★½
“If this is empowerment…”
There are times where I regret my choice of pastime. It means I end up watching things for this site that I would never give the time of day, given the choice. This is one such, having endured the almost physically painful experience which was Hellfire, starring the same three lead actresses, and to which this appears a loose sequel. In this case, Mercedes also took over directorial duties, and… it’s actually somewhat of an improvement. Still not good, by any objective standards, let’s be clear. Yet there’s a punky and unrepentant attitude that clearly doesn’t care what I, or anyone else, thinks. Put it this way, if you want a film which includes close-up shot of the director having a pee, here you go. Offense is its raison d’etre.
The story has (loosely) Greek goddesses Lilith (Divine), Athena (Peach) and Toxie (Mercedes) roaming the blasted hellscape of Tromaville, taking on the evil forces of misogyny and white supremacy, mostly through the superpowers of really bad acting and highly deliberate offense, it would appear. This probably teaches its peak with a recreation of the assassination of John F. Kennedy in a strip-club. It feels as if Mercedes simply threw every idea of questionable taste she could come up with into her script, and filmed the result, largely using her pals. If you want a puppet, voiced by Troma movies head honcho Lloyd Kaufman, sitting on the toilet and delivering a lecture on artistic freedom. Again: here you go.
There’s even stuff here I can’t describe, without getting down-ranked by Google for explicit content. Trust me. There is certainly an aesthetic here, and it’s one to which Mercedes is clearly 110% committed, and personally too. [Is it exploitation if you’re doing it yourself?] But it’s not a style which overlaps more than fractionally with my tastes. I’ve been a fan of Troma since back in the days of Toxic Avenger (its star Torgl has a supporting role as creepy motel owner N. Bates). That looks like a Christopher Nolan movie in comparison to Divide & Conquer. Philosophically, I tend to have a different view of empowerment. To me, it doesn’t mean women copying the worst of male behaviour, as seems too often the case here e.g. rape.
There are times when restraint is not necessarily a bad thing. If you drop F-bombs every second word, eventually people are going to tune you out, and this is pretty much the cinematic equivalent. About half way through, as the story meandered its way to, then past, a confrontation with a geriatric Adolf Hitler and his pet werewolf (there’s a phrase I didn’t expect to be writing today!), I simply lost interest. There’s only so much toilet humour, potty-mouthed dialogue and amateur acting I can take in one sitting. This provides an all-you-can-handle buffet of those things, with enough left over to feed your entire family the next day. I prefer something a little less in your face. Quite often here, literally.
Dir: Mercedes
Star: Irie Divine, Knotty Peach, Mercedes, Mark Torgl