Milla Jovovich in talks to star in George R.R. Martin adaptation

jovovichDeadline reports that Milla Jovovich, star of the Resident Evil franchise and a number of other action heroine entries (The Messenger, Ultraviolet) is “in advanced negotiations” to star in an adaptation of some non-Game of Thrones stories by George R.R. Martin. The film, called In the Lost Lands, will be based on three stories taken from Martin’s short story anthology Dreamsongs, and prodiction will begin in Germany during the last quarter of 2015, with Justin Chatwin also starring in the film. The bad news? The script was written and the film will be directed by Constantin Werner, who did The Pagan Queen, which was pretty freaking terrible.

The titular story will have Jovovich playing a witch called Grey Alys, who has the power to grant your wishes, whatever they may be. But, as anyone who has played D&D knows, that’s not necessarily a good thing for the recipient. So when a powerful noblewoman, Lady Melange, asks Alys for the ability to shape-shift, she is given a white wolf pelt that fulfills Melange’s request, but not in the way desired. The story’s focus is on Alys’s journey to get the pelt, and based on this review, she seems an interesting character. “Her quiet, almost unassuming ways speak of untapped depths and dark secrets, and her calm detachment is far more chilling than outright malice. There is no open cruelty in her actions: she hastens other people’s demise, or observes their unavoidable misfortune, with the same aloof calm she would display in accepting her own.”

The other stories are no less gynocentric, so in terms of content, this looks like it should be right in our wheelhouse. Another part will be based on The Lonely Songs Of Laren Dorr, about a woman, Sharra, who has the ability to move between different worlds. Deadline says she “must fight a dragon that serves as the gatekeeper of seven worlds to reunite with her lost lover.” I’ve read the story. There’s no dragon fighting to be found in it, but apparently there will be by the time it hits the silver screen, because you can’t have George R.R. Martin without dragons. The final tale, Bitterblooms, dates from 1977 and is a story in which “a young barbarian girl gets spellbound by a lonely witch in a spacecraft, who shows her beauty and love, which turns out to be a net of lies and deceit.”

Deadline also claim it’s the first time George RR Martin’s stories have been adapted for the screen outside of Game of Thrones, but they would appear to have forgotten about Nightflyers, a 1987 film based on his novella of the same name. starring Catherine Mary Stewart and Michael Praed. I can’t say I blame them. Hopefully, In the Lost Lands, will turn out to be somewhat better.

Scarlett Johansson to star in ‘Ghost in the Shell’

There have been rumblings about a live-action version of iconic anime/manga series Ghost in the Shell for years, with Dreamworks picking up the rights to Masamune Shirow’s creation as far back as 2008. However, things appear to have moved forward significantly in the past year, with director Rupert Sanders, who helmed Snow White and the Huntsman, named as on board last January. Rumblings in Septemner had Margot Robbie (Wolf Of Wall Street) interested in the lead, but she stepped aside the following month, and Johansson’s name moved into the frame instead. This has now become a firm commitment, with Variety reporting yesterday that the actress has now agreed to take on a role, presumably one based on Major Motoko Kusanagi, the heroine in many of Shirow’s stories.

Set towards the middle of this century, both manga and anime focus on Public Security Section 9, a Japanese special-operations task-force made up of former military officers and police detectives. In this future, mixing flesh and technology is commonplace, with many humans enhancing or replacing their abilities with so-called “cyberbrains” and prosthetic mechanical enhancements. While conferring obvious benefits, it also opens the door to a wide range of new criminal activities, and countering these is where PSS 9 comes in. Kusanagi is one of its officers, and a childhood accident left her almost entirely cybernetic. One review described her as having “the body of a Baywatch babe, the face of a beauty queen and the soul of a machine.” Johansson’s performance in unexpected global success Lucy, playing a similarly enhanced human, may have helped open the door for her here, and there was also Under the Skin, where she portrays an alien who seduces men.

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However, not everyone is impressed. Forbes wrote a scathing critique of the announcement, calling her “not a good fit” for the role of the Major. There is admittedly, the obvious question of race here: do they change the lead from being Japanese, or make Johansson wear yellow-face? Neither would seem particularly credible, though the cybernetic nature of the heroine does open the door to the possibility of whatever look you want. Since she’s almost entirely an artificial construct, she could wear any face – or even no face at all. But there’s still the potential for disaster here, on an almost unmitigated scale: you only have to look at the last big budget, live-action movie inspired by Japanese animation. That would be The Last Airbender, almost universally regarded as one of the worst films in the last five years, which Rotten Tomatoes gives a 6% approval rating, with an average score of 2.8/10.

It’s reported that Johansson will get $10 million for her work, which would put her into a very exclusive club of actresses. Certainly, between Lucy and her roles as Black Widow in the Marvel universe, her credentials are as robust as anyone currently working in Hollywood, so I’m cautiously optimistic for this film. It’s certainly good to see studios prepared to make an investment in a high-profile action film with a female lead character. But the critical and commercial success which resulted will depend heavily on the script. Given the extremely large amount of money that this will need to spend to create a futuristic universe, there’s genuine reason to fear that the more subtle and metaphysical aspects of both the anime and manga versions, may be set aside in favour of less interesting but more bankable aspects e.g. giant fireballs. This certainly is not a certain success.

Hullabaloo: Animated steampunk action heroine seeking your support

hullabaloo2Currently running on IndieGogo is this campaign to assist in the funding of an animated feature, Hullabaloo, which hopes to resurrect the virtually dead art of traditional, 2-D, hand-drawn animation. Even Studio Ghibli, the home of animation deity Hayao Miyazaki, seems to be heading that way, and it’s easy to understand why: it’s an astonishingly intensive process. The president of Ghibli once estimated that all his company’s resources, going full bore, could produce five minutes of feature-quality animation a month. No wonder the trend is increasingly toward CGI. This isn’t necessarily a bad thing: the best works of Pixar show that story and characterization are more important than medium. But the loss of cel animation takes a tool away from the storytellers, and I personally find CGI still falls short when it comes to depicting human emotions accurately.

Hullabaloo was created by James Lopez, with animation by Bruce Smith, both long-time veterans of the industry, who worked on some of Disney’s classics, including The Lion King, Tarzan and The Emperor’s New Groove. Now, they’ve gone independent, and are looking to raise money for this project – it has really taken off, with the campaign already having raised more than three times its initial goal, with almost three weeks still left. But why is it of interest here? Well, if the pic on the right hasn’t given that away, because it promises to kick the arse of most Disney – or, indeed, most animated – films, in terms of its strong heroine. Here’s the synopsis, which sounds more than slightly like Adele Blanc-Sec, in terms of atmosphere and settings:

Hullabaloo is the story of Veronica Daring, a brilliant young scientist who returns home from an elite finishing school to find her father–the eccentric inventor Jonathan Daring–missing without a trace! The only clue left behind points Veronica toward Daring Adventures, an abandoned amusement park used by her father to test his fantastical steam-powered inventions. There she discovers a strange girl named Jules, a fellow inventor who agrees to help Veronica in locating her missing father and discovering the secrets of his work.

Together, Veronica and Jules learn that Jonathan Daring has been kidnapped by a mysterious group of influential persons, who seek to use his latest invention for nefarious purposes. These villains are wealthy and influential and neither Veronica nor Jules can stop them openly. But determined to save her father and holding true to the family creed that technology should be used for the good of all, not the greed of some, Veronica assumes the secret identity of “Hullabaloo”, a goggled crusader who uses wits and science to combat evil and oppose the nefarious conspiracy that has taken her father.

Got to love a story which also appears to be pro-science, as well as intent on providing a strong female role model for kids, something which isn’t as common as it should be [and even when it appears, can end up going off the rails – see Brave for example, which started an awful lot stronger than it finished]. Yeah, latching on to the steampunk trend does perhaps seem a little too bandwagon-jumping. But if you’re going to use an “antique” style like cel animation, then it does perhaps make more sense to put it into a period setting. And, it has to be said, there hasn’t been a “true” steampunk feature released for a while: there have been some with steampunk elements e.g. Sherlock Holmes, or even the version of The Three Musketeers made by Paul W.S. Anderson. But this seems a good deal more full-on, and can only be applauded as such. Of course, there’s a long way to go from where they are now, with the quarter of a million raised a drop in the bucket compared to the cost of the full feature. Hopefully, it’ll end up both getting made, and looking as cool as it has the potential to be.
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‘Cleaners’ season two premieres on August 19

cleaners chriqui gershon - 1We loved the first season of Cleaners, Crackle’s series focusing on hitwomen Emmanuelle Chriqui and Emily Osment, their efforts to escape the relentless pursuit of their employer (Gina Gershon), and untangle a plot involving an autistic child and $50+ million in loot. It was fast-paced, brutal, and full of entertaining characters on both sides, as well as being largely unlike anything else currently on television. The good news is, a second season was commissioned, with all the main names returning [well, those that survived the bloody finale of the first series!], and that hits streaming service Crackle and its partners on August 19. According to Variety:

Season two of “Cleaners” is set on a small Caribbean island where Veronica (Chriqui) and Roxie (Osment) think they are about to cash in, just to realize they have not escaped their past. The duo arrange to meet Eileen (Missi Pyle) to split a $57 million take, but she has teamed up with “Mother” (Gershon) to have the girls “erased.” Meanwhile, FBI agent Frank Barnes (David Arquette) is recruited by a CIA agent (David Rees Snell of “Last Resort”) for an off-book mission. “The second season looks bigger and badder than the first,” said Chriqui. “Shooting it felt more like a film set than a television set.” The “Cleaners” second season was filmed on location in Puerto Rico. Chirqui said that “changed the look of the show” from the first season, which was shot in Los Angeles.

This series has been expanded from six to twelve episodes, and should even be worth sitting through commercials which you can’t fast-forward. Here’s the trailer for season two; expect a review here, whenever we manage to clear the decks for a spot of binge-watching!

Lucy kicks ass at American box-office

lucy2Break out the bunting, because we have the first bona-fide action heroine movie of 2014 to top the US box-office. Luc Besson’sSF flick Lucy, starring Scarlett Johansson, crushed both projections and the competition, opening with an estimated $44 million over the weekend. It’s the first “true” action film led by an actress to take the #1 spot since The Hunger Games: Catching Fire spent two weeks there in November and December last year. [Unless you count 300: Rise of an Empire, and though we reviewed it here, the female presence there was as an antagonist more than the protagonist. Though on further review, maybe Maleficent should also be considered?]

This is a great result for both Johansson and Besson. To take the latter first, his previous best-performing picture in North America was The Fifth Element which grossed the equivalent of $113.3 million in inflation-adjusted dollars, when it came out in 1997, with an opening weekend of about $30.2 million, again inflation-adjusted. It’s also Johannson’s best performance outside of the Marvel universe, beating out 2009’s He’s Just Not That Into You, which bowed in 2009 to $27.8 million. It’s miles ahead of other original action-heroine works, such as Colombiana ($10.4 million) or Haywire ($8.4 million). as first weekends go, it slots in at #6 all time for our genre, behind two Hunger Games films, another pair of adaptations in Divergent and Tomb Raider, and the Jolie/Pitt vehicle Mr. and Mrs. Smith. Speaking of Angelina, it’s slightly ahead of Salt, though that was better reviewed, and likely will possess better legs at the box-office.

lucy3Still, somewhere around $125 million in the US is likely, which would give it a place in the all-time top 10 for GWG flicks – and likely twice as much overseas. Considering it cost only $40 million in total, one imagines the possibility of a sequel is already being pushed around the drawing board. It’s particularly impressive for Lucy to come out on top of Hercules, which cost about 2.5 times as much and had a well-established action name front-lining it, in Dwayne Johnson. It also had more venues and 3D ticket pricing on its side. Of course, with Guardians of the Galazy opening on Friday, this is certain to be a one-weekend wonder, but with Lucy having taken in more than its entire budget in just three days, I doubt anyone involved will mind too much. For now, I guess Scarlett Johansson just kicked The Rock’s ass. :)

But was it any good? You’ll have to wait for our review to find out…

Never mind girls with guns, here are “waitresses with weapons”

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The Colorado town of Rifle was founded in 1882, and took its name from the Rifle Creek which flows through the town – that, in turn, was named after a trapper left his weapon on its banks around the time. Given that, it seems reasonable for a town restaurant to be called “Shooter’s”, though it isn’t quite what it sounds like. Said co-owner Lauren Boebert, “I consulted with my Christian friends and everyone said ‘Shooters’ sounded like a bar or a strip joint. But I thought, this is Rifle — it was founded around guns and the Old West. We called it Shooters and started throwing guns and Jesus all over the place.” And what do they mean by that? To quote the AP report: “As she takes your order, waitress Ashlee Saenz carries a pad, pen and a loaded Ruger .357 Blackhawk revolver holstered on her leg, Old West style. It’s loaded, and she knows how to use it.” One imagines no customer ever dares stiff a waitress on her tip in this establishment.

It’s a theme Shooters carries beyond their armed serving-staff, also hosting classes that qualify attendees for a concealed carry permit – the one in May drew 25 people, paying $75 (which also included dinner). And local police chief John Dyer is entirely fine with it, perhaps in part because the town hasn’t seen a shooting death in well over a decade, the last such being in 2001. “If it was a bar, I might be saying something different.” [The restaurant doesn’t serve alcohol –  not even shots, hohoho] “But I have no problem with it. And besides, they make a really good burger.”

I’ll admit, some aspects of this seem a little strange: girls with guns, fine, but girls with guns and Jesus? That’s a new one on me, and none of the reports delve further into that aspect, which I’d have thought would have merited additional inquiry.  While not exactly an expert on the Bible, I seem to recall Jesus being rather more into loving thy neighbour, though on the other hand, he never expressed any particular opinion on the topic of the Second Amendment. But I’m still down with the idea, even if personally, I think they could improve on it by having the waitresses dress to match the theme as well: cowgirl, policewoman, Milla Jovovich, etc. When the zombie apocalypse happens, between the good burgers and the girls with guns, there would probably be no better place to take refuge!

MPAA reject poster for Sin City 2

According to PageSix.com, the reason given for the ban was “for nudity” — which probably falls into the category of “Well, duh…” – and specifically, “curve of under breast and dark nipple/areola circle visible through sheer gown.” Can’t see why. I quite like it…

The film is out on August 22 [I mention this in case you missed the information on the poster, which would be fairly understandable]. My interest certainly increased.

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Agent Carter gets her own TV series

Agent-CarterSomewhat following up on the news from February that Black Widow will get her own film. Marvel Entertainment and ABC announced that the comic book company’s Agent Carter, will get her own 13-episode series this summer. It’ll be screened when Agents of S.H.I.E.L.D. goes on hiatus, before returning for its second season [we tried it, but gave up a few episodes in; our son remains a fan though]. Here’s the official blurb on the new show.

Marvel’s Agent Carter, starring Captain America’s Hayley Atwell follows the story of Peggy Carter. It’s 1946, and peace has dealt Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad.

Working for the covert SSR (Strategic Scientific Reserve), Peggy must balance doing administrative work and going on secret missions for Howard Stark all while trying to navigate life as a single woman in America, in the wake of losing the love of her life–Steve Rogers. Inspired by the feature films Captain America: The First Avenger and Captain America: The Winter Soldier, along with the short Marvel One-Shot: Agent Carter.

Starring Hayley Atwell as Agent Peggy Carter, Marvel’s Agent Carter is executive produced by Christopher Markus, Steve McFeely, Tara Butters, Michele Fazekas, Kevin Feige, Louis D’Esposito, Jeph Loeb.

AgentCarter2It’s largely inspired by the Marvel One-Shot: Agent Carter short film, included as a bonus feature on the home release of Iron Man 3, though as the blurb notes, Carter also played a significant role in the two Captain America films. But her character dates all the way back to May 1966 (making her virtually the same age as me!), first appearing in Tales of Suspense #77. In her comic incarnation, Carter joined the French Resistance, fighting alongside Captain American and falling in love with him, before suffering amnesia and being sent home.

The film – and presumably TV – version is rather different, having Carter as a British agent. Atwell says of her, “She’s an English soldier through and through, although she always looks fabulous. She might stand there with a machine-gun shooting Nazis, but she’s obviously gone to the loo beforehand and applied a bit of lipstick. She doesn’t need to be rescued. That’s exciting to me – her strength.” The period setting is interesting, not something often seen in network shows, though cable’s Mad Men shows that it can be highly successful. If Carter gets renewed, one suggestion is the show will probably move forward a couple of years with each season, up until the formation of S.H.I.E.L.D. It’ll cover the gap in Carter’s life between the events of the two America movies, the first set during World War 2, the second during the present day.

It’s also interesting to note that the series will be helmed by two female showrunners, Michele Fazekas and Tara Butters, who created Reaper, and just finished a stint working on Resurrection [which we did watch, but vastly preferred the French take, Les Revenants]. However, perhaps most relevant to this site, they were writers and consulting producers on Dollhouse, starring Eliza Dushku, which certainly had a decent quota of ass-kicking heroineocity. I must confess, I haven’t see the Marvel One-Shot as yet, but this news has certainly inspired me to see if can track it down. Below, you can find a quick clip, to whet your appetite for what is to come on ABC this summer.