The Beta Project


“Beta, in the other sense of the word.”

I usually strive to find something nice to say about most low-budget action heroine films. Maybe the soundtrack is cool. Or there’s one performance which stands out. But for this one, I’m really struggling. The good here more or less begins and ends with the synopsis, which is also why it’s here: “Four women are recruited into an organization that hunts the supernatural.” Mauser does appear to be on board with our field, and we’ve covered a couple of his films before, most recently the fairly decent Lady Lawman. While flawed, you could overlook the shortcomings if you squinted somewhat. This, however, is a clear step back, and was a real struggle to get through. 

In the scenario that unfolds here, there is indeed an unnamed organization, run by Rose (Nash). The supernatural in question is… Well, it’s basically vampires, and in particular the legendary Lilith (co-director Berkshire). She is supposed to have died centuries ago, but the group discover this is not the case. The decision is made to recruit four women to take on Lilith (who is not the hairy dude shown on the poster). Why does it have to be women, you may be asking. Good question. Pity it’s one the film is completely uninterested in answering. Not that it matters, because the group never really ends up getting recruited either. Instead, there’s just smuggler AJ (Rodriguez), who gets paired with the organization’s accountant (!) and… Well, not very much, either. They go rescue one of AJ’s pals. That’s just about it.

What we have here feels like it could, and should, have been taken care of inside the first ten minutes, instead of playing out at feature length, like a pilot movie for a TV series that nobody wants to watch. It’s full of interminable scenes which deserve to have died a death on the cutting-room floor, like the introduction of AJ and pals, sitting around a restaurant. Or the training scene where AJ and accountant get whacked with sticks a couple of times. The latter is actually pointed out by the characters as useless, in a way that I can only presume was intended to be funny. Guess what? It isn’t, in the slightest. 

This is in part because there’s no real difference between the stick-whacking and the “genuine” action scenes, which are utterly limp and unconvincing. When killed, the vampires “explode” in a shower of sparks, in a way done considerably better by the Buffy TV show, approaching thirty years ago. The performances are generally unconvincing too: Berkshire comes out okay, which may explain why she ends up also playing another recruit, Joy, in addition to the villainess. I kept expecting them to be sisters or something, but… Nope. Like so much else here, it was thoroughly pointless. All the goodwill Mauser picked up for the “can do” attitude of his previous films has been wasted; he’s now on my “approach with caution” list. 

Dir: Brett William Mauser and Dane Berkshire
Star: Cristina Cruz Rodríguez, Dane Berkshire, Katrina Nash, Brett Mauser

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