★★★
“Ripe for a remake starring Zoë Bell.”
Movie stunt-woman Laurie Collins (Chase) is out for the night with her sister, Bonnie, until the latter accepts the company of a young man. When things get more than a bit rape-y, and Bonnie ends up shooting her attacker dead. She is convicted of second-degree manslaughter, much to the chagrin of her sister. Worse is to follow after Bonnie is sent to prison, as there, she then falls foul of the jail’s top dog, Kay Butler (Martin). Bonnie soon turns up a corpse, with the incident written off as suicide, due to the heroine found in her veins. But Laurie doesn’t believe a word of it, and deliberately commits grand theft auto, among other crimes, in order to be sent to the same prison, where she can find those responsible, and make them pay for what they did to Bonnie.
Starting with a film-within-a-film scene which had me wondering if I was watching the wrong, post-apocalyptic movie, it’s a nice idea to have the heroine be a stunt-woman, and gives a credible explanation for her physical talents. This 1986 film is also ahead of the curve in making, in explicitly making the facility a “for-profit” prison, something which would eventually become an issue almost three decades later. That said, this does appear to be a rather cushy penal establishment, where inmates are well compensated for their work, and there is both a swimming-pool(!) and a video-arcade(!!). It doesn’t skimp on the exploitational aspects, with the shower scenes typical for the genre, and the rape of Bonnie is genuinely nasty.
In this, it shares something of the same look and feel as Reform School Girls, made that year, right down to the presence of an blonde, obvious Ilsa-lookalike in charge, though Collins’s Miss Dice is far more sympathetic than Sybil Danning’s Warden Sutter. [Coincidentally or not, both films also feature the Screamin’ Sirens’ song, “Love Slave”, during a scene of sexual abuse.] The main weakness here is likely Chase, who seems rather unconvincing in terms of physical presence, though does acquit herself half-decently in the action scenes. Her Laurie just doesn’t quite feel like the kind of character who would go to such elaborate lengths to extract brutal vengeance – and it’s a damn good thing she wasn’t sent to another facility. You can contrast her character with that of Martin, who definitely feel like the kind of scum that would rise to the top inside.
There is a certain bleakness to the ending [spoilers follow]. After Laurie has completed her revenge, with the help of Miss Dice, the warden turns to her and says, “Did it bring Bonnie back?”, then adding, “You have the rest of your life to think about that.” It’s somewhat disconcerting for the viewer who has been brought along on Laurie’s quest, suddenly to have the moral carpet yanked out from under them like this, instead of any closure. If the hairstyles haven’t aged well, this philosophical ambiguity has.
Dir: Bruce Logan
Star: Karen Chase, Sandy Martin, Kin Shriner, Roberta Collins