★★
“Not really very savage at all”
This is one of those films where the same person wrote, directed and starred in it, and once again, the results illustrate the problems with such an endeavour. Almost any project will benefit from an external perspective which can offer constructive criticism, but when this is removed, the flaws typically end up multiplied. That said, this isn’t terrible. I think Riches the screenwriter comes out best, with a story which bypasses the usual cliches of urban storylines e.g. gangster rising out of the gutter, and does offer some genuine surprises. Director Riches also gets some points for restraint on the soundtrack front; it’s not comprised entirely of her mates rapping badly.
It’s as an actress that Riches is weakest. The story has her playing Tiana, a woman whose entirely life has been dogged by poor relationships with men, from a distant father through bad boyfriends, to a controlling and eventually abusive husband, who kicks her and young daughter Erica (Session) out on the street. The only thing keeping Tiana sane is the classes she gives at the local martial arts school, owned by Mr. Lewis (Hoo), and she decided to use these skills to make bad men pay for their behaviour. This comes close to home, because she suspects that her sister, Rochelle (Amor), is also in an abusive relationship. These suspicions prove well-founded, though in one of those genuine surprises, not quite as Tiana believes.
The problem is that Tiana is never even slightly convincing as a bad-ass. Her idea of martial-arts training is, I kid you not, jumping jacks, and most of the fights we see are poorly-staged and/or brief, I suspect out of necessity. It’s the kind of film which needs to go a lot harder than the lead actress is capable of. “Concerned mother” is within her acting range; “angel of vengeance” is not. I did appreciate how the script does not attempt to go #AllMen on us, with a couple of sympathetic male characters. Mr. Lewis is probably the most well-developed, though he does fall right into the wheel-house of the “wise Oriental spouting philosophical insights” trope instead. But he does deliver some unexpected truths.
The structure is either clunky or interesting, and I’m not sure which. It begins with her abducting one of her targets, then leaps back decades to tell Tiana’s story from the very beginning. I’m not certain anything useful is gained by this, and by the time it circles back, we’ve largely forgotten why we are supposed to care. The final act is the best in most departments, including Riches apparently doing one actual stunt which genuinely surprised me, and proceedings that capture a down-to-earth tone, missing in dumb plot threads like Mr. Lewis giving the dojo to Tiana. To be brutally honest, I’d not blame the viewer if they’d bailed by that point, having decided Riches needs to focus her talents on one area.
Dir: Jezar Riches
Star: Jezar Riches, Howard Hoo, Cheri Amor, Dalaini Session