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Clearly influenced by The Stepfather, this is still its own creature, with Cassie a strong, independent heroine of the first degree, who will do absolutely anything to protect her children, even if one is a Bible-thumper and the other an immensely-irritating teenage brat. Indeed, it's probably important to note that [here be spoilers, highlight the text if you want to read it] all the women survive, and only men die. How much of this was the input of a woman director - itself, fairly unusual for the genre - is open to discussion. Another big plus is that the film doesn't rely too much on the stupidity of the main characters, which is a common flaw; their behaviour here is relatively logical, though there were times when the victims did not take an avenue of escape that appeared to be open to them. The look of the film is impressive, with a lush pastoral feel early on, that eventually turns into a dark, rain-drenched nightmare as things become bloody. However, the main strength are performances which are believable, on both sides of the fense, effectively ramping up the tension as the body-count increases. It builds to a satisfactorily invigorating battle, in which Cassie has exhausted all legitimate hope of rescue and is thrown entirely on to her own tenacity and survival skills. Ellen Ripley would certainly approve, even if here, the monster being opposed for maternal reasons has a human face. [July 2012] |
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