There are times when a film doesn’t deliver anything close to what the sleeve promises. This would be one of those times. However, in this case, while disappointed, I can’t claim it was an entire waste of my time. Or, at least, it wasn’t a waste of very much of my time, coming in at a brisk 70 minutes. Yokoyama plays Arina, a fashion model who has a burgeoning online profile. However, this is not without its dangers, in some questionably creepy admirers. When one of them shows up at a fashion shoot, she and her sister, Keiko, are rescued by a conveniently passing cop, Gotoda – much to their relief. As a token of gratitude, Arina gives him a tube of lipstick, but it soon turns out that the policeman is a far bigger threat than any fan.
It takes quite some time to get to anything even remotely resembling what’s shown on the cover. And by remotely, I mean: no machete, and the costume worn by the heroine is nowhere near as luridly exploitational, when she finally gets to have a roof-top confrontation with Gotoda. Nor does she have the word “BITCH” written in lipstick on her thigh, though her predator’s use of lipstick is hardly any less unpleasant. Until then, it’s more of a study in psychological torture: after she’s attacked and raped, Arina finds her own sister unwilling to believe it. And even after she has got past that, the film’s most chilling scene has the model agency’s (female) lawyer explaining to her in cold, logical terms, exactly why pursuing any kind of case against Gotoda is going to cause more problems than it would solve.
It’s this, along with the realization that this is not going to be a one-off incident, because the cop has longer-term plans, which finally pushes Arina to take matters into her own hands. I’d certainly prefer to have seen this aspect expanded upon at greater length, instead of the five minutes it seems to get here. It certainly doesn’t seem adequate payback for the hell through which she has gone over the previous hour. There’s a particular resonance if you’re aware of Yokoyama’s “regular job” as an adult video star, as one imagines most Japanese viewers would be. The shift to playing a “fashion model” here is slight, but significant: she more or less gets to be herself, just with (slightly) more clothes. And I’m fairly sure she has also dealt with her share of creepy fans at some point.
It’s certainly a cheap topic and approach, and the script doesn’t bring much that’s innovative or memorable. But given the obvious limitations of budget and scope, this is effective enough – providing you are definitely NOT expecting mayhem on any significant scale. Yokoyama’s performance is good enough for the job, and it manages to strike a decent balance between drama and exploitation.
Dir: Ainosuke Shibata
Star: Miyuki Yokoyama, Hiroaki Kawatsure, Mitsuki Koga