Asking for It (2020)

★★
“A Net loss.”

Not to be confused with the 2022 rape-revenge film of the same name (which I’ll get round to reviewing down the pipe), this is somewhat lighter in tone, though there’s a case to be made that this clashes terribly with the subject matter. Jenny (Hsu) is a journalist, working under Cheryl (Garofalo),and her work has brought her to the attention of an online stalker, who sends her increasingly disturbed and disturbing emails. When the harassment begins to move from the cyberworld into the real one, and the authorities fail even to reach the level of disinterest, Jenny teams up with room-mate Lisa (Morales), to hunt down the perpetrator and bring him to justice themselves.

In case the above is not clear, this is a comedy.

Yeah, I’m a bit uncomfortable about this. Not necessarily about the subject matter, as I tend to think any topic can be seen through the lens of humour. However, the more problematic your target, the less room for error. If you want to joke about, say, the Holocaust, you’d better bring your A game. This isn’t anywhere in the same league as a subject; however, nor is the comedy here anything close to an A game. There are a few amusing moments involving veteran Garofalo, who has the timing to hit home, with her depiction of a jaded and cynical writer. Yet otherwise, it’s mostly a weirdly toothless kind of satire, possessing too many “Is that supposed to be a joke?” moments, e.g. the blanking out of all the F-bombs.

I did enjoy the performances, with Hsu an appealing lead, and Morales doing some heavy lifting as the weirdo housemate from hell, whose special skills are indispensable to the plot. Though her “hacking” scene is another of those “Is that supposed to be a joke?” moments. The best scene probably has the pair heading to utterly deadpan teenage gun dealer, Lisa’s step-daughter, Missy. She delights in speeches like, “You left your G-string, by the way… I wore it. And then I sold it. On a website for perverts. And then I donated that money. To an elephant. Charity,” or “I don’t know how any of them work… I’m not a school shooter. Jeez, I’m sorry I can’t tell you the science behind riflery.”

Outside of those five minutes, the rest does not consistently work, either as a comedy or a thriller. I think it’s mostly a scripting problem, not least because the identity of her stalker is painfully obvious from the moment he first appears. You have to wait about an hour for Jenny and Lisa to catch up, and the pickings in that time – save Missy, who deserves her own movie – are slim. I was left mostly wondering why anyone would want to a) live in New York, and b) work as an online writer – fortunately, this is not my day job. I suspect this was not exactly the intended take-away. 

Dir: Amanda Lundquist, Becky Scott
Star: Stephanie Hsu, Irene Morales, Colin Burgess, Janeane Garofalo

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