Chameleon 3: Dark Angel

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chameleon3Part three is a return to form, despite a title which might now seem suspiciously unoriginal, at first glance on the video shelves. But it actually predates James Cameron’s series, leaving his genetically-altered, motorcycle-riding loner firmly in the position of late-comer. The mathematics for this one are harder to define, since the ideas on view are…well, if in light of the first two movies, I’m reluctant to claim originality, they are at least taken from less obvious sources. There is thus an “X” factor to take in account here, where X may or may not be genuine inventiveness.
(Chameleon / Kung-fu movies) + (Dirty Harry / 6)2 + Factor X

Note the semi-recursive nature of the formula, with one major element from the first film being rehashed, namely Kam’s acquisition of a child into her protective custody. Note also the plot inversion of many a kung-fu movie – these may be summarised as, “you killed my brother and you must pay!”, while here, it’s “you are my brother and you must pay!”. Yes, the chief threat here comes from Cain, another DNA-hybrid: wolf, bat, etc. though I’m unaware of any of them having the startling regenerative powers he has. Maybe the bat was part vampire, in which case Kam could always try decapitation and stuffing a holy wafer in his mouth, for nothing else – even impalement with a pipe – is a long-term solution. Time to call in Buffy, perhaps.

 A bunch of physicists, including teenage prodigy Tess (Teal Redmann – who, Chris points out, looks like a young Renee Zellwegger), are working on a sample of “dark matter”, when rudely interrupted by Cain. He makes off with it at the behest of his master (bald head, sneer and clearly planning towards Being John Malkovich) for the usual mercenary gain purposes. Unfortunately, the dark matter is unstable and Tess has to convince Kam that in 48 hours, the planet will be gurgling down a black hole like leftover soap-suds. So far, so ho-hum, but the only way to stop it is by exploding an electromagnetic pulse bomb – and the only person to have one powerful enough is a wheelchair-bound terrorist called The Mongoose. Will they find him in time?

I imagine no-one genuinely doubts the answer, but this adds a whole new plot twist, especially as the last time the Mongoose activated his weapon, its impact was pretty heavy. What happens when it’s used here is never really shown, and there is some scientific handwaving about the black hole absorbing all the energy, but it would be gratifying to think that it became necessary to destroy the city in order to save it. Not least because Cameron’s Dark Angel starts with a very similar premise.

Even if the heroine’s chameleon-like powers have been all but forgotten, this is the best entry in the series, with some great action, notably Kam’s single-handed demolition of the Mongoose’s gang – I saw this just after coming back from Jet Li’s Kiss of the Dragon, and it’s a battle which stands up well in comparison. Her ruthless brutality is also surprising and you can only sympathise with her handlers, futilely trying to keep her in check. She does what she want, when she wants, to whom she wants, and can only be applauded for it. The child actor here is also a great deal less annoying than first time around, an obvious relief to the viewer.

There, for the moment, the series rests. What lies in the future is hard to tell, but given the ongoing success of shows like Buffy, Xena and La Femme Nikita, it’d be a foolish man who would write off the chances of Chameleon finally making it onto the small screen.

Dir: John Lafia
Stars: Bobbie Phillips, Teal Redmann, Alex Kuzelicki, Doug Penty

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