Ultraviolet

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“U’s the boss?”

By my reckoning, that’s now five straight big-budget action-heroine pics in a row not to be screened for critics: in addition to these two, add Domino, Aeon Flux and Bloodrayne. Yet this is, like the others, no real disaster: indeed, this is a luridly visual, CGI-overkill of a movie, which unfolds exactly like the comic-books used to striking effect in the opening credits, and wears its HK action (among other) influences on its sleeve.

Of course, it probably helps that we are big fans of Equilibrium, Wimmer’s previous SF-action flick, which achieved a cult following for its sleek style and innovative “gun kata”, a scientific martial-art designed to maximize both the efficiency and survival of its practitioners. Ultraviolet could be set in a parallel universe to that, where a disease has turned some of humankind into vampires, or “hemophages” as they’re called here. The rulers, led by Daxus (Chinlund), have developed a genocidal bioweapon, which Violet (Jovovich) has been tasked by her colleagues in the vampire resistance to steal or destroy. Only, to her shock, it turns out to be a child (Bright), which brings out her maternal instincts, even as both Daxus and her former allies now seek to destroy her.

As with Resident Evil, the main asset is Jovovich, who projects just the right mix of chic bad-ass – her belly-button gets so much screen time, it deserved its own credit – with wardrobe and hair changing colour in synch with her mood [and, I believe, it’s far more likely nanotech will be used for this kind of thing than, say, curing cancer] When her co-vampires prepare to take her on, pointing out they’re just as fast and strong as she is, her response is, “Yeah, but are you as pissed-off as I am?”. It’s hard to imagine any other actress who’d come out with such a cheesy line and get away with it.

Indeed, much of the film is similarly-targeted: her ability to drive her bike up and down the walls of skyscrapers is dismissed with a one-line reference to a “gravity leveller”. What? Exactly. This airy dismissal is the film’s way of telling you it isn’t going to bother explaining everything, and you’d better deal with it. In that way, it is perhaps more like Aeon Flux than Aeon Flux actually was, and the body-count is similarly hefty to the original MTV shorts. However, the PG-13 certificate leaves it all but bloodless, giving the battles about as much sense of danger as a video game. And, oddly, every shot of Jovovich appears to be in soft-focus, for no apparent reason.

Otherwise, however, the action is excellent, CGI enhancing the impact of the fights. There is a certain sameness, it must be admitted – Violet faces multiple opponents and kicks their arses from here to next week – but Wimmer takes this basic theme and runs enough variations on it that it doesn’t become boring. Visually, it is hard to work out where the sets stop and the plentiful effects work begins (to some extent, that’s true of the supporting cast as well, who don’t have really have much to do, and may be avatars). Either way, it looks fairly good, given the budget: as noted, it isn’t going for photorealism, though the motorcycle chase did look more like an Xbox game. But even little things like disposable mobile phones, indicate genuine thought has gone into the edges. Perhaps more so than the plot, truth be told.

However, if you’re looking for a cool, entertaining flick, this is the best action heroine to come down the pipe since…well, probably the last Milla Jovovich film. While studio interference may have hampered Wimmer’s creative vision (half an hour is rumoured to have been cut out – here’s hoping for an uncut DVD), it’s certainly not deserving of the 8% fresh score at rottentomatoes.com: as previously mentioned here, hell hath no fury like critics shorn of their free screenings. And in contrast, after 2200 ratings in the IMDB, 25.6% of voters gave it 8+ out of 10, so don’t just take my word for it. I’ll close with some comments from other, brave, reviewers who “got” it like I did – albeit partly to prove my enjoyment of this was not just a psychotic episode…

Peter Sobczynski: “The pretenders will bitch about ridiculous and over-the-top while decrying it as mind-numbing junk while the real film fans – those who realize that the line between trash and art is not as large or as distinct as some would have you think – will relish it for those very same qualities.” Kushmeer Farakhan: “Probably the first great Popcorn movie of the year. It’s not brainless and it’s not highbrow, it merely is what it is. A really fun action movie.” Brian Gallagher: “If you want some insanely innovative action, with a futuristic twist, Ultraviolet is right up your bullet-dodging alley.”

Dir: Kurt Wimmer
Stars: Milla Jovovich, Cameron Bright, Nick Chinlund, William Fichtner

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