The Black Widow

★★½
“Stay here. And make me a sandwich!”

This is something of a fringe entry, and illustrates a few of the issues with Hollywood of the time. In particular, a severe reluctance to let female characters act with genuine independence. We see this on both side of the story here. The title character is Sombra (Forman), a vaguely Asiatic woman who is engaged in a plot to steal nuclear secrets from the United States. To this end, she has been trying to bribe acquaintances of a notable scientist, but the trail of spider-envenomed corpses resulting from their refusal to help has brought her to the attention of the Daily Clarion and its ace girl reporter, Joyce Winters (Lindley). Which would be fine, if the women were allowed to go head-to-head on their own terms, in the same way as Perils of Nyoka.

Except, neither of them are. Sombra is basically a puppet of her father, King Hitomu, who pops up through a cloud of smoke in a teleportation device, to keep her in line and hand down decrees that must be obeyed. Worse, the newspaper calls in Steve Colt (Edwards), a hard-boiled crime fiction author, to take lead in their investigation. He truly treats Joyce like crap, repeatedly ordering her to stay behind and refusing to let her drive. This unrepentant chauvinist even handcuffs her to the car at one point, to stop her following. Fortunately for him, Joyce is resourceful enough to unbolt herself, and so is able to stop Steve from being gunned down by Sombra’s minions. His gratitude for saving his life is… largely notable by its absence.

In between the blatant sexism, which definitely hampers things, there are some cool elements. I particularly liked the way Sombra is a woman of a thousand faces, able to disguise herself as any other woman perfectly. So we get some scenes where we have Lindley playing Forman as Sombra, pretending to be Joyce, if you see what I mean. It’s fun. There is a fair amount of technobabble here e.g. a sonic disruption device, but occasionally the script does hit on something a little prophetic, e.g. the tracking device Steve uses to locate Sombra’s lair. Though it is rather larger than the modern equivalent, shall we say! I’m also a little concerned about the ease with which he is allowed to gun down unarmed civilians, and his lack of remorse thereof.

I did like the performances of both Lindley and Forman, though one aspect of the latter is a “Yellow Peril”-like portrayal that hasn’t aged well. But as is often the case, being a villainess does give you a bit more independence, and Sombra is clearly the boss when her father isn’t around. However, if you’re not throwing things at the screen when Steve gets all “No, you’re not coming with me, little lady,” then you’re probably on the wrong website. I was wishing throughout for him to have a close encounter of the poisonous kind with Sombra’s arachnid pals.

Dir: Spencer Gordon Bennet and Fred C. Brannon
Star: Bruce Edwards, Virginia Lindley, Carol Forman, Anthony Warde

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