Angel on Fire


“Dumb but not irredeemable – never mind the quality of the action, look at the quantity!”

Supermodel-thief Mimi (Melanie Marquez) steals an artifact from a Chinese temple, then heads to the Philippines, via Hong Kong. HK and Chinese cops (Khan & Yeung) are on her tail, as is former partner Ko. This is, frankly, a mess. Yeung apparently does no detective work; Khan goes on a date to an illegal street fight; they’re supposedly partners, but only share one scene; and what is the stolen item? It’s only ever called “the precious thing” (at least in the sub version; even we wouldn’t touch the dub [right] with a ten-foot pole). I found it all amusing rather than irritating; your mileage may vary…

Actionwise, it largely explodes in the lengthy finale which occupies about thirty minutes, sprawls across what seems like most of the Philippines, and fails to make much sense either – we certainly lost track of who was doing what to who. While Yeung is hardly allowed to act, she does get a couple of good fights, but the wire-work is poor, with one especially obvious harness. On the other hand, Khan’s martial-arts abilities are underused, and she gets to spend time hanging out with that apparently rare breed, an honest taxi-driver (Ricketts). A couple of decent moments, and Khan’s usual watchability, lift this up to just about acceptable, though only if you are in a forgiving mood.

Dir: Phillip Ko
Star: Cynthia Khan, Philip Ko, Sharon Yeung, Ronnie Ricketts

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