Ebony, Ivory & Jade


“Plus Teak and Porcelain…but not forgetting Milo.”

As well as its questionable use of the apostrophe, the cover kinda implies that three girls are involved here, which is only true for a small fraction of the running time. It starts off with five female athletes, including rich heiress Ginger, being kidnapped in the Philli…er, “Hong Kong”, and held for ransom. Their subsequent frequent attempts to escape are hampered by a difficulty in grasping the idea that, when you knock someone out, it’s okay to take their gun. But not everything is as it seems with regard to their “kidnapping”.

Oddly, there’s some primitive attempts at social commentary here, not least the conflict between black and white within the athletes, and the fact that one of their escape attempts is aided by a Communist rebel. We were also amused by the extremely crude product placement for “Milo”, which I presume is some kind of beverage popular in the Philippines – if not, perhaps, Hong Kong.

However, despite all this, and funky 70’s music which often seemed in danger of toppling over into either Bond or The Avengers theme, it gets tedious fast. This is not least because the electricity for the production must have been cut off half-way through, leaving the viewer to peer into murky gloom for the remainder. The doubling for the women’s stunts is often painfully obvious, and I bring to your attention the PG-rating this received in 1976, so don’t expect gratuitous nudity. Over at badmovieplanet.com, they have the sleeve blurb from when it was known as Foxforce. Truly hysterical, in both senses, save your time and money: read that, rather than watching the film.

Dir: Cirio H. Santiago
Star: Rosanne Katon, Colleen Camp, Sylvia Anderson

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