★★★
“Certainly lives up to its title.”
No-one does low-budget hyperviolence like the Japanese. Whether it’s pseudo-snuff like Guinea Pig: Flower of Flesh and Blood, or more fantastical entries such as Mutant Girls Squad, there have likely been more memorable entries from that country than any other. Note my use of the word “memorable”, as distinct from “good”, since they aren’t the same. I’d be hard pushed to recommend this to anyone, unless I knew they were predisposed to microbudget horror of a particularly savage type. I probably won’t ever watch it again. But I have to say this: I will remember it. As will Chris, who came in for the denouement, and was literally jaw-dropped by what she saw. I’m not going to spoil it, so apologies if some of what follows is a little vague.
The film is divided into three sections, and after the first one, called “Man”, you’ll be wondering what the hell it’s doing here. For it is a look at the work of a male serial killer (Butch), who kidnaps and tortures women. That’s basically it, for twenty minutes, and the director believes in getting as up close and personal as possible here, with many of the shots being literally “in the face” of either perpetrator or victim. This certainly enhances the claustrophobic intensity, though I could have done without the shaky-cam attempt to establish its cinema verite credentials. “Do you understand what I’m doing?” he demands of his prisoners. Sadly, the correct answer of “No, because you’re a loony” is never given.
Things get more interesting and relevant in the second section, “Woman”, where the roles are reversed. An unnamed woman (Ayano) honey-traps men back to her room, where she kills them. She has a particular fondness for repeated and enthusiastic stabbings in the crotch, which had me shifting uncomfortably on my chair. She’s also rather more psychologically inclined, conversing with her victims, rather than interrogating them. Though eventually, she brings home someone (Nishina) who is aware of her murderous intentions, and is intent on stopping her. The result is a bloody battle – again, shot in close-up – which swings one way then the other, before our “heroine” [quotes rarely used more advisedly] eventually prevails.
This sets up the third and final act, probably inevitably titled “Man and Woman”, in which the two killers cross paths. She follows him to his flat, apparently aware of his tendencies – how is never made clear. Barely have they crossed the doorstep before battle is joined. And if you thought the previous fight was vicious… Hoo-boy. This ends in a double-whammy of revelations, which make sense in one way – they’re clearly perfect for each other – but count among the more batshit crazy things I’ve ever seen. And I’ve seen some things. While it is somewhat poignant, we know so little about any of the people involved (how could we learn much, given it’s barely an hour between opening and closing credits), the emotional impact is limited. Brutal though? Definitely.
Dir: Takashi Hirose
Star: Butch, Ayano, Takashi Nishina, Katrina Grey