed in the morning as an achievement], such as the splits onto a trapeze. I suspect there could have been wire-assistance involved there, yet enough of the other stuff she does clearly was her, to make it plausible. It’s hard to tell under the dubbing whether her acting is any good, though that’s more a bonus than a requirement.

Eventually, the Three Rats kill her master, and Shao Wa goes after them, accompanied by the almost entirely useless Lee, whose contribution to that point is roughly split 50/50 between unhelpful remarks and sexual harassment. When it comes to the final fight between Shao Wa and the Three Rats, he’s more of a colour commentator than anything effective. It’s one of the few cases I can think of where the last battle is a one vs. many, with the heroine being the one. Like the rest of Shao Wa’s fights, it is a little too obviously staged, yet is a decent effort. It would probably have been at least 25% better without the sound effects, however. It’s definitely an area where less would have been more.

Dir: Yi-Hsiu Lin
Star: Dan Dan Chi, Li Tao Hung, Hung Tsai, Tao-Hung Lee

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