★★½
“As generic as its title.”
A disease sweeps the planet, killing billions. The only ones with any hope of surviving in the outside world are the young, a small number of whom appear to have a natural immunity. Five years on, and Ellie is one of the few to have endured, scraping for a life among the leftovers of civilization. But she and the other survivors are the targets for the Stalkers: roaming groups of biohazard-suit clad hunters in white vans. They seek to capture the immune, for use in a project to develop a vaccine that can allow the elite to come out of their safe havens. While trying to avoid them, she encounters Quinn (Smith), another survivor with a wealth of knowledge, and a hard-edged approach to life. Initially, Quinn wants nothing to do with Ellie, though eventually realizes two heads can sometimes be better than one, in the never ending struggle to stay alive and free.
After the opening narrative, there’s a spell of over 20 minutes which are entirely dialogue free. It’s a brave choice, yet doesn’t hurt the movie, instead reinforcing the loneliness of the situation in which Ellie finds herself. I do have questions about so much time supposedly having passed. There are some suspiciously well-preserved corpses, and the world itself seems barely different from now, save for the shortage of people, without signs of decay. I was expecting more to be made of the youth element too, perhaps along the lines of Roger Corman’s cult flick, Gas-s-s-s, with a replacement culture having arisen to replace the geriatric one. Never happens: save for the age of the main characters, it’s irrelevant.
The biggest issue, I felt, was there just was not enough going on here to justify the movie’s existence. After Ellie meets Quinn, the next hour largely appears to consist of them avoiding or running from the Stalkers. The pair of heroines are in severe need of some kind of goal, an end-game to which they are working, rather than, as it appears, merely basic survival on a day-to-day basis. The script seems to concentrate on the relationship between them, yet never puts in the necessary work beyond the superficial level. Why are the girls so different, given their similar experiences?
While the performances are decent enough, the same goes for them: they get the job done, and no more. The occasional brief flashback proves almost aggravating rather than enlightening in this regard. Things do escalate down the stretch, with matters between Ellie, Quinn and the Stalkers coming to a head. Though if I was in charge of the last-named, I would have a quiet word about their collection protocols. Sloppy, and they pay the price. It is not quite enough to save the scenario. While you can’t point at much here that writer-director Lowry specifically does wrong, nor does he bring anything novel to the post-apocalyptic party, and neither is this done well enough to stand out from the crowd. Forgettably competent.
Dir: Richard Lowry
Star: Eve James, Kannon Smith