Like much horror, the rape-revenge genre is one which overlaps with, rather than being wholly encompassed by, the action-heroine field. Some entries qualify: the awesome glory which is Ms. 45 being the most obvious example. But others appear to focus more on the rape than the revenge, and are far less interesting as a result. Such was the case for the first two entries in this series – and, indeed, the 1978 grindhouse classic which it rebooted. Here, however, in an interesting twist we bypass the assault entirely. This starts instead with the victim in the earlier movies (Butler) having adopted a new identity, that of Angela, and attending both one-on-one therapy as well as group sessions.
It’s at the latter she meets Marla (Landon), who shares Angela’s dislike for the whole touchy-feely aspect of recovery, and prefers a more… “hands-on” approach to working things out. When they discover that another member of the group is still being molested by her stepfather, it’s time to put their theory into practice. While apparently a success, at least initially, it turns out Marla has her own issues that still need to be dealt with. Additionally, the aftermath of their street justice is bringing the attention of the cops, in particular SVU Detective McDylan (Hogan). It’s kinda hard to explain why you’re in a bad part of town, fighting with a man in a back-alley, and carrying a knife, a Tazer and a can of lighter fluid.
I was sure I knew where this was going. Meeting someone called “Marla” at a support group, is such an obvious nod to Fight Club, I was certain she’d turn out to be a figment of Angela’s imagination, and there are fantasy sequences also pointing down that road. Happy to be proved wrong, and the film twists in some unexpected directions the rest of the way, right until the end. It’s most memorable feature, however, would be two absolutely – bold and capital letters please – BRUTAL sequences of Angela’s revenge. The first, in particular, is going to stick in my mind for a very long time, in part because it comes virtually out of nowhere. But once it begins, it delivers a one-two punch of almost unsurpassed magnitude: barely had the words “Holy sh…” begun to escape my lips, when it got ten times more savage.
It has to be said, having set the bar so staggeringly high in terms of carnage, I was left wondering how the movie could follow up. Truth is, it doesn’t, and that probably counts as a misstep, since it also distracts unnecessarily from what’s actually a solid performance from Butler. She gets to run the gamut from seductive to extremely scary, and is effective enough at both ends of the spectrum. Make no mistake, this is frequently vile and repellent; yet, it’s exactly how sexual assault should be depicted, because that’s what it is. Just be sure to find an unrated version, and if you’re male, you may want to watch from a spot where curling up into the foetal position is easily managed.
Dir: R.D. Braunstein
Star: Sarah Butler, Jennifer Landon, Doug McKeon, Gabriel Hogan