★★★
“This sister is still doing it for herself.”
I’ve not seen the original Orphan. I suspect this does not matter very much, since what we have here is a prequel. I will admit to having been lured in by the barking mad central idea. It does justice to the lunacy, though can’t sustain itself entirely, and at least somewhat collapses under its own weight. We begin in Estonia, where Leena (Fuhrman) is a very, very angry 31-year-old. Not without justification, being trapped in a 9-year-old’s body due to a hormonal condition. Previous violence has got her committed to a secure facility, but Leena breaks out and decides to adopt the identity of Esther Albright, an American child who went missing years previously.
This plan works surprisingly well, with few questions being asked and no pesky DNA tests. There is some precedent: the documentary The Imposter chronicles the story of a con artist who convinced a Texas family he was their long-lost son. There is also a good reason why Mom Tricia (Stiles) and brother Gunnar (Finlan) don’t want to rock the boat. Quite why Dad Allen (Sutherland) doesn’t do his due diligence is less clear. So the film can happen, I guess. It’s all very awkward, especially when “Esther” starts having most undaughterly feelings towards her not-father. Yeah, the whole thing is creepy on a variety of levels, and gets increasingly so, the more we learn about the Albright family and their assorted dysfunctions.
I have to say, the makers did a startling job with Fuhrman, who in reality is now thirteen years older than she was at the time she starred in Orphan. They use a combination of makeup, forced perspective shots and child stand-ins to have her play a nine-year-old, and you truly cannot see the joins. Just a pity the same level of effort and craftsmanship was not applied to the story elements. Having read a synopsis of the original movie, if not exactly an everyday story of normal folk, it seems it might not require the same helping of what Chris calls “I’m so sure…” This likely goes to a solid 11 in that department.
Not that it matters, providing you are fine with a pot-boiler of lurid elements, that exist largely to make the viewer feel uncomfortable. Which is, I guess, I point of most horror, admittedly. The tension between mother and “daughter” escalate like a pressure cooker, leading to a final confrontation, pitting them against each other in a burning building which is… Well, I’d say it is undeniably in line with what has got us to that point. In other words, it’s ludicrous and overblown, yet I’d be lying if I said I was not entertained. I do wish they had gone full-throttle into the possibilities of the scenario, for example sending Esther off to school to interact with actual nine-year-olds. The implications of the scenario are, overall, probably more horrific than the way it plays out on the screen.
Dir: William Brent Bell
Star: Isabelle Fuhrman, Julia Stiles, Rossif Sutherland, Matthew Finlan