Dangal

★★★½
“Wrestling with the truth.”

Mahavir Singh Phogat (Khan) is a former Indian national wrestling champion, who dearly wants to pass his skills on to a son, and make him an even more renowned sportsman. Fate, however, has different plans and deals him nothing but daughters as his children. After two of them, Geeta (Shaikh) and Babita (Malhotra) beat up a local kid who was taunting them, Mahavir takes it upon himself to coach the girls in wrestling – despite the doubts of many, including his wife and, not least, the daughters. Geeta, in particular, proves to have the talent necessary to become, first a local and then a national champion. However, success at international level proves elusive, and her father butts heads with national coach, Pramod Kadam (Kulkarni), over training methods. Geeta has to decide who to believe, as she faces her greatest challenge ever, representing the hopes of her nation at the 2010 Commonwealth Games, held in Delhi, in front of a partisan home crowd.

This is basically Sports Movie 1.0.1, with tons of training montages (a way of getting in those musical numbers required by Bollywood), and Geeta overcoming obstacle after obstacle on her way to winning the gold medal in dramatic, last-second fashion. That’s not really a spoiler, since this is based on a true story, Geeta having been the first Indian women to win a wrestling medal in international competition. However, that’s about the extent of the truth here. Rather than having to mount comeback wins in all her bouts, as depicted here, she actually outscored her opponents over the course of the contest by a 15-1 margin. When the facts and the drama are incompatible, the former must be disposed of, clearly. I’m also not quite so sure her father actually was locked in a closet by the Indian wrestling board during her gold medal bout…

Still, it’s impressive that this own the biggest worldwide box-office of any Indian movie ever, mostly due to it becoming an unexpected breakout hit in China. I can see why though, since it’s the kind of plucky underdog story which has almost universal appeal, and despite qualms about its accuracy (to put it mildly), director Tiwari does it justice. While you can certainly argue this is a well-worn path, it’s done with enough energy to make it seem fresh, and the performances are all very solid [additional credit to Zaira Wasim and Suhani Bhatnagar, who play the younger versions of Geeta and Babita. Shaikh, in particular, really seems to get to grips (hohoho!) with the wrestling sequences, where she is shot in a way that’s clean, rather than hyper-edited.

The results prove reliably dramatic and do as good a job of selling events as they unfold – in addition to amateur wrestling as a spectator sport. If it’s as exciting as here, I’m in [this is, clearly, not to be confused with professional wrestling]. At a whopping 161 minutes in length, there may well have been room to trim some of the extraneous details, or even some of the bouts; we probably don’t need to see every minute of every round of every match in her journey towards the podium. However, I was never bored, and the moments that resonate across cultures more than make up for any slack.

Dir: Nitesh Tiwari
Star: Fatima Sana Shaikh, Aamir Khan, Sanya Malhotra, Girish Kulkarni 

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