Angel Fist

★★
“Proof that it’s easier to train an actor to fight, than a fighter to act…”

Cat opted not to follow in the footsteps of her father, shampoo magnate Vidal, preferring instead to win various karate titles (allegedly) before moving into movies. Between two parts of the Blood Fist series, she popped over to the Philippines, and made this one for Roger Corman, under the gaze of familiar GWG director Santiago (TNT Jackson, etc.). She plays an LA cop, who comes to Manilla to investigate her sister’s death – she was killed after photographing a political assassination. And, hey, whaddya know? She was also taking part in a karate tournament… I trust I need not extend the plot synopsis any further.

Quite how Sassoon won her titles is unclear from the evidence on view here; perhaps screen fighting isn’t her forte, but there seems to be a lot of doubling and not much apparent ability. She does, however, possess the necessary lack of acting talent – the only things more fake than her dialogue delivery, are her breasts. Which we see, along with Melissa Moore’s, frequently, to no real surprise or, being honest, effect (though the topless kung-fu in which Sassoon engages is a sleazy piece of inspiration, albeit one borrowed from Santiago’s earlier Silk 2)

There is a semi-interesting subplot, in that the villains are actually opposed to American bases in the Phillipines, and this allows for a slight level of political complexity. However, before too long, we’re back to mediocre fist-fights and more titty action. Sassoon, meanwhile, died at a New Year’s Eve party a couple of years back from a heart attack. Which is kinda sad.

Dir: Cirio H. Santiago
Star: Cat Sassoon, Melissa Moore, Michael Shaner, Denise Buick

Outside the Law

★½
“A reminder of the inalienable rule of Rothrock films: the US ones suck.”

This is the first Cyn-flick seen in a while: rumour has it, she made a brief diversion (after implants) into erotic thrillers, but the good news is, she’s back in the martial arts arena. The bad news is, er, the film. It starts with her DEA colleague, about to bust a Colombian drug-lord, promising Julie (Rothrock), “Four kids, a dog, and a house with a white picket fence.” You know he’s dead, though given his willful lack of a bullet-proof vest, he also has a death-wish.

Before dying, he hands her evidence on the sale of US-government supplied equipment to the cartel, making Julie a target. Returning to Florida (how, exactly?), she goes on the run, with a dog, a truck and a sense of justice. Eating in a restaurant, she breaks up a fight, and gets fully involved when the woman running the joint is murdered by a guy connected to (tah-rah!) Colombian drug-dealers.

All of which might not be so bad; you watch this kind of film for action, not plot. But the director has no idea how to shoot fights, and the results are so poor as to make it look as if Rothrock has been replaced by a stunt double in a bad wig – oh, sorry, that’s her hair. The results are a pale imitation of her work in Hong Kong, and are even less interesting than the likes of China O’Brien. If she is, as the sleeve claims, “the queen of martial arts”, a popular coup must surely be imminent.

Dir: Jorge Montesi
Star: Cynthia Rothrock, Jeff Wincott, Seamus Dever, Dan Lauria