“The lady dragon just attacked our wig warehouse!”
I have reviewed this previously, way back at the birth of the site, as part of the Women Who Kick Butt box-set, where it was easily the best film present. However, that was in a dubbed version, and having recently got hold of a copy in the original Japanese, I thought it deserved a re-watch. I’m pleased to report it remains a supremely loopy bit of fun, fully meriting the seal of approval and deserving of its own page, However could it be otherwise, with dialogue such as the title caption above, or the unforgettable line, “I killed fifty bulls with my bare hands in South America, you know.” It’s 70’s martial arts plot #26: central character goes to look for missing relative. In this case, it’s Tina (Shihomi), whose brother, an undercover cop, vanished while looking into a Japanese drug cartel. She agrees to follow in his footsteps, and soon finds the gang, under boss Hayashi (Yamamoto), handle snoopers with extreme prejudice. As that caption suggests, they bring the merchandise in using heroin-infused wigs(!), and the eccentric boss is now keeping Tina’s brother as a plaything in his basement – presumably alongside the “men who know where they are and care, but don’t drink.”
Oh, and Hayashi also collects martial artists: “Some rich men buy race horses or keep an expensive dog as a pet. But I keep unusual humans instead of animals. It amuses me.” This includes everything from an expert in the Okinawan Kobudo, a chained sickle, through to a pack of Thai kickboxers called the “Amazon Seven.” There’s also a guy with a mohawk who shoots poisoned darts from his blowgun, and bunch of fairly ineffective minions, who walk around wearing what look kinda like ski-masks made of straw. Wisely, they remove these before going into battle, although this does make me wonder what the point is. These and more will all, at some point or other, be faced down by Tina and/or her own allies, including colleagues of her brother, Sonny Hibachi (Chiba) and Emmy Kawasaki (Hayakawa), as well as a ballet-school teacher, because everyone in Japan knows some version of karate, it appears. [I should also mention the unfortunate logo of the karate school is a swastika!] Though Tina’s most startling skill is her ability to fall hundreds of feet from a high bridge, then re-appear without the slightest explanation as to how she survived.
Yamaguchi’s directorial style appears to consist of tilting the camera semi-randomly, leading to some sequences being Everyday Etsuko Shiomis, seen from unusual angles. But he also is smart enough to stand back when appropriate, letting her and everyone else do their thing, and this is when the film earns its keep. Watching Shiomi duel with nunchakus is worth the cost of admission alone, with the rest of the fights, and the general lunatic approach, merely a bonus. Released almost exactly a year after Enter the Dragon, the debt owed to that classic is certainly clear, not least in the tiger claws wielded by Hayashi. If some performances may be on the functional side (watch the drug withdrawal scene for truly epic over-acting), it still does a better of job of repaying its debts than many other imitators of the time, being an enjoyable slab of excessive kung-fu action in its own right.
Dir: Kazuhiko Yamaguchi
Star: Etsuko Shihomi, Shohei Yamamoto, May Hayakawa, Sonny Chiba