Let’s be completely clear. 2023 was a dismal year for the genre, probably the worst in the decade or so I’ve been doing these annual previews. Of all the films listed in last year’s piece, there was not a single one – of those which actually showed up – that was half-way decent. Mind you, I haven’t seen The Marvels yet. I kinda lost the will to live for that one, having failed to complete the necessary homework of all those TV series on Disney+. I’ll maybe get round to it… eventually. It was a dismal flop at the box-office, but still remains the closest thing to a hit for an action heroine this year, albeit barely reaching the year-end top thirty. After that? The holdover of Everything Everywhere All at Once was the only other in the top hundred. At #100.
Will 2024 be better? I think it might be, albeit partly because it would be hard pushed to be any worse. There is one obvious tent-pole entry, though I have some qualms about it, and below that, the usual slew of maybes and possibles. Let’s tear in, with the usual caveat that all release dates are vague, approximate and subject to change at a moment’s whim. I’ve also not included a few entries which are apparently scheduled for next year, but about which little or nothing is known, such as The Old Guard 2.
Ballerina (June 7)
Not to be confused with the Korean movie of the same name, this is the John Wick prequel, focusing on Eve, played by Ana de Armas. The storyline revealed so far seems largely boilerplate: “A young female assassin seeks revenge against the people who killed her family.” However, its presence in the Wick-iverse certainly elevates it, and the director is Len Wiseman, best known for his work on the Underworld franchise. So he clearly knows his way around an action heroine. Hell, he married one. :)
Breathe (TBA)
You had me at Milla Jovovich. “Air-supply is scarce in the near future, forcing a mother and daughter to fight to survive when two strangers arrive desperate for an oxygenated haven.” Neither mother nor daughter are actually Milla, however, so I’m going to presume she’s one of the strangers. While we’re on the topic of Jovovich, what happened to George R.R. Martin adaptation In the Lost Lands, starring her and Dave Bautista? It’s supposedly has been in post-production since last January, but the IMDb doesn’t even give it a year any more. Weird.
Christie the Movie (TBA)
This one is still listed as being in pre-production as of September, and the cast list on the IMDb doesn’t even mention the lead actress (which a still shows as Janessa A. Morgan). But what’s interesting is that this is based on cult series Get Christie Love! which originally aired on TV in the mid-seventies: we reviewed the pilot here. I’d certainly not mind seeing a movie version, but the general lack of information leaves me doubtful this will see the light of day next year.
Damsel (March 8)
Dieter brought this one to my attention, and after the trailer looked somewhat ho-hum for much of its running time, the end – more or less, the still at the top of this article – did get my attention. It will star Netflix’s favourite young woman, Millie Bobby-Brown (of Enola Holmes), as “A dutiful damsel [who] agrees to marry a handsome prince, only to find the royal family has recruited her as a sacrifice to repay an ancient debt. Thrown into a cave with a fire-breathing dragon, she must rely on her wits and will to survive.” The last time we saw one of those subversive fairy tales, it was The Princess, and was great. So fingers crossed…
Echo 8 (TBA)
“An assassin flashes between a nightmarish dream and her reality at a secret underground organization. When her latest mission involves killing a grieving mother, she discovers her target is closer to home than she realizes-much closer.” This is a low-budget labour of love for star Maria Tran, who also co-directed (with her husband Takashi Hara), edited, produced and worked on the fight choreography.
Furiosa (May 24)
There it is. The prequel to the god-tier work which was Mad Max: Fury Road, though with Anya Taylor-Joy replacing Charlize Theron. The trailer for this came in for some criticism when it came out, in particular due to the shaky nature of some CGI elements. Given how the practical approach of Fury Road was one of its outstanding elements, this is understandable. Hopefully it’s something they can fix in post-production. My other concern is Taylor-Joy, who doesn’t have much pedigree in action, and based on the trailer, does not have the same physical presence as Theron. However, it is an origin story, and I would expect the character arc to reflect this. In George We Trust. This may end up being a rare cinema trip for us.
Griselda (January 25)
I’ve not typically included TV series in this feature, but feel this one deserves an exception. We’ve previously a number of films regarding drug-lord Griselda Blanco, both dramatizations of her life and documentaries. This is the former, being a Netflix miniseries, with Sofia Vergara in the lead role. This feels a bit of a double-edged sword. She’s Colombian, like Griselda. But she’ll always be Gloria from Modern Family to us. I think this one might be just a little more blood-spattered though, coming as it does from the makers of Narcos.
Mr. and Mrs. Smith (February 2)
As with Griselda, the TV series remake of the 2005 movie of the same name deserves inclusion. Maya Erskine and Donald Glover star as the marriage couple who are also spies, though based on the trailer, it seems like it begins with them separate. The synopsis offers a different direction too: ” Two strangers land jobs with a spy agency that offers them a life of espionage, wealth, and travel. The catch: new identities in an arranged marriage.” Erskine isn’t exactly Angelina Jolie, so we’ll see.
Rebel Moon – Part 2: The Scargiver (April 19)
The follow-up to part one looks set to continue the story of Kota, who has now assembled her band of rebels to take on the evil empire of the Motherworld. I imagine we can expect more of the same as what we’ve seen so far. Which would be spiffy visuals, albeit accompanying a plot which could use rather more originality. The jury is likely still out on whether Zack Snyder will get his desired cinematic universe of this. Didn’t work out too well for Army of the Dead.
Seize Them! (UK April 5)
The synopsis sounds promising: “Queen Dagan is toppled by a revolution led by Humble Joan . The Queen becomes a fugitive in her own land, and must face hardship and danger as she embarks on a voyage to win back her throne.” However, it is a comedy – the cast include Nick Frost and Jessica Hynes, both out of the Edgar Wright nexus. So how much actual action will be involved here is uncertain: I’m still going to watch it.
The Street Avenger (December 24)
“When a young girl being raised by a single father loses him to gang violence, she tries to take the law into her own hands and finds out being a vigilante is nothing like she reads about in the comics… This is a raw, action-packed adventure that shows the inner strength of a young woman that will stop at nothing to avenge her father.” Okay, I am interested. But let’s see if the makers can deliver on everything the promised in that synopsis…
Tomb Raider: The Legend of Lara Croft (TBA)
Another Netflix series, this will be an animated show, with Hayley Atwell voicing Lara. Not much information, beyond that the series “Follows heroine Lara Croft as she explores new territory.” There is a “First Look” video available, which is included as part of the watch-list below: the animations looks quite nice. Hopefully it’ll be an improvement over the underwhelming Alicia Vikander version of the character.
Trigger Warning (TBA)
Out of the “long in production” file comes this Jessica Alba vehicle, with the following synopsis: “A traumatized veteran who inherits her grandfather’s bar and faces a moral dilemma after learning the truth behind his untimely death.” Filming on this apparently wrapped back in October 2021, so quite what the hold-up, I don’t know. It’s supposed to be a Netflix release, but we’ll see.