Asura Girl

★★★
“There will be Blood

This is part of the Blood universe, which previously gave us anime series Blood +: Episodes 1-25 and Blood: The Last Vampire in both animated and live-action versions. That’s small beer compared to the Blood-C segment, which began as a 12-episode anime show, subsequently becoming two manga series, a novelization, a stage play, and three live-action movies. The other two, set in the current day and entitled Blood Club Dolls 1+2, aren’t of interest here despite their title (and aren’t very good), since at least the first only includes a brief cameo by Saya, the heroine of the series. Her role here is considerably more substantial, and it’s basically a better production all round. Not least because most of it works reasonably well with no prior knowledge.

It takes place not long before the outbreak of World War II, in a small rural village, plagued by a series of mysterious deaths. Brutal military policeman Amakatsu (Furuta) is charged with investigating, blaming local communist sympathizers. However, two elements suggest otherwise. Firstly, the arrival of Saya Kisaragi, member of a vampiric race called the ‘Elder Bairns’, who hunts her own kind. Then there is the contraction of a mysterious blood-based disease of Ran (Aono), the sister to village resident Ren (Matsumara). He encounters Saya when she meets a police squad, and tries to rescue her. If you’ve seen any of the entries linked above, you’ll know that she isn’t a character exactly in need of rescuing.

Wisely, the film doesn’t stretch out the “who” aspect of the mystery, since it’s not exactly hard to guess. The “why” does turn out to be a bit more unexpected, and at the end, there are a few moments where it does feel like some familiarity with the world in which it works would be helpful. Generally though, it’s fine as a standalone piece. I would have liked to have seen more of Sana in action: after taking on the police, she takes a back seat to Ran and the struggles of the village to convince Amakatsu they’re not better off dead than red. However, it certainly qualifies for the site, with some solid sword-fights at the end, which make up for in very enthusiastic, crunchy sound design, what they may lack in explicit gore and impalement.

Outside of Sana, it is a bit bland in terms of characters. Ran doesn’t make much of an impression and, until the final third, neither does his sister. There were points where this reminded me of a Hammer film, albeit one obviously set in a different time and place, with the concept of a small village plagued by a terrible evil. Twins of Evil might be the closest, as it also had a strong authoritarian figure (played by Peter Cushing), who was correct about the presence of evil – just terribly wrong in regard to its source. Amakatsu doesn’t have anything like the same arc, though this remains a considerable improvement, in most ways, over the contemporary live-action film.

Dir: Shutaro Oku
Star: Ryūnosuke Matsumura. Kanon Miyahara, Kaede Aono. Arata Furuta 

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